Now this is definitely better. I'll be shorter again (probably will be til I get completely better) but here goes:
Gypsy is a really cool track from an underrated album that actually made me interested in Uriah Heep in the first place. The riff is simplistic, but some of the best ones are. But yeah, pretty much any pick off Dirt would annihilate even better songs. Rain When I Die was my first favourite off the record, I admit that I've moved to other songs in the meantime, but still, the crushing riff and atmosphere, the desperation, the inherent catchiness underneath it all. Fucking sweet.
Alice in Chains.
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I've already said I liked Schuldiner most cca about Symbolic and that he kinda went downhill from then on - not being bad in any way, definitely not, but it just became... kinda soulless, too technical in a way. I don't know, it just doesn't sit well with me. Control Denied is probably more consistent overall than Perseverance, but please, leave the soulless, too technical things to Liquid Tension Experiment. You know, they're ridiculous, overcomplicated - I can actually see where many people wouldn't be able to stand them... but they're also fun. With Chuck, on Perseverance and Control, it feels like he's labouring and torturing himself and screwing together all these jagged behemoths, but with LTE, like them or not, it feels like they're enjoying themselves. Sometimes it's not such a bad idea to take it easy.
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I'm probably the only person on this forum who will vote for Ozzy's No More Tears, especially since I have a soft spot for the general Ozzy-Zakk collab and this album in particular. Between the Hammer and the Anvil is - sorry to Kid - genuinely my least favourite song off Painkiller, always has been. The soloing is good, but melodically, this song has the least to offer, especially in that competition, sorry.
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I'll go with Accept, because band bias + member nomination > list (if possible)
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I liked Insomnium more, very atmospheric.
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I know that Rainmaker probably stands on its own more - Test sounds somewhat weird outside the context of the entire Six Degrees suite - but sorry, that 13/8 beat, the insane Zappaesque vocals, the overal insanity, but with the insane punch that they were able to provide back then... it's seriously one of the catchiest thing DT've ever done. I mean it. It's bizarre and it's fucking irresistible.
STILL THEY KEEP ME BETWEEN THESE HOLLOW WALLS
HOPING TO FIND IN ME
THE ANSWERS TO THE TEST THAT STUMPED THEM ALL
*furious air drumming*