I'm gonna steal
@Moonchild_14's post's template for this. Alright, let's see:
16. Virtual XI (1998)
This is by far the lowest point in Maiden's career yet. While
The X Factor is a hidden gem in their discography, Blaze's sophomore effort with the band failed to achieve the same level of greatness of its predecessor, let alone that of the band's classic albums. The songs by themselves are very enjoyable, but they're very repetitive, and listening to the album in its entirety takes a lot of patience. The band sound tired, uninspired, and all that is made all the more apparent due to the poor sound quality and production. However, as with all other Maiden records, it does have those redeeming qualities and hidden brilliance that keep it from being unlistenable.
Top 3 songs:
- "The Clansman"
- "The Educated Fool"
- "Futureal"
Album rating: 3/10
15. Killers (1981)
I'm not sure if this comes off as a surprise or not, but there it is.
Killers is my second least favorite Maiden album, and it's all fault of the band's decision to use B-side quality songs to fill up space on their sophomore effort. This is the complete opposite of
Virtual XI: while that one features stellar (though terribly unpolished) songwriting hammered down by bad sound quality and production, this one features a stellar production courtesy of Martin Birch, but the songwriting is definitely subpar overall (by Maiden standards, anyway).
Top 3 songs:
- "Killers"
- "Murders In the Rue Morgue"
- "The Ides of March" / "Purgatory"
Album rating: 4/10
14. Fear of the Dark (1992)
The main problem I have with this album (other than it features "Weekend Warrior", my least favorite Maiden song) is that it feels less like an actual album, and more like a compilation of songs (which is not exactly what I'm looking for when listening to an
album). The songs, while good, are completely disconnected from one another, which makes the entire thing sound like a mess (an enjoyable mess, but still a mess). Martin's (last) production is very good, even though it's not up to par with his work on other albums (like
Powerslave and
Piece of Mind). However, as always, the album does feature some stellar compositions, such as the title track (an immortal classic) and the often maligned, but brilliant "The Apparition".
Top 3 songs:
- "Fear of the Dark"
- "Afraid To Shoot Strangers"
- "The Apparition"
Album rating: 4/10
13. Dance of Death (2003)
Ironically, the band's 13th studio effort is also my 13th favorite album of theirs. It ultimately suffers from the same problem the previous album does (although here it's handled much better). The songs still sound completely unlinked, without any kind of continuity (almost as if you could move the track listing around and it wouldn't make any difference). The album is saved by a number of truly amazing songs that ultimately rank among the band's finest ever, also including what could possibly be the best short (less than 4 minutes) song of their entire career, "Rainmaker".
Top 3 songs:
- "Dance of Death"
- "Paschendale"
- "Rainmaker"
Album rating: 5/10
12. No Prayer For the Dying (1990)
There's really only one thing wrong with this record, and that goes by the name of "The Assassin". A brilliant instrumental piece almost completely butchered by unimaginative and even cringe-worthy lyrics and a mind numbingly stupid chorus. The other songs, however, more than make up for it, and while not as great as the other 11 albums to follow on this list, it's still a very solid and very enjoyable album, featuring, yet again, quite a few of Maiden's often hidden mini-masterpieces.
Top 3 songs:
- "Mother Russia"
- "No Prayer For the Dying"
- "Run Silent Run Deep"
Album rating: 6/10
11. The Number of the Beast (1982)
Okay, I'm sure a lot of you weren't expecting this one to be placed at such a low position, but if I had to point out a ridiculously overrated Maiden album, this would be it. No way in hell this is the band's best album. It's too uneven for that. It still maintains a little bit of the
Killers street vibe, which is definitely not a good thing (just take a look at where I ranked it here). The only real dud here is "Gangland", but still: "Run to the Hills" is overrated and overplayed, "The Prisoner" goes on for a little longer than necessary, "Hallowed Be Thy Name" is
not the band's greatest song ever (there are about 34 others that have outdone it), and the overall listening experience ends up being too underwhelming for it to be considered
the best Maiden album ever. "Invaders", however, is one hell of an opener and a criminally underrated song, far better than "Run to the Hills".
