The Next Album (expectations / desires)

LooseCannon said:
We've seen this many times before.  In the A Matter Of The Beast Tour, Bruce said that Maiden would play "Alexander The Great" next time in Greece.

as far as I know after some discussions with a metalhead in work, he promised it at least 2 times

1) Brave New World Tour : he made the audience sing along with him the chorus "Alexander the Great" in the middle of Sanctuary (I think) and promised that next time will play it

2) Early Years Tour : he said "I know which song you want to hear, but we will play it to the next tour" -and again he sang the chorus with the audience

3) A Matter Of The Beast Tour : this time his attempt to sing along the chorus was received rather cold from the audience -and he said : "you see ?? they've already forgot it" ---> I remember that thing from a youtube link provided by Forostar -it was Harris' Bday
-I don't know if he promised something that time -
 
I don't think they will play "alexander the great" because on the next tour (2010) they will plat new material and classic songs and some others from bnw,dod and amolad I think.
Let's hope that after 2010 they will not stop.
 
If we are ever to get ATG, it will be in their farewell tour. Which is, hopefully, many years away.

I'm going to speculate: New album late 2009/early 2010 with album tour in 2010. This is quite certain. 2011: History tour part III (perhaps starting in 2010 if the album tour finishes early). Some new DVD releases (Donington and perhaps something from the Blaze years). Then - if they've still got the desire to go on - another album in 2012 with tour, and then a farewell tour in 2013/14. By then they're going to be 56 (Bruce) to 62 (Nicko) years old. That sounds like a reasonable age for retirement.

Speaking of retirement - what would the folks here on Maidenfans prefer? That they keep on touring until they simply can't play anymore (in the extreme, until someone dies), or that they call it quits in a few years?
 
Eddies Wingman said:
If we are ever to get ATG, it will be in their farewell tour. Which is, hopefully, many years away.

I'm going to speculate: New album late 2009/early 2010 with album tour in 2010. This is quite certain. 2011: History tour part III (perhaps starting in 2010 if the album tour finishes early). Some new DVD releases (Donington and perhaps something from the Blaze years). Then - if they've still got the desire to go on - another album in 2012 with tour, and then a farewell tour in 2013/14. By then they're going to be 56 (Bruce) to 62 (Nicko) years old. That sounds like a reasonable age for retirement.

Speaking of retirement - what would the folks here on Maidenfans prefer? That they keep on touring until they simply can't play anymore (in the extreme, until someone dies), or that they call it quits in a few years?


Let's hope!!!!!!!!! Even if history tour pt.3 has been confirmed around 2011-2012 during an interview on eddietrunk : http://www.eddietrunk.com/index.cfm?pid=402167
 
Eddies Wingman said:
Speaking of retirement - what would the folks here on Maidenfans prefer? That they keep on touring until they simply can't play anymore (in the extreme, until someone dies), or that they call it quits in a few years?

Well, I'd be satisfied if they followed the pace of the Rolling Stones in their late years. A new album every 7 years or so, a tour every 2-3 years. I wouldn't expect a massive world tour like SBIT, but a dozen or so dates in Europe, a few in the Americas and so on.
 
Eddies Wingman said:
Remember, the epics on the 80's albums were long songs without repeating the choruses and bridges over and over, just compare FTGGOG to Hallowed Be Thy Name or To Tame A Land.

That's so true. One reason I couldn't like AMOLAD is that first few songs have so much repeating lyrics and song structures without variations.

My second expectation is about production. Honestly, I don't want the new record to sound loud or powerful. I can handle my own volume knob. Just give me good quality, not loud. I want to hear that old ear-piercing sharp guitar sound and a dynamic sound. 'Where Eagles Dare" can be a good example for it. You can feel every single drum beat because of dynamics on that record.

Finally I want better use of 3 guitars. I still feel that there is much more to explore, especially with epics. I would like to hear a new song which include an interlude like Stranger In a Strange Land or Duelists, but this time with 3 guitars playing distinct roles. I want to hear guitars talking, responding, reacting to each other, instead of chanting the same line together in a stadium.
 
I totally agree with you dude. ^ I am definitely looking forward to the next studio outing, I'd definitely like something (sound wise) in the vein of Piece of Mind. :)
 
Eddies Wingman said:
Remember, the epics on the 80's albums were long songs without repeating the choruses and bridges over and over, just compare FTGGOG to Hallowed Be Thy Name or To Tame A Land.

Yes, I clearly remember 'Seventh Son Of A Seventh Son'. It went something like this:

''Seventh Son of a Seventh Son
Seventh Son of a Seventh Son
Seventh Son of a Seventh Son
Seventh Son of a Seventh Son

Seventh Son of a Seventh Son
Seventh Son of a Seventh Son
Seventh Son of a Seventh Son
Seventh Son of a Seventh Son''


What about Brighter Than A Thousans Suns, Lord Of Light, The Legacy, Dance Of Death, Paschendale, Dream Of Mirrors, Sign Of The Cross, The Clansman? Are they too repetative?
 
Think we can take it as read that we all love Maiden but love them for many different reasons. We can love them for their epic 6 to 13 minute songs, for the solos, the harmonies. Some will even love them for repeating choruses.

A band that has contimued to make music that they believe in since the seventies will have a diverse range of styles, albeit all in the metal genre. A phantom of the opera sounds nothing like Journeyman, The Trooper sounds nothing like Benjamin Breeg etc etc.

