MrKnickerbocker
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Man, To Tame a Land is super cool, but it's just not all that good as a complete song.
This is a phenomenal song. Incredibly powerful, grooving rhythm and heavy a la Bruce solo material.The rhyhm guitars are awesome. I heard them doing different things. One playing longer chords than others, and also some different scaling (perhaps voicing is the better word). It sounded very harmonic. The song has vocal melodies that are dramatic and catchy at the same time. It's an omen for the majority of the album: strong vocal melodies. Bruce sings awesome melodies, carrying the album with his captivating voice.
You can tell that it was written for Bruce's solo work, it wouldn't sound an inch out of place on Chemical Wedding or Tyranny of Souls, but its been Maiden-ised and charged with raw energy, I can't wait to inevitably see it opening the concert on next year's tour.
Best opener since... ever! Yes, I said it. This is the best opener on any Maiden album, ever. My favourite before must have been CSIT. But this one wins, so heavy, so good. The voice of Bruce, so powerful. It also makes me wonder how many of Bruce's solo songs would have sounded like if they were played with, and produced with the assistance of Maiden.
Least favorite song so far. Not digging the outro. Creepy as hell and adds zilch to the song in my opinion. The song just seams too sluggish to me as a starter. I assume they will open with this, but I'd rather have the great unknown as an album and concert opener. Too bad, I really was anticipating this song. I'm sure it will grow, but disappointed (with this song) so far.
I think this is a great opener. Probably my favorite opening song since at least the 80s. It just soars, especially the guitar leads which are interwoven all over the place here and sound fantastic. My only criticism is the spoken word outro which totally sounds like it was meant to forward or introduce a series of follow up songs but doesn't.
I don't think the spoken part is bad, I just think it doesn't add anything to the song. I mean, it doesn't detract from how great and awesome the song is, but also it's not an essential part of the song, that I would miss if it wasn't there.
Honestly I don't see why the Necropolis thing is a big deal. When I heard the song I wasn't aware of it being part of a separate concept album, I just thought it was some character Bruce made up for the song. Like Benjamin Breeg or Charlotte the Harlot. I didn't see a need for a whole album about the guy or something, he's the harvester of the soul meat.
Interestingly enough, there is no true guitar solo. The outro, a spoken word piece about some character named Necropolis, is certainly creepy but feels out of place. Apparently this track was supposed to be the beginning of Bruce’s next solo album, a concept piece, and this would have no doubt set up the remaining songs. Steve Harris heard the outro and decided to keep it, which was definitely a mistake, but it’s a small matter when the preceding song is so damn good. A unique, incredible opening track all around.
Such as Paul himself.there's still people who swear Iron Maiden stopped being true in 1981 when Paul left
I can imagine this on 'Chemical Wedding' or 'Tyranny of Souls' now that you mention it.Even if you were never told this was originally written for a Bruce album, you should know from the line in the intro "conjure the jester again" - a direct reference to Eddieson, the cover mascot of the more successful Bruce 90s albums.
TBOS?Dance of Death has become an absolute favourite, and the fourth of the five Gers/Harris epics to be ranked. One yet remains...
Indeed. I really hope it can crack the top 10.TBOS?
Although it is a favourite of mine, I think it would stop at the 11th or 12th spot. Everything is great in this song... except for the acoustic intro and outro, which I think are really run-of-the-mill.Indeed. I really hope it can crack the top 10.
One of Blaze Maiden's best songs, and Blaze himself performs really well here. With the subject matter and lyrics, I could think of this on the Braveheart (one of my favourite movies) soundtrack if this wasn't actually made 3 years after it! The music is also extremely good and has an incredible instrumental section.
This song will always have a special place for me. It was what got me back into Maiden after five or six years of not caring. I picked up the CD in ’99 at a used music store, got to song four and was mesmerized. The sweeping intro, the slow build, the anthemic chorus, the amazing melodic solos, the passionate vocals, the power of the lyrics, the kickass rhythms — everything that makes Maiden great is here. The definition of epic and one of the band’s all-time great tracks.
the highlight of the album for sure. Love the melodies and Blaze sounds great. I wish they would have played around more with backing vocals with him as they cam across quite strong. Especially in this song.
The somewhat out of sync bass intro on the studio version though is annoying.