Top 3 songs:
- "Hallowed Be Thy Name"
- "The Number of the Beast"
- "Children of the Damned"
Album rating: 6/10
10. Brave New World (2000)
Whenever I think of this album, the first word that springs to mind: fresh. That's what it sounds like after the ridiculously underwhelming
Virtual XI. At a time when Iron Maiden appeared to have lost their magic and power,
Brave New World was a more than welcome addition to the band's discography. The album absolutely crackles with energy, and it really sounds like a band climbing back up to the top of their own game. The closest thing to a dud here is "The Mercenary", which is still decent, although exhaustingly repetitive.
Top 3 songs:
- "The Nomad"
- "Dream of Mirrors"
- "Blood Brothers"
Album rating: 7/10
9. Iron Maiden (1980)
This one still ranks among the greatest debut albums I've ever heard. No band should sound
this good at the very start of their career. The songwriting isn't always great, but it really sounds like the boys are
trying. They're all really giving the best they've got, and the whole thing is mindblowing. It takes you right back to the '80s music scene, right to the start of the NWOBHM without sounding outdated. To this date, it still sounds fresh, just as if it were new. I still can't believe they wrote a monster (one that still ranks among the band's finest) like "Phantom of the Opera" on their
first album, plus it features the band's best live track: "Iron Maiden".
Top 3 songs:
- "Phantom of the Opera"
- "Remember Tomorrow"
- "Transylvania"
Album rating: 7/10
8. The X Factor (1995)
An ominous gregorian chant introduces Blaze Bayley's debut in a very weird way. At a time when fans had gotten accustomed to the band's fast openers and long, epic closers, Iron Maiden took their own formula and turned it on its head, opening their darkest album with one of their longest songs ever: the 11-minute "Sign of the Cross". For a long time, I thought that it was a terrible opener. I used to think "Man On the Edge" would work better to open the album, whereas "Sign" should be the closer (because, you know... that's what you would expect from them). And boy, was I wrong! "Sign of the Cross" is a brilliant masterpiece of an opener, and it itself should (have) burst this album to recognition. Most of the songs here have been ignored for a very long time, and what a mistake that ended up being.
The X Factor is Maiden's most artistic and introspective album to date, and while it doesn't always hits the greatness target, it's a very consistent and very focused record. It kinda works like a jigsaw puzzle: take a song out, the entire thing falls apart.
Top 3 songs:
- "Sign of the Cross"
- "Lord of the Flies"
- "Blood On the World's Hands"
Album rating: 8/10
7. The Final Frontier (2010)
For a long time, I felt this album wasn't good. No matter how much I tried, I could never get into it! It wasn't until recently that it finally clicked with me, and, suddenly, it grew. From the brilliant atmospheric opener to the fading wind of "When the Wild Wind Blows", it never lets up. There's no bad song here, nothing even remotely close to a dud. All songs work perfectly both on the album and separately. The songwriting is magnificent, and we get to hear the band experimenting with lots of new things and venturing into previously unexplored territories. "Isle of Avalon", for instance, doesn't really sound like anything they did before or after, and it all works tremendously well.
Top 3 songs:
- "Starblind"
- "When the Wild Wind Blows"
- "The Talisman"
Album rating: 8/10
6. Somewhere In Time (1986)
This doesn't feel as much as an album as it does as an experimental transition. This is where Maiden started to introduce (more) layers to their overall sound, with the addition of synthesizers. It's ironic that just a few years earlier Bruce was so firmly stating that "you can't play heavy metal with synthesizers". And you really couldn't! That is, until
Somewhere In Time came along. Maiden pulled it all off incredibly well - feels like they had been using them forever. It all sounds very natural, and the way the whole thing blends in with the futuristic atmosphere and the songs is astonishing. Also, kudos to Martin Birch for one of his best production jobs ever.
Top 3 songs:
- "Alexander the Great"
- "Wasted Years"
- "Stranger In a Strange Land"
Album rating: 9/10
5. The Book of Souls (2015)
Who would've ever thought that 6 60-year-old guys in a 40-year-old band would still have such a monster left in them?
