Remember "Raw Dog" or "The Dark Eternal Night"?That's ridiculously heavy for them. Let's wait and see how LaBrie ruins it with his avian shrieking.
I remember the former being an instrumental that LaBrie thankfully couldn't ruin - but I don't recall it being memorable anyway. The latter had that sweet riff with the CLANG! bass chord, which I love. Solid chorus, LaBrie trying to sound angry during the verses, horrible pre-chorus ruined by Portnoy's tuf guy vocals. The instrumental portion consisted of the typical Dream Theater masturbatory session, which didn't ruin the vibe of the song (unlike The Ministry of Lost Souls) since the lyrics were about some stupid pharaoh monster or something. This song is one example of how Portnoy's greater writing input was starting to get stale.Remember "Raw Dog" or "The Dark Eternal Night"?
I'm honestly inclined to agree, the only song that really stuck with me from D/T is At Wit's End. Three Days would be my favourite from The Astonishing but come on. It doesn't compete with these two.And here we have the best song since Illumination Theory. Easily.
Lyrics linkFelt the new song started out really dense (I couldn't really understand the vocals for the first half of the song) but it mellowed out nicely in the second half.
Looking forward to the rest.