Well, a new song, not a bad idea...rerecording Something Wicked, though...it's almost blasphemous. At least they kept it as a b-side, like Maiden did with Prowler and Charlotte the Harlot 88.
Forostar said:For the rest, this isn't a remake, it's a continuation/expansion.
Forostar said:About re-recording a long classic song, I can't see what's wrong with it. I think I'd love it if Maiden would do something like that.
Perun said:There's nothing wrong with it per se, I just think Iced Earth didn't do a very good job with this particular rerecording.
Forostar said:"Demolition" is my least favourite album since it has hardly any uptempo or fast songs.
"Angel of Retribution" is a solid album, I prefer the "Painkiller"-style tracks the most, unfortunately there are only 2 or 3 on it.
Forostar said:Conservative twats!
Seriously, it's an original remake. The atmosphere is quite different, but I hear some interesting differences, musically seen. I guess that they just didn't want to re-record it exactly the same way.
Anyway, I like it. Great drums, and it all sounds very tight and modern.
Raven said:That's exactly the problem. It's tight, but there's no feeling there at all. In tinkering with the originals so that he could make them different, Schaffer sucks all the life out of them. He had to take away half the contrast in Prophecy because Ripper can't do the quiet parts effectively. He completely destroys most of the main riffs with the ridiculous amount of palm muting he uses, and the vocals on The Coming Curse are laughable, at best. Even the cameo of Hansi Kursch in the interlude does little to redeem it.
Forostar said:OK, but then I say you're obviously not a big fan of Owens. And don't get mad when people say that Blaze sucks balls, because technically he does, compared with Owens. Owens doesn't fit less to Iced Earth than Blaze fit to Iron Maiden. It's a bit of an off-topic comment, but I felt someone had to say this, to judge things in a good perspective.
About Schaffer's guitar playing, I think it's magnificent and in a way unique. Often copied, still above all others.
I agree with you on the atmosphere. It's less melancholic, especially the chorus of The Prophecy. Still there are a lot of new musical elements added in this trilogy, e.g. "Eastern" elements, which make up for it imo. So I don't care that much for a change of atmosphere in certain parts. Besides: Iced Earth often had some melancholy-overkill. The most melancholic ones, such as "Melancholy" and "I Died For You", are so sweet sounding that it's a bit over the top, if you ask me. Iced Earth's strengths have always been dark, angry and aggressive songs.
Raven said:'Dark, angry, aggressive'? That's not how I'd describe the remake in the slightest. Ripper just can't come across convincingly as angry or aggressive; every other Iced Earth vocalist (with Gene Adams excepted...I haven't heard their s/t) could pull off songs like Pure Evil or (in Barlow's case) Burnt Offerings...Ripper just has no emotion in his voice at all. Even in Priest, he sounded like what he is; a Rob Halford tribute vocalist.
Raven said:But enough of the Ripper-hating. Schaffer's the true culprit in the travesty. The original SW trilogy sucked you into the story and made you feel what Barlow conveyed...the new one doesn't do that at all.
Raven said:And Owens will always be worse in Iced Earth than Blaze was in Maiden, in my mind,
Raven said:because Owens' style isn't that far removed from Barlow's, so comparisons will be made...Blaze had a more individual sound, compared to Bruce.
Forostar said:Then Harris is a true culprit as well? The re-recordings of Prowler and Charlot the Harlot were thrilling, right?
Forostar said:Exactly, in your mind. In most other minds people were very happy that Blaze left the band after two studio albums.
Mostly for Blaze being the worst known live singer on the planet. He couldn't hold tone and didn't fit with Maiden's old songs, which were very important on the set.
Forostar said:And that's what Maiden forced to change the songs. You don't criticize Maiden for it but you do criticize IE for it.
Raven said:Correction; Maiden changed their song structure to suit Blaze. IE haven't...Glorious Burden was written for Barlow's voice, before he left the band,
Raven said:and the majority of the changes in the SW trilogy are not major structural changes...as a matter of fact, most of the changes I detest aren't Ripper's fault at all...he sings the way he has always sung, and Schaffer fiddles about with the technicalities. I wouldn't even mind the changes if they gave a different slant on the song, but palm muting a riff so much so that all you can hear is a stuttering rhythm with hardly any traces of the melody does not constitute a new interperetation, in my opinion.
Forostar said:So that's logical isn't it?
The remake of the trilogy and the upcoming material are different matters. Iced Earth might have changed the songwriting (and in this case the remake of the trilogy) to suit Ripper.
I doubt that you would be positive if Jon decided just to release the old version with Ripper's vocals dubbing Mat's.
Well, I guess that we hear different things in this remake. I agree that the structure is not very different, but the execution is. The Prophecy's chorus is the biggest difference. And I hope that the material written for Ripper's style will be of better quality than most fillers of The Glorious Burden.
I am not saying I will adore the new album, I have to hear it first, but at least this single made me very curious and the metal production is thundering, so to speak !