So here we are. "Rime of the Ancient Mariner". The closing track to the already perfect Powerslave.
How did we get here?
From the first album, Maiden have at least attempted to go somewhere with their songs. Sure, "Prowler", "Running Free", and "Iron Maiden" aren't exactly lyrical marvels, but "Strange World" tries to do create mood and atmosphere with some heartfelt lyrics, "Remember Tomorrow" attempts the same (and fails), "Charlotte the Harlot" tries to look at a controversial subject matter, and obviously "Phantom of the Opera" is based on one of the greatest novels of all time. Note something here: "Phantom" is written from the perspective of a character in the story, warning all of the titular Phantom of the Opera.
On Killers, obviously there was less happening lyrically, but we did get another step forward in the literary songs department. "Murders in the Rue Morgue" is only partly based on the Poe short story. Actually, it takes the basics of it and rewrites it differently to fit the Killers concept. Instead of Dupin and his accomplice, we're treated to a song about a man (who may insane) finding a murder and fleeing the country because everyone thinks he did it. Different to the original, but with kind of the same thing at heart.
On The Number of the Beast, we get a double dosage with "Children of the Damned" and "The Prisoner". The first one describes an evil person annihilated to save others... or so it first seems, as they take the narrative and twist it for another meaning - perhaps witch hunts are the evil. And then the latter song is the titular prisoner describing what he's gonna do with his life from here on out.
Piece of Mind opens up its doors to give us a bunch of songs that continue what "Phantom of the Opera" set in motion. "Where Eagles Dare" is based on a movie; "Revelations" takes a Chesterton hymn and adds to it; "Flight of Icarus" rewires the classical myth; "The Trooper" retells the charge of the light brigade from the viewpoint of a doomed soldier; "Quest For Fire" is also based on a movie; and "To Tame A Land" is, of course, based on the novel Dune. Let's note something else here: Maiden's epics. "Phantom" was 7 minutes and 20 seconds long. "Prodigal Son", the longest song on Killers, was 6:05. TNOTB's, "Hallowed Be Thy Name", was 7:08, and finally "To Tame A Land" is 7:26. In other words, there was a great deal of build-up in the literary metal song category and a (more inconsistent) build-up in song length.
With the last track on Powerslave, these two combined together to bring us the monster 13 minute 45 second "Rime of the Ancient Mariner", based on one of the greatest English poems of all time.
From the first note, "Rime" is different from every Maiden epic that came before it and every epic that followed it - there is no build-up whatsoever. No soft acoustic section, no quite vocals, nothing like that. It's just "duhduhduhduhBAM!" and we're launched right into the riff. There's nothing to pad the run time. It pretty much feels like any ordinary song.
Look at these lyrics. Unlike the other songs that were based on already made works, "Rime" doesn't try to showcase different things like character views on their situation, one aspect of the story, etc. The only goal is to tell a story. And it succeeds with flying colors. Steve's song is little more than an abridged version of the original poem. Which begs the question - who likes abridged works? I certainly don't. Moby Dick isn't half as good when the whale terminology chapters are excluded, as they're necessary for the greater whole. It's almost the same with "Rime". The original poem is a masterpiece, and getting the story by reading it is better than by listening to the song, unless you're only in it to get the basics of it. That said, lyrics go hand-in-hand with music, and the music is evocative of the original poem to its very core. It feels like you're with the wedding guest when he meets the Mariner; it feels like you're with the Mariner when he shoots the albatross, when he watches his crewmates die, when he is rescued, etc.
Which almost begs the question - is "Rime of the Ancient Mariner" merely intended to draw people to the original "The Rime of the Ancient Mariner"? It seems quite likely. That said, it may also be that Steve loved the poem and thought it would make a great song and actually made a great song out of it. Yeah, I think it's the latter. But I'm damned if the song isn't a great advertisement for the original poem.
Obviously another thing that makes this song work is the constant changes that occur. After the first few minutes we're plunged into nearly a different song, but it carries on the same story and the same feel. Once it ends, the bass-led quieter bit begins. This often seems to be the make-or-break moment for most people. Is it just hear to pad the runtime? Or could it be that Steve Harris knew that to expertly continue the song we would need something different to set our emotions back down low but slowly turn them back up as it progresses. Not only does it help create mood for the story, it also sets us up for what's next to occur.
As drums kick back up and Bruce and guitar come back to the forefront, we are slowly led along as the Mariner changes his tune and receives forgiveness in the form of RAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAIIIIIIIIIIIIIIIIIIIIIIINNNNNNNNNNNNNNNNNNNNNNNNN!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
The iconic scream - rivaled only by the one in "The Number of the Beast" - ushers us into the single best moment in Maiden's discography: Rime's perfect instrumental. Every bit of this is just ear candy. The guitars are perfect, and obviously, when it all ends, we return - full-circle - back to where we began, to finish the story and provide closure for us all.
Certainly there were metal epics before 1984. What Iron Maiden did with "Rime of the Ancient Mariner", however, was to reinvent what people considered and looked upon as a "metal epic". From this point forward, every epic that followed would be in the shadow of this monster of a song. Any band that released one - including Maiden with their subsequent epics - would need to strive, not to be better than "Rime", but to get damn near close to it. It changed the landscape forever in the metal scene.
If Iron Maiden hadn't released "Rime", they'd still be the greatest band of all time. If Powerslave didn't include this epic, it'd still be one of the greatest albums ever released. But with "Rime of the Ancient Mariner", both become even better than they would be otherwise. "Rime" is a good part of the reason in why Powerslave is a milestone in metal albums and why Maiden are such icons in the genre.
Finally, when I listen to "Rime", I don't feel the 13 minutes and 45 seconds that transpire. The whole thing is lengthy, yes, but you become wrapped-up in the tale, wrapped-up in the music, wrapped-up in the vocals, that by the time it's over, you feel as though maybe five minutes passed at most. It feels like a normal song... a normal song that was extended and transformed into an epic tale of bad judgement, vengeance, penance, and forgiveness. This is a song you come back to time and time again... or as Steve writes and Bruce sings: "And the tale goes on and on and on and on...."
Quite simply, "Rime of the Ancient Mariner" is the only song truly deserving of the title - 'Greatest Metal Song Of All Time'.
10/10.