I just hope Maiden produce another album that has contributions from most of the band and features ongs thatthey believe in, that are true and honest. Just like the previous 30 years of effort
 
Does anyone like the idea of a full band epic. A song has been written by more than 3 members before, and I don't think New Frontier will be the last of McBrain.
 
SD93 said:
Does anyone like the idea of a full band epic. A song has been written by more than 3 members before, and I don't think New Frontier will be the last of McBrain.

Hopefully it will be.  New Frontier was brutal.
 
I hope New Frontier was the last of McBrain. I am waiting for a serious song written by more than one guitarist, e.g.

(Smith/Murray/Dickinson)

(Gers/Dickinson/Smith)

(Murray/Harris/Smith)

(Smith/Gers/Harris)

(Murray/Dickinson/Gers)

...etc.
 
I think Adrian said he hopes to write a song with either Dave or Jan at some point. All three have a proven track record of writing not just justthe music but lyrics as well. Don't know why it hasnt been done before, I'm sure they would be able to come up with something special.
PS I hope you all voted for Maiden as "best live act" at The Brits. I would just love to see the faces of some of the Radio 1 arses who have made their life a quest to keep Maiden off the airwaves if they win. I doubt they'd turn up to accept the award but if they did a five minute Brucey rant at the establishment et al would be fantastic viewing.
 
Interview with Adrian Smith, about the next album:


Iron Maiden Guitarist Talks About New Album!

Following the tabloid media bullshit over the ‘Maiden riots’, Hammer were lucky enough to be out in South America with Iron Maiden, and below is the first exclusive interview with the band. Adrian Smith talks about the next Iron Maiden album, one-upmanship between members and whether they will call it a day after 15 records.
MH: Talking to everybody else, the attention seems to be now turning to a new album…
Adrian Smith: “Yeah, we were talking about it briefly the other day and I’ve been thinking about it every day since because there are so many ways we can go with it. It’d be nice if we had the songs now and we could come off tour and go straight into the studio match-fit, as it were. Usually we have a long time off, and the way we play in the studio is as live, so it’s always a bit tense at first because we haven’t played for six months. I’d ideally like to go in [soon]. Again, it’s a day-to-day thing, you go in, take it as you find it, try and do the best job you can.”

MH: We’ve noticed one thing that was different from 12 months ago, when we interviewed Steve, he said “we’ve always said ‘we’re only going to do 15 albums, we’re coming up to it, there’s going to be an ending point.’” Is everyone seeing things a little differently now?
Adrian: “Look, we write music, we’re musicians, we’ll carry on. The great thing is that there’s clearly a huge audience out there waiting to hear what we’re going to do right now ; and in the real world that’s not a very common situation so you have to appreciate it. It’s not always easy to make an album, you’ve got six guys with their own ideas and focusing it into one outcome is quite difficult.”

MH: Is it the case that you use up every idea for an album each time, and that there’s never anything left over from that for next time?
Adrian: “I know a lot of bands who demo stuff from 30 songs or something and then break up when they’re trying to pick 10 because you get the ego and the each guy wants to get their ideas in, so we just try to write 10 or 12 songs, and get everybody’s best ideas in there. You soon know when you start playing it whether it’s going to fly or not. You just have to do the best you can. It’s difficult for everybody to be happy with the album: there’s always a compromise, but as long as you can get through it and come out the other side and still be a band that’s what it’s all about. Sometimes creative conflict is good in songwriting, it brings out the best in everyone.”

MH: Is there a bit of one-upmanship though?
Adrian: “I’m thinking about the album now. So yeah there is a bit of competition, of course there is, you want to see your stuff included on there, but its not bad natured. It means the world to me when someone comes up and says ‘I really like that song’ or ‘that’s a great riff’. You play the song you’ve created, everyone’s playing it and they’re excited and that’s the main buzz for me. Of course everybody wants their songs on there and that slap on the back. It’s like any job really, getting a bit of job satisfaction, there’s the motivation . One thing you don’t do is to turn up with a load of half-arsed ideas to rehearsal; you turn up with something you think is pretty good.”

MH: I can imagine ‘your peers’ can be really quite brutal about half-arsed ideas….
Adrian: “I wouldn’t even bother taking any! Showing people your new songs is where you earn your money really because it takes a lot of nerve to sit down and say ‘I’ve got an idea boys.’ I cheat a bit, I usually make demos sound quite good (laughs). But I grew up in an era before you could do that , so I’ve been through all the thing of sitting down and bearing your soul to someone else and that’s why it’s such a great rush when you do it and it works. It’s almost like a relief.”

http://www.metalhammer.co.uk/news/soone ... new-album/
 
H said:
Look, we write music, we’re musicians, we’ll carry on.

His reply was a bit ambiguous, "we'll carry on"?  I guess they're really unsure now, since they've been doing better and better each year, and don't want to suddenly quit.
 
Yeah.  I just hope they do it because they love it, not for the money.  I think that would lead to them being unhappy...and it's gotta be a choice they all make, too.
 
LooseCannon said:
..and it's gotta be a choice they all make, too.
Exactly. I think if one of them can't be persuaded to carry on when the others want to, then they'll call it a day.

I'd imagine none of them need to do it for the money though.
 
Back
Top