Agreed. Well, I'm ok with Stranger at 45, but The Legacy at 46 is incomprehensible to me.The Legacy and WtWWB landed too low. Stranger is better than 45 too. In my opinion, of course.
The intro may sound strange at the first time you listen it, but you get used to it really fast. Its a good song, however a bit too "mainstream" mainly in the chorus.
However, the solo, along to the SIASL one, is one of the best solos of H. This one sums the whole song into it. I mean, if there weren´t song at all, and only the solo, it would still be great !
Good song with a cool intro — both slow and fast parts. Killer solos too. I’m not usually one to complain about Maiden songs being dragged out too long, but this one could have used an editor. It has too many repetitions to elevate it into the class of great. It’s the worst song on the album, but that’s more a commentary of Somewhere in Time’s overall consistent excellence.
My favourite Adrian solo ever...and both solos are lengthy which is great. The soaringest of soaring vocals from Bruce. Amazing song all round. One of my all time faves and a song I have enjoyed for many years.
"You can't have synths in metal." Well this song, especially that opening half a minute, instantly puts Bruce's old theory to rest. I love the galloping backing throughout, and the drawn out vocals in the chorus. A fantastic and very unique opener to the album.
A good song, but nothing more.
This song is absolutely phenomenal and stands heads and shoulders above everything else on this album; which in itself is an astronomical feat considering how strong a line-up Somewhere In Time has. So why is Caught Somewhere In Time the best song on this album? The way I see it, it's both a flawlessly crafted song and yet, such a risky and audacious move by the band, being the first synthesized song that most fans hear, considering the ever popular Wasted Years possesses no synths.
The Maiden gallop is still in full force and Harris leads his men through a rousing opening track. It’s great song, but not as immediate or powerful as Aces High or Where Eagles Dare.
I don't care for the chorus enough to enjoy how much it is repeated. Bruce's strained vocals don't help either. Sometimes I think the vocals were produced in a way that purposely hides Bruce's weaknesses during this period.
The guitar solo in this song is surprisingly diverse. I only think that it is not represented the way it should be; the bass gets into the way too much (it is too loud). This is, however, the only point in this song that can be criticized in this song, in my opinion- and that is even pushing it!
In fact, I personally think that this song is the finest moment in the history of Heavy Metal. Metal never got any better than this song, with the brilliant vocals, the wonderful guitar work, and the presence of every single musician, playing their thing individually and yet acting together as a team.
I won't try to analyse the lyrics, other than mention that they are beautiful and poetic, so I'll just say that I find this to be Iron Maiden's BEST SONG! Yes, better than Hallowed Be Thy Name!
Definitely works better live, I dislike the studio version. It has a great riff and all that, but there is clearly a lack of energy.
It's a good song and one that I didn't really get into until I started to watch the video of the song. A bit of an odd way to find a liking for a song, but that's the way it is.
A very easy song to listen to, extremely catchy and has very strong lyrics. To me, it sounds like it was written as a single, same as it's predocessor CIPWM, but I believe this to be the much better of the two
This song also feels commercial, but it has energy, intro, chorus, solo, lyrics, of an excellent Iron Maiden song. Unlike the Can I Play With Madness.
Love this song. It's such a stark contrast from CIPWM. Both are obvious singles, but one is more true to the Maiden sound than the other. Great melodies, great riffing, and one of my all time favorite Smith solos. If I had to name one flaw, I'd say that the chorus doesn't quite live up to the rest of the song. But literally everything else is top notch. From the lyrics right down to the drum fills.
T39: Caught Somewhere in Time - Somewhere in Time (Harris)
Average score: 8.75/10 Deviation: 1.13
Somewhere in Time 6/8
Top 10: 2012
Top 25: 2016
Top 50: 2004, 2011, 2014, 2015
Top 100: 2005, 2006, 2008
Although I love historic/epic lyrics, I just can't get pass the lyrics. it seems so simplistic to sing about a nomad on a camel. It's different to sing about a specific person/event/location and different to sing abstactly about a nameless nomad... steve's lyrics and voice melodies (the ones he composed for bruce to sing) really bring down this album... he should leave all things voice related to bruce and all things production related to someone else instead of shirley (sneap!)