Best track off VXI. That awesome acoustic intro sticks in your head, as does the unforgettable "FREEDOM!" chorus. I mean, how badass is that? Some fantastic emotional riffs and a smooth modulation in the middle brings us to eargasmic soloing from the wrecking crew. Blaze's vocal performance is excellent, but it's kind of cut down by the shitty album production. Hear him sing this song live at Buenos Aires, 98: it's mind blowing, even better than Bruce at RiR. So much to say about this song.
Outstanding song with one of the best build up and pay off sections they've ever done. Beautiful clean intro and amazingly melodic work from Jan throughout . Anthemic choruses. Nice lyrical theme too.
I don't want to keep getting at Blaze but he is a bit flat on the "We can't let them take anymore" bit. Bruce absolutely smashes it on RiR but the album version is still stellar.
The Clansman is a brilliant epic in the vein of Sign of the Cross, moody and atmospheric with haunting Celtic melodies. Inspired by Braveheart (or some guy named William Wallace), The Clansman brings to life the determination and strength of the Scottish clans of old. Blaze sounds soulful as he belts out chants for freedom. The guitars are on fire throughout the song, especially during the harmonized unison sections and stellar guitar solos. Janick Gers finally sounds like he has found his footing next to Dave Murray. The Clansman is another track that stayed in rotation during the “reunion era” and Bruce’s version on Rock in Rio is absolutely phenomenal.
I think you need to just accept that you're in the minority in your opinion of TBOS.Dance of Death not in the top ten seems criminal. And behind anything from tbos? I'm at a loss.
I think it helps live, which is why Steve kept it. Gives them 1.5-2 minutes to let Bruce rest, drink water, and get the band into position for the next track, which last year was Speed of Light.IMO the outro is an unnecessary and vaguely irritating slow point between two great up-tempo rockers. if nothing else, it drags on a bit too long
I think you need to just accept that you're in the minority in your opinion of TBOS.
I think it helps live, which is why Steve kept it. Gives them 1.5-2 minutes to let Bruce rest, drink water, and get the band into position for the next track, which last year was Speed of Light.
One of my all time faves. It has it all, great guitars with some acoustic ones in between, a heavy chorus, then this fast second part with a stunning guitar solo. Bruce's voice also carries a lot of emotion on this one.
To me 'Children of the Damned' is an absolute must for the next tour in 2005!It is said that the band will play a good many songs from their first four albums.Thus it would be a major disappointment if they didn't resurrect this wonderful song which I bet is a joy for Bruce to sing...
...by the by I feel this would be a perfect song to close the show!
One of their best. Great lyrics with dark melody and an intense atmosphere. Beautifully sung by Bruce and I dare say that the tone he has on this song is unrivaled by any other song in their catalog.
Great song this one.
The clean guitars on the verses are beautiful, the chorus is good enough and the tapping lick by Adrian sounds amazing, great guitar work in this song. 4th best song on the album for me
This is a blinding track. Great atmosphere (I'm particularly partial to the Beast Over Hammersmith version, next to Hallowed this song is the highlight of that album), great build-up and thought-provoking lyrics. The way it starts out with a soft, smooth intro and builds up to the neck-breaking finale is, well... only Maiden can do that.
Bruce's vocal performance alone merits a top ranking for this song, but it's all smokin'. Children of the Damned was one of the standout moments of my first Iron Maiden show (1982) when the lads were opening up for Scorpions. I remember the atmosphere created with the dry ice fog rolling over the stage, and Bruce's voice electrifying the entire arena... a real moment in time for me.
real good song, but a notch below the others.
Very emotional and very good melodies topped with some good lyrics. I also like how it's kept compact, I could easily see this song passing 7 or 8 minutes if it was done today (not necessarily a bad thing, of course) and I think it adds a lot to the song that it doesn't. I think it's a little strange/sad that they haven't played it more often live, but then again, they try to keep the amount of slower songs down I guess, and they have quite a few others to choose from.
The first song we hear specifically written for Bruce. We get to hear his melodic singing, a little more aggressive tones. The lead guitar work is as good as it was in Killers, but this is the first time that Iron Maiden takes their collective foot off the gas a bit (excepting Strange World and Prodigal Son). Slow introduction, (very short) slow outro, a singalong whoaaah woaaah woaaah...this is the early Steve Harris prototype song.
We even get a nice drawn out Daaaaaaaaaamned at the end.
If this was written today, it'd be 7-9 minutes long. And probably better for it, as there's so many cool ideas in here that need exploring in more depth, but that sadly will never be.