This Nevermore album is a mixed bag. Some of the guitar work and songwriting is really strong, but there’s also some brain dead rhythm guitar and mediocre songwriting moments mixed in. The vocals weave around between good and questionable, and by the end the album winds up feeling a bit samey, but most of it is pretty interesting and well executed. My previous comments on the Led Zeppelin album hold — there are a small handful of great songs but a ton of filler on this one. Gotta go with consistency here. Winner: Nevermore
Tony MacAlpine is great. While I was aware of him before, I hadn’t really taken the time to listen to any of his albums, and I’m a fool for waiting this long to get around to it. This guy hits my neoclassical G-spot, and it’s shocking to listen to this album from 1987 and hear such a clear musical template for power metal — arguably even more so than Helloween’s Keeper I from the same year. I’m not saying that MacAlpine directly influenced the development of power metal, but boy was he ahead of the curve in that particular direction. And then the Rainbow debut. As I said last time, there are a number of cool parts, but no particularly awesome songs, and there’s a lot of filler here. This one isn’t even close for me. Winner: Tony MacAlpine
This Vektor album has some cool hi-octane riffage, but then the Gollum vocals start and just never end. Sorry, can’t do it. Edguy takes it by default. Winner: Edguy
This Warlord album has some cool guitar work, but it’s also very raw and the songwriting isn’t particularly refined. I think I read that this album was recorded live in one take — if that’s true, it’s pretty impressive. Meanwhile the WASP album, while not great, is still consistently solid, and higher caliber overall than the Warlord material. Winner: WASP