Manic Street Preachers

Yesterday, I went to a special album launch show by the Manic Street Preachers at a relatively small club in Kingston-upon-Thames. They were originally going to play one gig, but sold out in seconds so they added an earlier afternoon show. I managed to get a ticket for that one and really enjoyed it. 60 minute show with a good mix of classics, 3 new songs, and some deep cuts that have not been played for a long time (She is Suffering since 2015 and Peeled Apples since 2010!).


The late show featured a slightly different setlist, with 4 new songs (one of them, Dear Stephen, has not been released as a single yet):

 

The album made it to #2 in the UK.

They top the vinyl album sales chart (the joys of multiple versions! :lol:) (https://www.officialcharts.com/charts/vinyl-albums-chart/) and the Physical Albums chart (https://www.officialcharts.com/charts/physical-albums-chart/20250221/2/), but did not enter the top 100 in the Album Streams chart.
 
JS40570134.jpg


A great picture to celebrate Wales National Day!
 
The Manics were superb in Bristol last Saturday. 1 hour and 44 minutes gig in a nice intimate venue (capacity of approximately 2200), with a setlist covering most of their discography, including 5 new songs, some oldies rarely played (Sleepflower, Motown Junk), timeless classics (I will never get tired of seeing A Design for Life, Motorcycle Emptiness and If You Tolerate This Your Children Will be Next), and a segment as a 3 piece playing songs with lyrics by missing band member Richey Edwards (She Is Suffering and Peeled Apples). The acoustic solo set by James Dean Bradfield showed that he is not only a guitar god, but an outstanding singer: we got a snippet of From Despair to Where, followed by Ready for Drowning (sung partially in Welsh), Small Black Flowers That Grow in the Sky and The Everlasting, with the rest of the band re-joining the moment James was going to play his solo.

I cannot wait to see what they have prepared for 2026, which according to their touring agent would be pretty big.

492930811_1111144931056328_1188201027189892507_n.jpg
 
Last Friday I saw this at the Jenny Saville Anatomy of Painting exhibition at the National Portrait Gallery. Quite striking and huge!

1756062173052.jpeg
 
Last Friday I went to the presentation of the book "168 Songs of Hatred and Failure" at Earth (an arts venue in Hackney, London), which basically was a conversation between the author, Keith Cameron, and James Dean Bradfield and Nicky Wire. It was a very entertaining evening, with lots of tales about how different songs were written, and a good amount of music played, including rarities and B-sides (Spectators of Suicide, Donkeys, Prologue to History...). The acoustic nature of the event highlighted the greatness of James Dean Bradfield's singing. Superb!


The first 200 people to arrive at the venue had the opportunity to get the book (included with the price of the ticket) signed by all three after the event and I was lucky to be one of them. I know it is a silly thing, but it was really nice to shake their hands. James joked with me about my T-shirt and I got the impression that they were really nice people (definitely nicer than other musical heroes I have met over the years).
 
Back
Top