I have no idea what is going on in that intro, still, I love it. Isn't that part of the deal that attracts us? You don't always have to understand what is going on, you just want to be amazed and let the magician keep doing tricks (no
Raising Hell jokes, please.) Why does it keep ringing like that- I have no idea, but I'm giving it a two thumb up.
During MF listening party, I've said there is nothing special about this song but it is like a nice "breather" between these longer ones. I like longer songs on "Senjutsu" but if they threaded the whole album with them, it would be a bit tiresome experiences. So, that is what "Days of Future Past" role is. "Short and fun rocker". Still, I underestimated it a little bit.
Radio singles and music videos are a thing of past and to be honest, I really don't know how kids and teens these days get hooked on the music. Still, I believe there are bigger chances to hook on something if that something is shorter (here you can insert jokes about attention span). Give 'em something short, rocking with melodic chorus and let the history do the rest (at least that's how it went with me and Brave New World). Here, today, Iron Maiden are still capable of that. It's no "The Trooper", "Run to the Hill" or "2 Minutes to Midnight" but if somebody is still waiting for those - he's been listening the wrong band for several decades now.
Iron Maiden can't compete with our memories of them, but it can still bring in flocks of new fans in. Don't trust me, here's from the mouth of the man himself:
https://www.alwaysoutlaw.com/blog/first-time-i-met-steve-harris
I you catch a minute or two, read this interview, especially the end. Musically speaking, Steve is far from perfect, but that man has done something right to achieve results that he has today and some of that formula is hidden in that interview.
There were a lot of comments that "Days of Future Past" sounds like something that came of from "Chemical Wedding" or "Accident of Birth". True, it's a Smith/Dickinson rocker, but Mr. chaosapaint made a great remark in the other thread - in the end, every song on the album is a Harris song since there would be no "Iron Maiden" adjacent to its name if it weren't for Steve's approval.
P.S. I got to admit I'm still puzzled about that part after solo, when it slows down a bit. Am I only one who expects some build-up or something new erupting after it?