@Zare ,
@Black Bart what's your opinion on House of Blue Light?
Sorry for the lateness, I thought I was following the thread.
The House of Blue Light is one of the first DP album I have had (on a copied tape then), back when I got into hard rock (1993). As opposed to albums that sound like being recorded with a certain unity of feel and sound, THOTBL sounds more like a collection of songs and performances: each song is at least ok and every member is excellent of course (though I think Jon Lord was much more common-sounding when he used keyboards instead of organs) but it is much less a band effort than other albums, to such extent that the whole album doesn't flow very well.
The inspiration and effort of unity of
Perfect Strangers had worn thin. For instance, the guitar on most of "Mitzi Dupree" was recorded by Roger Glover because Ritchie Blackmore did not want to push this song pas the demo stage.
The video clip for "Call of the Wild" sums up where the band was at then pretty well. The intro and outro shots of the band are bittersweet: as much as they are intended to be funny, they pretty much correspond to the members' sense of involvement as being part of a band back then: none of them was hungry at that moment, hence a pretty tame group effort and probably DP's worst album ever.
The disappointing live
Nobody's Perfect (featuring a useless and uninspired re-recording of "Hush" - at least Maiden did not put "Prowler '88" and "Charlotte the Harlot '88" on a LP, hopefully) did nothing to hold the band's reputation high, while Ian Gillan and Roger Glover, with
Accidentally on Purpose, experienced first hand the weight of the tag "from Deep Purple" and the album flopped although it could have appealed to mainstream audiences had it been recorded by someone else.
All in all, the years 1987-1989 saw Deep Purple and its members going through the motions and that is when the band started finding its relevance only as a nostalgia act for most of the general audience -becoming an "old band" for good- , an image they have never really managed to break ever since despite the rejuvenation that the release of
Purpendicular brought.
This period of transition in the band's image proved fatal to the relationship between Ian Gillan (who -according to his autobiography- felt relief upon being fired at the end of the tour) and Ritchie Blackmore who couldn't stand the singer's repeated vocal weakness on stage, and
The Battle Rages On was pretty much a repetition of this album: a great assembly of musicians but no magic any more.
My favorite songs: "The Unwritten Law", "The Spanish Archer", "Dead or Alive"
The ones I like the least: "Hard Lovin' Woman", "Black and White"