The Book of Souls is a tremendous effort. Very consistent and focused, not to mention all of the brilliant performances and how fucking epic the whole thing sounds. There really isn't much to say about this album - other than it kicks serious ass. The only song here that ends up sounding a bit meh is "Death or Glory", and even then it's a very fun song to listen to. Also, obviously, it's worth mentioning that Bruce sounds fantastic, and the fact that he still had his untreated tongue cancer when he recorded this thing makes it all the more amazing and unbelievable. He really shines on "Empire of the Clouds"!
Top 3 songs:
- "Empire of the Clouds"
- "The Red and the Black"
- "The Book of Souls"
Album rating: 9/10
4. Piece of Mind (1983)
Right off the bat, I must say that this record features the best Maiden production ever. The drums sound amazing, the guitars crisp and clear, Steve's bass blends in perfectly with the guitars, and Bruce's vocals are very powerful throughout. His diction is also a highlight here - you shouldn't need lyrics to catch up on what he's singing about. Musically, the entire album is brilliant. Only the lyrics aren't the best sometimes, with random innaccurate mentions of dinosaurs and the retelling of a story that ultimately makes no sense at all (sorry Steve!). It does, however, include the best and most brilliant song Davey's ever written, the awfully underrated "Still Life" (which also happens to be the best song on the album).
Top 3 songs:
- "Still Life"
- "Revelations"
- "Flight of Icarus"
Album rating: 9/10
3. A Matter of Life and Death (2006)
To me, this is the closest to progressive metal Maiden's ever been. It feels almost concept-like, and for that it's no wonder that the band decided to play it live in its entirety. Much like
The X Factor, this is another example of an album that actually works as one. If you try to unscrew it, take things away from it, it kinda falls apart - that's the beauty of it. Actually, to me, this album could as well be called a concept album: all songs feel linked together in a way no Maiden album has ever been, and they all end up coming down to the same themes of war and religion. Plus, it's a lyrical journey, as much as a sonic one - it takes you right down to the middle of a battlefield, to the creation of the atomic bomb, to all the chaos and despair of all the fights and wars religion can ultimately lead to. It's a masterpiece.
Top 3 songs:
- "Brighter Than a Thousand Suns"
- "The Legacy"
- "The Reincarnation of Benjamin Breeg"
Album rating: 10/10
2. Powerslave (1984)
This is by far the most powerful album this band has ever released. Whatever song you choose to play from it, it feels like it's gonna blow up your speakers. It's fast and energetic, in a way that I can't help but think it must have been a major influence in thrash metal - except it's much better than that. Tightly written riffs, genius drum fills from Nicko, Steve's bass wonderfully cutting through the guitars, and Bruce's deliveries as powerful as ever, in addition to having the most beautiful harmonies ever written in Maiden's history. Not only that, it features the best song ever created in the history of mankind, Steve's own monster epic and masterpiece, the utterly perfect "Rime of the Ancient Mariner". A classic in every sense of the word.
Top 3 songs:
- "Rime of the Ancient Mariner"
- "Powerslave"
- "Aces High"
Album rating: 10/10
1. Seventh Son of a Seventh Son (1988)
This is it. The ultimate Iron Maiden masterpiece.
Seventh Son is a fantastic album from start to finish, and the boys all sound as inspired as ever. Maiden's only officially acknowledged concept album, it tells the story of the Seventh Son of a Seventh Son, and his journey through life as he discovers his powers and abilities. Musically, this is the catchiest album the band's ever put out, with literally every melody (including the vocal ones) being able to crawl their way into your brain and be stuck in there for a very long time (maybe forever). The use of keyboards is brilliant, just enough as to create the necessary atmosphere, but not to let it dominate over the rest of the music. This is the most accessible Maiden album in terms of sound, and over the years the word "accessible" has gained a very bad connotation (especially with the resurgence of pop music in recent years), but that's not to detract from the utter brilliance that is
Seventh Son of a Seventh Son.
Top 3 songs:
- "Seventh Son of a Seventh Son"
- "Only the Good Die Young"
- "Infinite Dreams"
Album rating: 10/10
Thoughts? Anyone?