CriedWhenBrucieLeft
Meme Only Account
So you cried quite a bit after he had left, but it was because he had left?
CriedThinkingAboutWhenBlazeLeft
CriedThinkingAboutWhenBlazeLeft
I don’t hear any of this stuff you’re saying about blazes voice at allAnother slow intro after an album chock full of them. Blaze sounds a little better on the soft stuff than on most of the equivalent material on The X Factor, but he's still inconsistent and a bit off key. The back and forth between the softer and harder sections is kind of interesting, but goes on a bit too long.
After 2 minutes of this we do a hard left turn into what feels like a completely different song with a pretty good Maiden vibe. Blaze's delivery is sloppy, but mostly works until the chorus, where his attempts to harmonize with himself completely fall down. When you can't hit and hold your notes, and when your vibrato and tremolo are inconsistent, singing on top of yourself sounds terrible -- a chorus of bleating goats is what comes to mind for me in this case.
Blaze tries to hold the note at the end of the chorus, but fails miserably, wavering off-key until he contorts it into an awkward "yeah". The musical interlude that follows is fine, but nothing special. The choral accompaniment is nice, though.
"The rats in the cellar, you know who you are" is delivered poorly, almost like he's doing an ironic punk take on it...but he's not. His self-harmonization on "or do you" actually sounds pretty good, though.
The song should have ended there, but we get another unnecessary callback to the intro, because that was apparently Steve's thing during this time period.
Another mixed bag from Blaze-era Maiden. Some strong positives and some equally strong negatives. 5/10.
Here you go...I don’t hear any of this stuff you’re saying about blazes voice at all
To me, the buildup is an integral part of the song. Without it, the return to it in the end makes zero sense and sounds terribly misplaced. Plus the way the cut version starts sounds forced, you can definitely tell something is missing.
To me, the buildup is an integral part of the song. Without it, the return to it in the end makes zero sense and sounds terribly misplaced. Plus the way the cut version starts sounds forced, you can definitely tell something is missing.
I know how it starts, I've listened to it before. I just don't like it.The single version doesn't start like this.
A 1 seems too high for this song. This is by far the worst song IM have ever done. Nothing comes close to it in terms of suckiness.Re: Daily Song: Virus
WTF? Someone really gave this a 1? It's really in the worst bunch of Maiden songs?
Actually, this is just as bad as the person that gave a Powerslave a 2 (again a mystery voter)!
Well I disagree. 10/10 comes closer to the mark.A 1 seems too high for this song. This is by far the worst song IM have ever done. Nothing comes close to it in terms of suckiness.
Which came first??
Skip to 9:50