Fair enough! But Mightnight Chaser is very similar to 2M2M besides the riffIt's just such a simple riff that I don't think it's fair to accuse anyone in that era of ripping it off.
2 Minutes could be a top 10 contender for me. Shame it's so low.
He is Canadian you know. They don't do anger.
Does anyone find this song to be quite progressive metal in nature? Not that that is a bad thing. Just that it strikes me as such, and I think the CD as a whole is closer to this sub-genre than any previous Maiden recording.
To me there's a lot more that points to it being a contemporary criticism of the war in Iraq than anything historical. The "yellow gas" is probably taken from WW1 mustard gas or Agent Orange, but as with most of the lyrics, I think that might be simply because it's a great image. Whenever people come home from war, be it Vietnam, Iraq or WW1, there's trauma, and the use of the gas that has "played with their minds" as opposed to simply saying "the horrors" or whatever, just proves more effective.
'The Legacy', well, a very disappointing album closer, I must say. The song obviously consists of two parts. Part one is a clean Genesis/Gabriel era rip-off and part two a Queensryche rip-off, regarding to the vocals. To me, it's one of the worst Maiden songs ever. To cut a long story short, it's just not my cup of tea, it's just not Maiden
Another stab at something different. Unlike the last song, this one works very well. I like how it takes its time to get going. I like what it does when it gets going. I like the picture painted by the lyrics. I like the more traditional Maiden feel of the instrumental. And it like the way it closes — on its own and finishing the album.
The second half of the song (when the tempo picks up) is a little less interesting compared to the absolutely stellar first half, but the song is an amazing piece of music just the same. Definately one of my faves on the album.
The most atmospheric and the darkest Maiden song, that proves Janick is a songwriting god. The whole composition is so incredibly tasteful. The acoustic intro and the following orchestral sounding passage is the most cinematic Maiden has ever got (achieved with no cheesy keys - I'm looking at you, EotC...). The 3:10 riff is a total flip out moment for me, I got chills just writing about it. No fanciness, just raw power. And that in-your-face beat underneath... Epic beyond limits
The Legacy is a really good song, don't get me wrong, but it's the weakest epic on the album. It does have a lot of great parts though. The intro is nice, but too long. The verses are decent. The faster part of the song is the highlight with Janick stealing the show. The guitar riff in Empire of the Clouds sounded fresher in 2006.
I really like how Maiden brings in the bridge ("What became of the men that started...") before the second chorus, giving us something unexpected. It's a great bridge, and I think repeating it after the solo sounds great here. I also think that the slow part of Adrian's solo is some of the best, most melodic work he's ever done. Steve's bassline in that part is great too; it's almost contrapuntal in the way it stands out so distinctly from the solo.
This is my fave of the three solo Adrian compositions. This is so cinematographic, so compelling, yet at the same time it grips the chest with that solo which words cannot describe. I listened to the whole album, yesterday afternoon, and it still rings that bell on how simple things, like this song, can make life so meaningful.
Thought this song was kind of dull and a bad choice as a single back in its heyday. It holds up better now as one of the band’s most soulful offerings — almost quiet and reflective in a way. Brilliant solo.
I'm not sure the main chorus is to the same standard as the rest of the song... I know it's almost sacrilege I don't know, on some playthroughs I really like the chorus and think it just 'works', but on other playthroughs not so much... I guess our relationship is tempestuous. Still a great song though.
I'll be the one to give this the lowest rating so far. I find this a pretty average song, with a slightly repetitive feel and an uninteresting chorus. Not a bad song, but the weakest part of the album for me.
I guess this is a personal thing but the synths are too high in the mix IMO. Also the chorus is a little bit tame for my liking and there's slightly dull guitarwork behind it.
With all that said, the 'brave new world' bridge is absolutely sublime. And then there's that solo from Adrian. Quite possibly my favourite ever.
Bruce's lyrics have a way of planting images in your head while you listen to them which is really obvious (to me) in this song. Pure greatness!
Incidentally, there are three images I get when I read the title 'These Colours Don't Run'. The first is that of The Charge of the Light Brigade (the old 1936 film with Erroll Flynn; the one Maiden use in 'The Trooper' video), with the 600 charging straight into cannon fire. The one shot of a galloping cavalry man leaning down to grab the Union Jack left behind by a dying standard-bearer says to me 'These Colours Don't Run' (Looking simply at the title, of course..it bears no relation to the lyrics). The other two are WWII situations. The first is the eponymous shot of several American soldiers raising a flag on one of the D-Day beaches (possibly Omaha, but I can't be sure). The final one is the awe-inspiring shot of two Red Army soldiers hoisting the Soviet flag over the ruinied Reichstag building in Berlin in 1945; not awe-inspiring for any patriotism, but because all around Berlin is in ruins, and from the top of the building you can see the full might of the Allied armour roaming through the streets...it just hits home how violent the end of the War in Europe was, that it could decimat nearly 2/3 of an entire city.
