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I’ve always had the impression that Seasons in the Abyss is Slayer’s Black Album—but without even a hint of negative connotation. It’s definitely in my top two favorite Slayer records.
Maybe it’s a bit toned down, adapted for a wider range of listeners, very accessible and pleasant to listen to (ha), and nicely produced. What’s not to like?
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Chaos A.D. is Sepultura’s Black Album. It’s definitely a bit toned down, adapted for a wider range of listeners, nicely produced, and very pleasant to listen to. At the same time, it retains a rebellious, even punkish energy in some songs.
Countless nights in the ’90s were spent in a darkened room, rocking out to tracks from this album and playing on a fake, cobbled-together guitar. (Very rewarding material for that attitude-driven pseudo-performance act, ha ha.)
Refuse/Resist, Territory, Slave New World, Propaganda, Manifest, The Hunt. Huh!
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I think with this album they were on the way to becoming a very, very big band. But then Roots came out, which I found very disappointing, and later both Cavaleras left—and soon Sepultura became one of those bands whose full potential was never fulfilled…
 
Chez Kane Powerzone. The album is sprinkled with some nice guitar melodies. Guilty of Love — major goosebumps.
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The song “Powerzone” — I hear 100% Ghost in one of the guitar licks or riffs. Heck, even Maiden and Priest?
 
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