The Nomad is a great 'atmosphere' song with fantastic solos and just overall great music. I love it because it's different somehow from Maiden's other work, and I find that The Pilgrim echoes this uniqueness a little. I've never bothered too much with the lyrics, just like I've never really bothered with the lyrics of Loneliness of the Long Distance Runner. Both songs have great music and thats enough for me. If I want deep lyrics I'll go to Brighter Than a Thousand Suns or Blood Brothers.
Nomad is one of my favorites on BNW but there is something i dont get: the lyrics, they're probly the reason this song has never been played live. First of all, it is a dry subject imo to sing about one who comes and goes and secondly Steve writes these lyrics in a way that would give someone the wrong idea about what a nomad is, infact, at the "no ones talked to you and lived to tell the tale" part i nearly fellover laughing its so... I don't get it, perhaps someone could explain this to me?
Great epic atmosphere on this one, particularly in the middle section. Chorus and pre-chorus both miss the mark somewhat somewhat.
This song played an important part in getting me into Maiden. I've always been a nutter for everything that has to do with the Middle East, and I've always loved the image of bedouin nomads riding through the desert... and this song brought that image before my eyes perfectly. I'm not overly excited by the way the verses are sung, and I have to admit that the lyrics used to sound a lot cooler to me when I was 16.
Like everyone, I was disappointed to find out that the instrumental part was ripped off, but at least they ripped off on the highest possible level, and made it infinitely better. I always found the Beckett song somewhat boring, whereas this has me close my eyes and find myself in the sand dunes of Arabia. And ever since I found almost identical parts in Dvorak's 9th symphony and Beethoven's 9th, I always felt that that is something even the greatest of the great do... so curse me, I am not too bothered by it.
This is another one off BNW that took awhile to grow on me. I love the mid eastern vibe, and Bruce sounds awesome. Who gives a shit about the Beckett controversy. All rock n roll is ripped off from SOMETHING else.
The first is the chorus which is annoying. I don't like Bruce's singing and the vocal line. The second thing is how they ripped of Beckett. Other than that it's a majestic track. You can easily picture the nomad, deserts, sand and all of that. Maiden are extremely good at fitting lyrics to music or vice versa.
I love the music. Murray's leads are exceptional and catchy, but the vocals and lyrics absolutely ruin this song for me.
I never thought of this song as pro- or anti-war. I always thought it was Steve's attempt to describe the feelings of a soldier. No one wants to die, and I seriously doubt that many soldiers actually want to kill another human being in combat. But it is still the viewpoint of most soldiers that war, and the killing that unfortunately goes with it, is sometimes necessary for the greater good. Therefore you get the apparent conflict between peace and war in the lyrics.
Musically, the song is brilliant. It is partly soft ballad, partly great heavy metal with superb guitar solos. In fact, I would go as far as saying that the guitar work is some of the best Maiden have ever done.
The quiet, slow vocals reveal that Bruce's voice was definately far from being at their peak; as with many other songs from the album, they sound tired and strained. But in this song, it even adds to the mood of the song, and fits perfectly.
I don’t really like this song, and I think it’s because of the production wich is too clean, and the intro with the soporific drum part. Note that I’ve nothing against slow intros in Maiden, but I prefer ‘Fortunes of war’, ‘Edge of Darckness’ or ‘Dance of death’ than this one where nothing happened.
I don’t like how Bruce sings the slow chorus : “Afraid to shoot strangers”, with over-produced backing vocals. I prefer the Blaze version, and I think he saves the song.
Howerver, there’re some good points : the melody, and the amazing solos !
My apologies in advance if this is a favorite of yours, but I don't get the love for this song. (Perhaps that's not the case on this particular site). I've a friend who easily puts this in his top 5 and I'm simply perplexed. I'm not even sure it's in the top 2/3 on the album.
