Judas Priest

In my view, Point of Entry is much closer in spirit to Turbo than to British Steel. It leans far more toward a commercial direction, or at least a more polished, radio-friendly approach. Not that British Steel wasn’t radio-friendly—but it was radio-friendly in the right way. To me, it never felt like a sellout. Point of Entry, on the other hand, comes across as trying too hard to chase that appeal, imo.
 
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