Jer
A window to the west, a blazing star above
I’d never heard Blaze’s solo work before the Blaze ranking thread, and my impressions posted there were after 1 or 2 listens. I’ve picked up almost all of his solo albums since then (no need for The King Of Metal, thanks), and I’ve warmed to some of the material a bit more.
After repeated listens, I have to say that Tenth Dimension is the one I consistently come back to the most, with Blood & Belief close behind. The production is great on these, the songwriting is mostly solid, and there are a few great tracks along with a lot of OK-to-good ones.
The Man Who Would Not Die and Promise And Terror have consistently great music, but Blaze’s bad phrasing and uneven vocal performances drag them both down. That said, there are some gems in the mix, including IMO Blaze’s best solo song and vocal performance on “While You Were Gone”.
The Infinite Entanglement trilogy is enjoyable, and has a few great songs with an interesting back story. My main issues with these are weak production, a feeling of sameness and rehash in the songwriting, and some of the weird quirks in Blaze’s new approach to singing (see the end of “Escape Velocity”). I will say that he’s much better at hitting the notes on these albums, at least when he’s trying to, which makes me wonder if he took some singing lessons. Also, after repeated listens I think “Escape Velocity” may have the best chorus of any of his solo tracks.
The King Of Metal is a steaming pile of garbage with a couple of moderately OK tracks on it. No need to say anything more.
Which brings me back to the big puzzle of Blaze’s solo discography, Silicon Messiah. Most people seem to think this is far and away his best solo album, but I just don’t get it. It’s not terrible or anything, and there are certainly some good moments, but I generally find it to be mediocre when it’s not being openly plagiaristic. So many of the vocal lines meander around without landing on the notes, and large parts of the album are just mindless nu-metal crunch to me. And the number of parts that are directly cribbed from other bands’ songs is pretty appalling. Let’s review:
So, yeah. Silicon Messiah. I don’t get it. His second worst solo album, IMO.
After repeated listens, I have to say that Tenth Dimension is the one I consistently come back to the most, with Blood & Belief close behind. The production is great on these, the songwriting is mostly solid, and there are a few great tracks along with a lot of OK-to-good ones.
The Man Who Would Not Die and Promise And Terror have consistently great music, but Blaze’s bad phrasing and uneven vocal performances drag them both down. That said, there are some gems in the mix, including IMO Blaze’s best solo song and vocal performance on “While You Were Gone”.
The Infinite Entanglement trilogy is enjoyable, and has a few great songs with an interesting back story. My main issues with these are weak production, a feeling of sameness and rehash in the songwriting, and some of the weird quirks in Blaze’s new approach to singing (see the end of “Escape Velocity”). I will say that he’s much better at hitting the notes on these albums, at least when he’s trying to, which makes me wonder if he took some singing lessons. Also, after repeated listens I think “Escape Velocity” may have the best chorus of any of his solo tracks.
The King Of Metal is a steaming pile of garbage with a couple of moderately OK tracks on it. No need to say anything more.
Which brings me back to the big puzzle of Blaze’s solo discography, Silicon Messiah. Most people seem to think this is far and away his best solo album, but I just don’t get it. It’s not terrible or anything, and there are certainly some good moments, but I generally find it to be mediocre when it’s not being openly plagiaristic. So many of the vocal lines meander around without landing on the notes, and large parts of the album are just mindless nu-metal crunch to me. And the number of parts that are directly cribbed from other bands’ songs is pretty appalling. Let’s review:
- The chorus vocal line from “Ghost In The Machine” bears a striking resemblance to the guitar line from the chorus of Iron Saviour and Gamma Ray’s “Watcher In The Sky” from 1997.
- The outro groove on “Evolution” is lifted from Metallica’s cover of “The Wait”.
- The vocal line in the title track is lifted from Yngwie Malmsteen’s “Disciples Of Hell”, while the descending guitar bit came straight from Queensrÿche’s “Spreading The Disease”.
- The delivery of the verses in both “Born As A Stranger” and “The Launch” directly mimic “Man On The Edge”.
- The outro of “The Hunger” is lifted from Queensrÿche’s “I Don’t Believe In Love”.
So, yeah. Silicon Messiah. I don’t get it. His second worst solo album, IMO.