Looking forward a little more to your review of this one though!Buckethead - Aquarium (#64)
Yea I've noticed that too. The drums are actually pretty good for being programmed usually. I don't think it's a distraction at all. They usually take enough of a backseat that the guitar is the focus. But I also focus on guitar more naturally, so there's that.And that's the complaint people have with later releases: drum/rhythm production. For some people that really distracts from his otherwise solid guitar playing. It's important and isn't important. It's just something we have to live with I think. It's also really uneven, which makes me think it's deliberate. Some Pikes are so good people often ask who the secret drummer is e.g. Monti or even Buckethead.
Yea it's not that different, but something about it just doesn't connect with me. I find most of it kinda generic Buckethead I guess.Surprising. It isn't that different to the two albums it's sandwiched between I don't think.
That's a short reaction.I'm not particularly fond of some of these albums either...
I can include these in the next review.Hope you don't mind me saying that I miss the pike titles in these reviews. The number of pikes is so huge already. I know I can look at wikipedia or wherever to translate but I hoped to learn the stuff more by heart by reading all this. Doesn't happen. I have no clue what this is all about (trouble with connecting the music to the pike numbers).
Indeed! We're chugging along at a great rate of knots here. Anything going into a playlist here, Mosh?Mosh, your reviewing speed is to be admired. That was abouT seven hours of Buckethead.
Aye, kind of agree. I'm much more familiar with the Pike name to be honest, so I had to keep checking what Pike you were referring to, too. Plus, these weren't released in this order, so some of these albums, relative to the others, are actually quite new to me. Or at least newer...Hope you don't mind me saying that I miss the pike titles in these reviews. The number of pikes is so huge already. I know I can look at wikipedia or wherever to translate but I hoped to learn the stuff more by heart by reading all this. Doesn't happen. I have no clue what this is all about (trouble with connecting the music to the pike numbers).
I threw this one in there because undoubtedly he put a lot of work into producing this one; sonically it's very professionally finished. It also all seems to blend together very effectively. It's even, to my mind, quite commercial sounding. I think people would be quite surprised a how totally un-Rock/Metal Buckethead can really be. At first listen I thought what the fuck is this? But I've grown to really like it. Second half drags a little, perhaps because it's basically all the same. Still, Factory Q, R, S, T, and X, Y are all 4-star tracks for me personally. Nothing outstanding, but enjoy listening to most of this album now.#52 Factory
This pike is quite unique in its use of sudden rhythm stops and tempo changes. Even though the sound is computerish, the use of the drums makes it more natural and spontaneous. Usually the drums are more constant and it's Buckethead improvising. Now the drums are improvising too and I liked this aspect for a change. In the first quarter there's lots of variation. Some cool passages. All in all, I don't think I am tempted soon to buy this because it did not contain enough strong melodies, chord progressions, riffs or atmosphere I like. But I surely see it can be a good album for Primus and funk afiocionados!
Overall I feel this is pretty solid. It's not my favourite Buckethead feel, but again I don't hear a lack of quality here. All 4-star tracks for me, although nothing outstanding.#56 Cycle
I felt this had a few good moments (highlight here; not the bass, but those eerie guitars are awesome!), but overall not very impressed. I felt the music lacked some variation but the last track certainly deserves another go, some other time. Perhaps the second as well.
Another Pike I found hard to love. I used to positively dislike the whole thing, but more recently I've began to like bits of it. To be honest, apart from Electric Umbrella (the middle track) I find the whole Pike pretty solid. Nothing outstandingly interesting though.#58 Outpost
The monotone bass (20 minutes!) drags this pike down for me. Boring. The last 10 minutes can't save the pike from being not good enough.
Good review. It's a difficult ask to go to 30-minute tracks, particularly if you're only lukewarm in your appreciation for them, and keep listening to them; but this rises a little higher than that. Not outstanding, but it's a nice listen.#60 Footsteps
It can be argued that this type of music doesn't have variation either. The chord scheme is almost the same in the whole pike. However ....
Buckethead's brilliant feel for melody and his talent for improvisation combine best in this style. This is moody, but uplifting and catchy music. Some of the patterns are totally in my street. Take this. Or this. And this! Simple, but so directly grabbing. Footsteps is a good title. The music sounds like fine company for a stroll.
Pike #60 Footsteps [2014]
Pike #64 Aquarium [2014]
Pike #65 Hold Me Forever [2014]
Pike #66 Leave the Light On [2014]
Pike #67 Abandoned Slaughterhouse [2014]
Pike #68 Assignment 033-03 [2014]
Just remember you'll probably be able to pick most of these (should you identify others you really like too) in the next $2 Pikes sale.Great album, I'm glad I to have (re!)-discovered this. Cheers.
Trumpism...Bellman continues in Foro's fav Buckethead style mode.
#64 Aquarium (will write something about this later)
View attachment 5621.
View attachment 5621Did you like the solo at the end of Beyond the Windmill (from Pike #64 Aquarium)? Now that's a pretty solo, quite unlike anything he's done before. Lovely sad/melancholy feel to it. Awesome stuff!
Looking forward to it!You're going to like Celery (Pike #71) when you get to it, if you like the soloing on Leave the Light On...
@CriedWhenBrucieLeft, do you really appreciate what's happening on this crap pike? Why on earth?There are albums which aren't to my taste but I appreciate them for what they are. These are some albums in the 51-100 range which I think are either very good (some of them are awesome) &/or deserve a full listen; at the very least to appreciate that Buckethead has experimented and it wasn't totally unsuccessful...
Pike #68 Assignment 033-03 [2014]