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Ok, just listened to S.I.T. ..........It wins again. Can't believe I was thinking that, as good as the solos on TBOS are.
Different style, but then, Somewhere In Time is pretty unbeatable
Ok, just listened to S.I.T. ..........It wins again. Can't believe I was thinking that, as good as the solos on TBOS are.
You mean every guitarist, or "a" guitarist?So is this the first time since 1981 that Maiden guitarist has done a solo on every song on album? I'm not sure about NPFTD/FOTD, however.
I see the trend with fewer solos by Janick continues, but he seems to be very prominent in playing lead melodies and his guitar is overall very high in the mix on this album. The extensive lead 7:23 into "Empire" is unmistakably Janick for example. It's all him under the vocals on "The Red and the Black", and of course he's playing lead all over his own two tracks "Book of Souls" and "Shadows of the Valley". Saw someone mention that it was strange he didn't get a solo on "Empire" even though it's such a long song, but with the amount of that track that is all Janick taking the charge, I don't think he minds...
I can't see any clear change in his playing - though his tone seems to cut more than ever. Absolutely perfect tone for his style of playing. He's really the most precise player in the band, and you hear exactly everything he does up front with that tone. Adrian's Tubescreamer (and occasionaly wah wah) laden tone is still disguising a lot of stuff, though it's a lot dryer than it was in the beginning of the 00's (there's so much delay on his solos on Brave New World that you almost can't hear what he's actually playing); Dave has gone for a clearer tone with less gain more in line with what he used on the first few albums. A clear letdown for me personally, I much prefer the more modern high(er) gain, smooth lead tone with that insane amount of sustain that he's had since Fear of the Dark. The intro solo of "The Man of Sorrows" takes me back to the early days, and not in a good way. It's shaky, to say the least.
It's really only that little solo that stands out in that way luckily, the others are fine. There are however no standout solos for me this far - The Final Frontier had Dave's solo on the title track, Janick's solo on "The Alchemist" and Adrian's solo on "Coming Home" that hooked me instantly. Maybe this means this album has more well integrated solos like A Matter of Life and Death - I don't know. They surely (Shirley?) aren't anything flashy.
Only two? I count to 5 songs without Janick soloing. Which means that he solos on 6 tracks on the album.
I see the trend with fewer solos by Janick continues, but he seems to be very prominent in playing lead melodies and his guitar is overall very high in the mix on this album. The extensive lead 7:23 into "Empire" is unmistakably Janick for example. It's all him under the vocals on "The Red and the Black", and of course he's playing lead all over his own two tracks "Book of Souls" and "Shadows of the Valley". Saw someone mention that it was strange he didn't get a solo on "Empire" even though it's such a long song, but with the amount of that track that is all Janick taking the charge, I don't think he minds...
I can't see any clear change in his playing - though his tone seems to cut more than ever. Absolutely perfect tone for his style of playing. He's really the most precise player in the band, and you hear exactly everything he does up front with that tone. Adrian's Tubescreamer (and occasionaly wah wah) laden tone is still disguising a lot of stuff, though it's a lot dryer than it was in the beginning of the 00's (there's so much delay on his solos on Brave New World that you almost can't hear what he's actually playing); Dave has gone for a clearer tone with less gain more in line with what he used on the first few albums. A clear letdown for me personally, I much prefer the more modern high(er) gain, smooth lead tone with that insane amount of sustain that he's had since Fear of the Dark. The intro solo of "The Man of Sorrows" takes me back to the early days, and not in a good way. It's shaky, to say the least.
It's really only that little solo that stands out in that way luckily, the others are fine. There are however no standout solos for me this far - The Final Frontier had Dave's solo on the title track, Janick's solo on "The Alchemist" and Adrian's solo on "Coming Home" that hooked me instantly. Maybe this means this album has more well integrated solos like A Matter of Life and Death - I don't know. They surely (Shirley?) aren't anything flashy.
Only two? I count to 5 songs without Janick soloing. Which means that he solos on 6 tracks on the album.
You mean every guitarist, or "a" guitarist?
edt: Janick and Dave do not play a solo on all songs.
No, Dave did not during SIT and NPFTD (Dave not on Smith songs on SIT, H not on Deja-Vu & Dave not on BYDTS come to mind; Janick not on Public Enema). FOTD: Dave not on Fear is the Key and Janick not on some Dickinson/Murray tracks.A guitarist. Thinking of it more, Davey might have done it all the way to Somewhere In Time and then again during No Prayer/FOTD era.
06 – The Book of Souls
Murray – 6:15 / 6:39
Gers – 8:20 / 8:44
Smith – 8:45 / 9:09
Smith - 9:20 / 9:43
Just put the main solo. I considered an intro solo (0:00 / 0:32)10 – The Man of Sorrows
Murray - 0:00 / 0:32
Murray – 4:09 / 4:26
Smith – 4:27 / 4:44
Gers – 5:20 / 5:37
Murray - 5:36 / 6:13
THE BOOK OF SOULS
01 – If Eternety Should Fail
Harmony solos and small alternating solos ( Smith - 6:14 / 7:12 ...) with vocal
02 – Speed of Light
Murray – 2:49 / 3:09
Smith – 3:09 / 3:30
03 – The Great Unknown
Gers – 3:07 / 3:28
Smith – 4:33 / 4:54
Murray – 4:55 / 5:15
04 – The Red in the Black
Smith – 6:44 / 7:14
Gers – 7:14 / 7:32
Murray – 7:33 / 7:50
Smith - 8:39 / 9:10
05 – When the Rivers Run Deep
Murray – 3:07 / 3:36
Gers – 3:37 / 3:51
Smith – 4:20 / 4:49
06 – The Book of Souls
Murray – 6:15 / 6:39
Gers – 8:20 / 8:44
Smith – 8:45 / 9:09
Smith - 9:20 / 9:43
07 – Death or Glory
Murray – 3:19 / 3:40
Smith – 3:40 / 4:01
08 – Shadows of the Valley
Gers – 4:46 / 5:12
Smith – 5:24 / 5:50
Murray – 6:40 / 6:52
09 – Tears of a Clown
Smith – 3:02 / 3:41
Murray – 3:41 / 4:01
10 – The Man of Sorrows
Murray – 4:09 / 4:26
Smith – 4:27 / 4:44
Gers – 5:20 / 5:37
The Empire of Clouds
Murray – 10:04 / 10:34
Smith – 12:02 / 12/32
Well done Edu, I didn't check the exact seconds you noted, but I added some more solos (in bold). I know they can be seen as intro or outro solos, or mixed in the backgrond, but I guess they are still solos.
06 – The Book of Souls
Murray – 6:15 / 6:39
Gers – 8:20 / 8:44
Smith – 8:45 / 9:09
Smith - 9:20 / 9:43
10 – The Man of Sorrows
Murray - 0:00 / 0:32
Murray – 4:09 / 4:26
Smith – 4:27 / 4:44
Gers – 5:20 / 5:37
Murray - 5:36 / 6:13
The first solo in the book of souls is Murray , certainly.
The first solo in the book of souls is Gers, sounds nothing like Murray.
It's Murray on the bridge pickup and with wah, so you're right that it's nothing like his usual tone - however, the phrasing, note choices & picking attack are 100% Murray.