That intro builds the tension immensely and I love the way the song continues with that riff, a very catchy, exciting and atmospheric part. I find the choruses the least good moments of the song, but the rest is mighty and full of spirit! Great vocal melodies in the couplets and pre-choruses, we can "see" the fire his the eyes when we hear Bruce blazing out his lyrics.
Best song on the album. Would have liked it better if it was a tad faster and less repetitive (the chorus seems to lumber), but otherwise a great song both musically and lyrically.
Great lyrics, riff and chorus. The solos are absolutely fantastic but I have 1 problem and it is a problem that persists in a lot of AMOLAD. That is the overuse of the Maiden Progression.
The part starts at the middle of the third minute is one of my favorite Maiden moments of all time. I love this song, my second favorite off the album behind Brighter Than a Thousand Suns.
I guess this is quite a controversial opinion, but I don't see anything special in this song. The intro sounds is not particular interesting, Bruce seems strained through out the song, the chord progression is not so exciting. Of course the lyrics are good, but there are better lyrics on other Maiden songs, and the same thing about the solos, good solos but average for Maidens standard. The harmony in the end is good, but the same thing there, I've heard better.
The melancholy riff and guitar melody slowly build, the calm before the storm of a swinging, crunchy verse. Told through the eyes of a soldier determined to stand tall in the wake of cold bloody war, it’s a mid-tempo romp with impeccable musicianship all around. A Matter of Life and Death finds the band hitting their peak lyric writing with stark, violent, and vaguely profound lines running throughout each song. Colours is one of the best, with a truly brilliant chorus lyric and lines like, “Paying for my freedom with your lonely unmarked graves.” Chilling stuff.
Patrick McGoohan's work is obviously much respected by Steve Harris, as two songs are dedicated to 'The Prisoner' (This and Back In The Village). The solo is the high point for me, and as everyone else thinks, the intro (including the spoken intro!). However I think the song is a little bit weak in the main verse and chorus. The chord sequence has little to make it different to the earlier two albums in places. Having said this still, its one of the first Maiden songs I heard and I love it!
An iconic song; not like Number of the Beast or Run to the Hills; this seems to be the Maiden song you ask people about when you want to see if they're really Maiden fans. A decent little short rocker, but it's nothing that super-excites me.
I love this song, the riff is really cool and the chorus is very strong, catchy as hell, one of the best of the album. The solos are inspired as well.
That's a shame this song is forgot so many times because it's a pretty good tune.
Another amazing track off this album. It isn't so lyrically complex (as far as concept), but it is a good 'rocker' as has been stated earlier. This is the most requested song for my car rides with my kids, hands down.
Great start, driving/grinding beat, starts out somewhat 'slow' and then really gets going. "Not a prisoner, I'm a free man!"
Clive totally destroys on this song. Nicko is better, but he never played this song as good as Clive. Bruce sounds perfect (and on all the other tracks on the album). Intro is perfect for air drums.
it got good instrumentals and the vocals are flawless but it doesnt grab me by the bolhocks and slam me against a windowpane... again its ok but suffers by 'the' syndrome where many the's are a bit fillery and nonspecial
A good song, but not that interesting, as I think the riffs are a little to safe and boring. But again we have a perfect performance from bruce and a really cool solo in the middle which saves it from being to low.
I would have liked to have seen the intro (the first chord riff) cut in half for the sake of dynamics and the lyrics “It’s tough!” are just groan-inducing, but these are small gripes. The chorus is big, hooky, and arena-ready. The guitar break halfway through is sweeping and dramatic, leading into two perfectly paired solos: H’s is bluesy and catchy, Dave’s frenetic and fun.
Started learning this song on guitar this week, and it felt familiar - and then I realized that the chorus uses almost the same chord progression as the verse to "Spirit of Radio" by Rush, minus the G#maddE chord, with the same arpeggiation of the chords.
When Bruce came in singing higher when the distortion kicked in, jeez, that was awesome. There is only one song that got a shiver down my spine in the same way this song did, and that was some of the soloing in Paschendale. Brilliant.
What makes this song so special is that it last 11 minutes and it makes you feel it lasts only 5 min...It has a lot of changes in the rhythm(reminds me sign of the cross on this)...beautiful melodies...Great lyrics..i don't know what to say..
The Air Raid Siren shows another side here — a modulated, restrained tone that is crucial to that atmosphere of nonchalance previous posters talked about.
Bruce delivers the slow, muffled nature of the characters' journey in a perfect pitch to create that bittersweet taste we all seem to connect with.
Pathos is word I doubt I've ever typed before, but this song may have more than other track Maiden has recorded and the vocal style is a major reason why.
