Yes, I agree.If you really want to talk about something, its either that or creating a new topic regarding the same subject. I find the second alternative more annoying
I would love to hear a Bruce version of The Educated Fool. I think he would slay on that chorus.
But you rated Dream of Mirrors 10/10 though.the Blaze ones were just substandard whoever sang them, let's be honest.
Update: Listened to Rock in Rio SOTC, and nope, original's still better.So far I've only heard two Blaze songs done by Bruce, The Clansman and Lord of the Flies, and one Di'Anno song, Iron Maiden. I plan on listening to the others soon, but as for these three... Bruce does a great job, but I've always preferred studio versions of Maiden's stuff (with the exception of Blaze's ATSS) so maybe that colors it, but I honestly prefer the originals. Nice job, just not as good.
Update: Listened to Rock in Rio SOTC, and nope, original's still better.
I completely disagree. Blaze isn't as good as Bruce, but I think he's great nonetheless. Maiden has never had a bad singer.Bruce's live version of SotC is way, WAY better. Same with The Clansman. Bruce is just such a superior singer to Blaze in every way. He makes those songs come alive. Blaze just is.. wrong for any Maiden song.
Bruce's live version of SotC is way, WAY better
I actually think the Rock In Rio version would sound better without Adrian's drop D guitar in the middle of the mix. It makes the whole sound so blurry for me, because of that heavily distorted guitar sound he used at the time.It's way, way better, because of Smith.
So far I've only heard two Blaze songs done by Bruce, The Clansman and Lord of the Flies, and one Di'Anno song, Iron Maiden. I plan on listening to the others soon, but as for these three... Bruce does a great job, but I've always preferred studio versions of Maiden's stuff (with the exception of Blaze's ATSS) so maybe that colors it, but I honestly prefer the originals. Nice job, just not as good.
Here is the rest for you to listen and rate then.Update: Listened to Rock in Rio SOTC, and nope, original's still better.
Give me a bit then because the originals are already masterpieces and I'd rather listen to them at the moment.Here is the rest for you to listen and rate then.
Bruce needs to do the Edge of Darkness. I'd be quite happy to see Maiden bust out an obscure track from the Blaze era on the next tour. Lord of the Flies on the DOD tour might be Maidens most surprising ever setlist choice.
The fact Bruce (and Adrian) are willing to do material from when they weren't in the band is just another example of how Maiden leave other bands in the shade.
Get a 5.1 mix and disable appropriate channel, you'll see that 90% of the song seems emptier without Smith. That's one moment where guitar sounds overlap, the rest of the song benefits a lot.
I actually think the Rock In Rio version would sound better without Adrian's drop D guitar in the middle of the mix. It makes the whole sound so blurry for me, because of that heavily distorted guitar sound he used at the time.
Guitars on RIR:Well, duh. Dave and Janick are not playing the exact same stuff as on the album just to make room for Adrian. (Are they even using the same setups/tones as they did when it was just them?) Compared to studio version and earlier live version, the Rock in Rio only has got better quality recording and production going for it.
It's a mudfest. But is he really playing in Drop D? Sign of the Cross is in E minor/G major.
This is funny because I personally love the heaviness. It completely demolishes the original on that front alone, with guitars that sound enormous and give much needed grunt to the tune. Bruce's delivery is spot-on too, though he is definitely stretching it a little with the low notes at the end (and also the intro). Otherwise he's perfect on it if you ask me.I actually think the Rock In Rio version would sound better without Adrian's drop D guitar in the middle of the mix. It makes the whole sound so blurry for me, because of that heavily distorted guitar sound he used at the time.
I also miss Dave's clean chords when Janick plays that melody (9:33-9:51), which brings variation.
It's not the heaviness I have issues with, it is what Maturin called, "the mudfest" I don't like, which is created partly by his guitar tone, but also by the production as a whole. I prefer these two:This is funny because I personally love the heaviness.