My Skunkworks picks would be Back From the Edge and Strange Death in Paradise. Both are fantastic tracks, each with that breathtaking dramatic crescendo toward the end. Honestly, Skunkworks as a whole feels like a hidden pearl in Bruce’s catalog.
I’ve always loved Back From the Edge—it stirs up that deep, sentimental “paradise lost” feeling, like something vital has slipped away and can never quite be reached again.
Strange Death in Paradise, on the other hand, almost feels like a foreshadowing of The Chemical Wedding. Listening back now, it really struck me how much DNA it shares with what came later. The way it builds from the middle toward the end is exactly what hits me hardest—it pulls at those deep strings of the psyche, awakening that sense of something forgotten and unreachable, some eternal paradise lost.