Not even Judas Be My Guide? Pffff. Also I'd easily take Man of Sorrows, Public Enema Number One, Fates Warning, The Prophecy, Lightning Strikes Twice, Still Life, Twilight Zone, Total Eclipse, Charlotte, Rainmaker and Breeg over most songs they do nowadays.
Sure, the Murray songs I'd really love to see (or see again) live would be Judas, Rainmaker, BNW, The Thin Line Between Love and Hate, and Deja Vu. As I said, that's a handful. I could take or leave Breeg or Still Life in a live setting. Yeah, it'd be neat to hear them, but I wouldn't trade them for more energetic songs or songs I far prefer.
With all respect, and without the slightest agressivity, I'm amazed by this comment. His melody lines are often, very often more interesting than Smith's. He has had his weak moments (on No Prayer), but most of his songs are really interesting and bring something to the albums. Sure, he is not consistent, mostly, I guess, because he is a lazy man (and this is not a compliment). But when he tries, he often hits the spot. I've never heard/read of a song of his that has been rejected by Harris, which means something.
I will not deny that Murray has written some great, interesting melodies, but he also writes a lot of incredibly similar melodies. He's wildly inconsistent in his songwriting and, IMO, does not have a great ear for how to actually arrange riffs in a song. For instance, the transitions between different sections in TMWWBK, the incredibly boring palm-muted chord during the entire verse of The Man of Sorrows, his desire to start nearly every song with a mournful melodic guitar solo whether it fits the theme or key of the song at all...
He does sometimes hit the spot very well, but not often. He's written like 20 songs for the band, right? I'd consider 6-7 maximum to be really great, the rest are average to mediocre, with a couple being truly not very good.
I'm not trying to stir up Murray hate here, I love the guy and he is an essential part of Maiden. His lack of songwriting contributions probably makes me harsher on him, i.e. he has contributed less and thus the bad ones stick out more, but I would still consider him the least important member of Maiden's songwriting team (second least important if we're including Nicko).