"Round And Round" is Ratt's best-known song, and while I wouldn't say it's their very best track, it's still a great one. DeMartini's riffs are always lyrical and tasty, the solos are great, and the vocal melodies are consistently strong. The song's a little repetitive, but that's about the only criticism I can offer here. "The Rhymes Of The Mountain" has an interesting layering of epic melodic verses on top of overheated drums and downmixed black metal vocals. When the extreme vocals inevitably come to the fore, those cackly parts predictably suck. The clean parts are all quite nice, and there's a much better song waiting to escape from this black metal embrace if they'd just drop the cackles and the PCP-driven drumming -- but that's not the song they committed to tape. Sorry,
@JudasMyGuide, but this is an easy call for the list nominee.
Winner: Ratt - "Round And Round"
"The Burning Of Rome (Cry For Pompeii)" has a cool epic intro with nice build-up. The riffage is pretty solid, and it's nice to hear the lyrics being fully sung, rather than the half-singing Virgin Steele often slips into. I'm not totally sold on the chorus, but the solo is nice, including some cool interplay with the synths. Very good stuff overall. "Flesh And The Power It Holds" opens with a nice sinister lead with some interesting harmonization. The almost doomy riff that follows is also great, especially when the harmonies appear. The thrashy parts are also good, but not quite on the same level. Unfortunately, the predestined piercing non-melodic vocals come in, and they have a bit of a nails-on-the-chalkboard quality. The frenetic drumming here actually works pretty well, probably because it's on-rhythm and not mindless. Great extended solo, too. Checking the clock around the 6 and a half minute mark. Yeah, the rest of the song was unnecessary, but aside from running too long the music was mostly great and put together well, and the only sore spot is the caustic, non-melodic vocals. Both songs have their appeal, but sorry
@Confeos, I have to go with ProgMidget's nominee here.
Winner: Virgin Steele - "The Burning Of Rome (Cry For Pompeii)"
"Dirty Deeds Done Dirt Cheap" isn't one of my favorite AC/DC songs, but it's got an easy-going groove and a decent vocal melody, and there's some appeal to the weird chanting of the title lyric. The end of the solo is kind of cool too. Decent stuff. "Night Goat" is a bunch of ominous chug and not much else. Definitely not my jam, so this is an easy call for AC/DC.
Winner: AC/DC - "Dirty Deeds Done Dirt Cheap"
"Helter Skelter" is a little noisy and sloppy, but the vocal melodies are great, and the call-and-response with the descending guitar line works really well. The extended multi-part outro is over the top, though, and not in an appealing way. Uneven, but I guess it's still pretty good overall. "Psychosocial" starts with a bunch of squealy non-riffage, then settles into an unremarkable nu-metal groove. The shouty frat bro verse vox aren't my cup of tea, and the shift to melodic vocals on the chorus sounds forced. The solo's OK, and the percussive bridge has some appeal, but the rest of this is pretty forgettable. Not thrilled with either track, but this is still a pretty easy win for
@Stardust's nominee.
Winner: The Beatles - "Helter Skelter"
“The Odyssey” is a juggernaut. It’s epic in scope, length, and sound, and it goes on a literal musical odyssey without losing cohesion, which is amazing for a 24+ minute song. It’s got great, memorable parts throughout, and in terms of songwriting and performances there isn’t really anything to criticize. My one complaint, and it’s a recurring one with Symphony X, is that the synth sounds are incredibly chintzy, especially the orchestral bits. We’re talking 1990s cartoon or Hallmark movie soundtrack bad. It’s kind of embarrassing to listen to, especially in parts that are supposed to be mostly orchestral in nature. "Gypsy" has some interesting rhythmic stuff going on at first, but gets a lot more simplistic during the verses. The vocal melodies are pretty good, but the organ solo is directionless and that plodding verse rhythm underneath gets really old really fast. The hard stop and long return at the 2/3 mark is completely unnecessary, and there are some rough transitions in a few places. Yeah, that was a bit of a mess. The easiest of calls for MrLooserCocker's nominee here.
Winner: Symphony X - "The Odyssey"
"Hell Patrol" comes out pounding and has pretty solid vocal melodies. The harmonized guitar sections are nice, and I really like the neoclassical feel of the solo. The early choruses aren't the best, but the higher-pitched return to the chorus works a lot better. Really good overall. "Grinder" has a stock riff and groove, and the vocal melodies are just OK. Some of the lyrics are pretty cringey, but the guitar leads are consistently strong, and the bridge is solid. Nothing special here, but again, still pretty OK-to-good overall. A straightforward win for Diepotsel5.5's nominee.
Winner: Judas Priest - "Hell Patrol"