Perhaps it is that I think it is a bit presumptuous for a rock musician to put himself into the shoes of a combat soldier, which is one of the reasons I dislike Mother of Mercy as well. It's one thing to do it from a historical point of view, but this is about the Gulf War (No, you can't call it Fear of the Gulf, Steve. The Gulf War's over, you don't want to go around depressing everyone. Why don't you call it Fear of the Golf? Golf's happening all the time!), which was quite topical.
I do like it, I recognize that it is that good, but I don't love it.
I really like the structure of this song: somber and introspective, to stately, to off the rails, to intense yet disciplined, to somber and introspective again; It nicely mirrors a soldier’s journey from recruit to veteran. Vintage Harris songwriting.
After a rough start for the album, we finally get back to the standard of quality you would expect from a Maiden album. I love the guitar melodies throughout and Bruce's vocals are haunting. I also really dig the steady drum beat during the first verses, slowly getting more intense. Great buildup that pretty much set the template for modern Maiden. It's proof that Maiden could've stripped down their sound without dumbing it down too. This is still raw sounding Maiden (with the exception of the string synths which really don't add anything anyway), but it's still interesting and exciting to listen to. It's also an epic sounding track that isn't all that long.
I personally agree that two of those six songs are better than The Nomad, but this isn't my list - this is everyone's list.It's a decent song, but I don't think it deserves to be in the top 50. Better than CSiT, TETMD, WtWWB, The Legacy, BNW? Come on.
As the song opens, I see a dark, very rainy night. There is a passenger train which is nearly empty hurtling along to some far-off destination. Alone in one compartment is a 30-something man in a wrinkled white shirt with his tie still around his neck but loosened. He has not shaven that day. There is an open briefcase on the seat next to him and papers around him. He has apparently been trying to catch up on some work, but is having difficulty keeping on task.
The man is looking out the window and is obviously becomming depressed. He lost the love of his life (she left him, died, or something...he can't have her) a few years ago and has thrown himself into his work to cope with the loss. No matter what he does, though, he can't get over her. He thinks of her when he's alone, sees her in his sleep, etc.
He sings the refrain to himself in a whispered, half mocking tone - as if he doesn't actually believe what he's saying.
After a few months on Maidenfans, it’s pretty clear users favour Maiden’s prog side. This, in my opinion, is the band’s best pop song. I mean it’s Maiden with the killer riff and the off-kilter rhythms, but the core of the song is its melody, particularly the gorgeous chorus. I expect to stumble into a coffee shop someday and hear it played by some guy on an acoustic guitar. And I’m curious to see how it plays with the “too happy” Can-I-Hate-With-Madness crowd on the site and why.
After the mesmeric galloping synthfest of Caught Somewhere In Time the opening riff to Wasted Years keeps the intensity going and the sci-fi atmosphere at full throttle. The verses are slightly melancholic and trippy, the chorus is enormous and Adrian pulls out another solo that leaves me feeling stunned every time. The outro fade out rules.
Nicko kills on more spaces of the album, not just on Wasted Years, the band is tight (even if they recorded in different studios ) on the whole album, and the guitar sound is elsewhere as well. And Adrians solo? I think he does a few more great ones.
Like the lyrics very, very much. And the music that goes with it is inspiring and carries the song in every way possible all the way through.
In the big picture of Iron Maiden's career I think Wasted Years is very important in that it shows that you can convince the fans with a more commercial rock song as long as you do it very well.
A nice, lightweight breather on an album that is otherwise quite dark. It stands out, it's catchy and is one of the "classics" I could listen to over and over again. There's just something very 80's about it (the chorus, specifically) and I mean it in a good way.
I'm tempted to say it has my favourite H's solo (though, maybe not), even better is the way it's connected with that final chorus.
This is probably my favorite Maiden song right now. There isn't much else I can say that hasn't already been said about how great it is. It's pretty catchy for Iron Maiden, but still has a great drive. It's always a treat to play on the guitar, too.