I don't think the album is great but I think it's a bit better than the fan consensus and some of the criticisms of Sonata feel overblown to me. There are some really weaknesses in the vocal department, but I actually think the vocals are better when it's sourced from 2014 or earlier (see Shadows of the Gods, which I believe is probably the strongest track and definitely Bruce's best vocal performance, and it seems like he recorded that around 2005). So using old takes/old versions of songs has been to the album's benefit more often than not. I tend to think most people wouldn't notice as much if Bruce hadn't been so public about it though.
Same thing with Sonata. I don't love the track and it feels more like an epilogue/bonus track, but I think a lot was made of the ad libbing and the looseness of the track stands out a lot more as a result. Overall, the album has had impossible expectations and the lack of a lyrical or musical theme/concept to tie it all together, despite originating as a concept album, doesn't give fans a whole lot to work with. I really dig the variety though.
The quote above pretty much sums up my opinion on the album as well!
I've listened it a couple of times now and I've really enjoyed it. It's certainly not as cohesive as the previous four or three albums, but at the same time I really like the different arrangemental ideas on it and frankly, I've liked most of the song material a lot. I've found Fingers in the Wounds very catchy and it's a very cool, dynamic vocal performance too; it might have made a great single!
So put your fingers in the wounds and pray that he's god
A roll of the dice for a piece of his cloth...
I LOVE IT.
Sonata is... certainly a song. Not even particularly
bad one, but.... Well, for now, I'd say it's kind of nice ending to the album, but more as perhaps overly extended outro, rather than a final chapter that gives sense of completance and closure to the album as a whole.
With some finishing touches and/or a proper reconstructing it might've served as rather great sequel to Taking the Queen; I quite like the build-up to the
SAVE ME NOW... chorus thingy, and even with all the repetition, it's a really nice vocal part. After that, I just don't think it forms into anything too interesting. I do like the somewhat dreamy vibe of it, but it's not quite as captivating as this type of a song clocking almost 10 minutes probably should be. But we'll see, I've only heard it some three times now.
So uhm...
I can see why a lot of people don't really like this one at all, but I can also... kind of get why some really
love it as well. For now, it's quite hard for me to get a proper grip on it. It's one of those instances where a song has certain very strong, emotionally impactful qualities and a handful of more... potentially irritating/just poor qualities. Sometimes the first mentioned are gold enough to win one over (e.g Lost in a Lost World from Senjutsu for me - not a huge fan of everything in it, but damn I love the
"feel the spirit of the old ones... " part & the ending...) and sometimes it's just... a nice try, but no.
Not quite sure yet how the scales will tip for Sonata (Immortal, Beloved).