"The Wizard" spends a fair amount of its time as harmonica-laden blues rock, and the heavier vocal breaks are decidedly uninspiring, both in terms of melody and performance. The song doesn't really go anywhere, either. "Antithesis Of Light" is soft and doomy for sure. I could do without the Cookie Monster vocals, but at least they're low in the mix and not actively shoveling the contents of the guy's stomach onto my ear drums. Lots of repetition here, probably only one new musical idea per minute on average, if I'm being generous. They're generally good ideas, and pleasantly melodic aside from the vocals; but I'd prefer to either hear more of them, or hear the same number over a significantly shorter period of time. Not a fan of either track, but congratulations
@Diesel 11, I'll break in favor of the MaidenFans nominee here.
Winner: Evoken - "Antithesis Of Light"
"Hail To The King" has pretty good guitar work with some nice neoclassical undercurrents, and the singer sounds less annoying than usual for Avenged Sevenfold. The verse and pre-chorus are decent, but the chorus really blows. "Deliver Us From Evil" has a nice medieval acoustic intro and a solid Celtic-flavored main riff. The singer is fine, though the vocal phrasing is pretty bad, and I'm not really on board with the nursery rhyme lyrics. The drumming is great, as expected from Zonder, and I like the extended solo a lot too. Both songs are merely OK overall, but anti-A7X bias and pro-MaidenFan bias leads me to vote for
@Perun's nominee here.
Winner: Warlord - "Deliver Us From Evil"
"Cities On Flame With Rock And Roll" comes off like a lamer, less punchy version of "Godzilla" to me. It's fine, I guess, though the chorus isn't my cup of tea. The instrumental bit toward the end is a bit more interesting. "Embrace The Endless Ocean" has a nice tapped intro that flows into a similar evolving riff. The vocals are awful Cookie Monster garbage, but I like the melodic guitar leads. Great atmosphere in general. If this song had clean vocals I'd probably like it a lot, but alas, it doesn't. And yet it drew a pretty weak competitor, so sorry
@Stardust, but
@Night Prowler's nominee once again surmounts the Muppet tax to pull this one out.
Winner: Amon Amarth - "Embrace The Endless Ocean"
"Space Truckin'" has an OK riff, but some of the stupidest lyrics I've ever heard. The chorus sucks, too. The instrumental section is alright, but most of this is a mess. "Outlaw" has a cool intro and some great flavor work behind the main riff. I like the energy here, and the singer's good. The vocal lines are pretty solid but not great. The chorus has a 70s feel that seems a little out of place. The harmonized guitar parts are nice, if a bit straightforward, and the solo is very good. Not sure how I feel about all the spoken word stuff near the end. A pretty good song overall, and that's more than enough to win this match-up handily.
Winner: Riot - "Outlaw"
"Youth Gone Wild" is a great little commercial hard rock song. Great vocal lines, strong riffage and solos, and even the group vocals don't quite grate. Thumbs up for the classic vocal + drum breakdown, too. "Demon's Gate" has some silly tone-shifted vocals in the intro, but builds nice atmosphere afterward. I'm not sure the wimpy bass sound is a good fit here, but the guitar tone is strong and the singer sounds pretty good. The vocal lines are pretty memorable, and the song generally changes things up right around the time the repetition is starting to get noticeably stale. The eastern interlude is pretty good and I like the solo. Starting to check the clock around the six and a half minute mark, though, because there aren't really enough musical ideas here to justify the run time. Not bad, but not great. Sorry,
@Confeos, but I prefer
@The Sentient's nominee here.
Winner: Skid Row - "Youth Gone Wild"
"Slave To The Grind" is refreshingly metallic for Skid Row, though the verses don't hold together very well and the pre-chorus and chorus aren't the best. The solo is decent, but short. Hmm, that song doesn't really hold up after not listening to it for a long time. "Earth Day" is bombastic and airy, and has lots of memorable melodies and harmonies. It also gets annoyingly screamy in places, has pretty dopey lyrics, and is drawn out way too long. Thankfully, it avoids most of the carnival music tropes that Townsend often descends into, and it's still a good song overall -- and congratulations,
@Mosh, that's enough to beat out a weak competitor.
Winner: Devin Townsend - "Earth Day"