I also felt some of these songs were very repetitive as well (especially the ending of one particular song (not sure anymore which ; the chorus just kept going).Fair enough, I like the jazzy settings and emotional guitar flourishes on the softer songs.
My take:
Overall a great mix of light and heavy, lots of variation from song-to-song, unique original sound, awesome lyrics and some of my favourite guitar playing on record.
And no disrespect to Sabotage, but it's hardly Sabbath's best work. When it beats Born To Run or Abbey Road, I chalk it up to a genre thing, but equal to stylistic peers like Agents of Fortune, Physical Graffiti, 2112 and especially Jailbreak?
I just don't see it. I'd take Emerald alone over the entire Sabotage album.
Simon? Now there's a surprise.
But a good one.
He is probably not gonna get very far if he gets in (most likely he'll be slaughtered) but if the nominations will make some people here check him out for the first time that's a bonus. Even if people are metal fans, Paul Simon has a lot to say and does it with real talent.
Exactly my thoughts. If not mistaken, from certain eras every round the same albums get the most votes. I guess it'd be logical to get rid of this status quo.albums with 7 votes get eliminated,
And @ KDH, Springsteen is even better.
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@Springsteen: dunno, I find most of his older work that I heard uberdramatic, almost gospel like material. The closed eyes during performances, it's all too hallelujah (and too American?) for me. I am saying this while I played a Springsteen cover last year with the band from my work (The River).
I prefer Streets of Philadelphia or Dancing in the Dark. And as a teenager I also liked Born in the USA.