The thing I don't like about the song is that after the quite intro, it loads you right away with Bruce's powerful, belting it out singing, but then the 2nd and 3rd vocal parts have his simpler, kind of boring singing. I wish it was mixed up a bit more. Also, that Afraid To Shoot Strangers type harmonic part repeats too many times. On the last one, I'm kind of bored with it. At the same time, it doesn't stop me from listening the the full song because I still love it quite a bit.
This was the last song I heard from the album, and the one I immediately fell in love with. From the soft intro to the eerie outro, everything about it is what I love best about Maiden epics.
Steve's solo writing isn't as great as in the Blaze Era and in the "Golden Years" but he's still churned out my favourite song off of 2 of the reunion albums (Blood Brothers and WTWW. I think he's acknowledged his creativity isn't as high anymore by and letting H take the lead more and co-writing with him.
I don't know. It never truly clicks - whatever the number of fantastic melodies; whatever the quality of intrumental and vocal delivery it may have.
This song really caught my attention, really very different from most songs in many ways...I love the groove...it's totally "in the pocket" yet is very heavy
The fact that 'Brave New World' was the only album song to be played on both former tours is evident enough that it has already become a classic and it does deserve it by all means!Great chorus and top guitar solos make this song most special and to be honest I couldn't imagine upcoming tours without the band keep playing it!
YES. This song is one of the best mid-length Maiden songs there is. It builds up slow, with a gorgeous intro. Bruce sounds incredible. The song is a little less complex, perhaps, but the instrumental bit just seems to rock hard. Should be played live every time.
Beautiful opening — beautiful melody, period. Nothing gets the bleachers bouncing like the chorus, the solos are orgasmic, Bruce and Nicko are spot on. Perfectly mixed, perfectly performed with a blend of power and emotion…everything works. My favourite off the album.
these are probably the most remarkable opening lines ever, such as "Generals gathered in their masses, just like witches at black masses". The tone here is of death and despair, too, but of the individual, desolated in a dying plastified world, which is exactly the one we're into, physically speaking. Everything is perfect - verse, chorus, lyrics (a poem, actually) melodies, Bruce's delivery, Jan's solo is genius, nothing bad can be said about this guy, anymore! The instrumental section is jaw dropping, makes you drool like a little baby!
One that really has never clicked with me, also a little repetetive. This song does have some very good lyrics that make you think. A good solid song overall.
I feel like Maiden reshashes that same acoustic intro for several songs on the reunion albums (These Colours Don't Run, Thin Line, Face in the Sand?). I really love the lyrics, but the tedious way they are sung in the verse is unbearable. But when that's over, that godawful chorus just rubs the salt in the wound. The instrumental is solid but nothing that made too much of an impression on me. And then the chorus, already long enough, is repeated twice.
Another brilliant lyric, and what a vocal demonstration by Bruce. My favourite part of this song is the line "rip the bones from my flesh". The delivery is immense. The guitar work is also something to enjoy. All of them do a important job, one of Maiden's best examples on how to write songs with three guitarists. Terrific solos and instrumental sections.
Gonna be honest, I don't get how this song is so popular. It's a weird track, the verses and music feel really out of place and not all that good, though the lyrics are pretty good. But then you come to the chorus and it's great.
a decent track this one. Not one of my favourites though. Don't get me wrong, it's not a bad track, but I like most of the other NOTB songs alot more.
When I first heard this song, I wasn't very impressed. Unlike others on The Number of the Beast, it took quite awhile to click with me. Now I like it rather a lot, but I wouldn't rank it as superb.
An early example of Maiden’s penchant for complex songwriting. Am I right to conclude this is the first time Steve takes someone else’s composition and grafts it on to some of his own stuff to create something completely new? Love the first minute or so. The rest is interesting but never really launches.
This song is my favourite H contribution of this album. An old Urchin song, rebuilt with Steve. And what a great result it became. The song brings tension immediately, with the start of Adrian's threatening riff and we're hearing Bruce on top of it. The song has a very enjoyable chorus. I knew that chorus first from Live After Death (where Bruce hardly sings and where the audience can't be heard well) so it was a bit of a revelation to hear the original.
I love the bluesy feel of this song. Both solos are spectacular, especially Dave's. It's also the proggiest song they've had since Phantom, I think. For some reason, I get an Armored Saint vibe.
This is a fantastic piece of music and the second best song on this album.
I love the atmosphere, I love Bruce's voice, I love the riffs and I love the solos.
The same three words, in the same three wordsT41: Brave New World - Brave New World (Murray, Harris, Dickinson)
If I had to pick which song from Brave New World would mark the halfway point for that album, I wouldn't have guessed that it was the title track. I've always thought this one to be really quite high, but Maidenfans have disagreed with me, especially older ones. Newer Maidenfans have pushed this up to around the 25 mark. It could be this song continues to rise. People think this has a fantastic set of lyrics, but some critique the repetitive nature of the chorus.