BludBrutha
Ancient Mariner
You’d think the Paris shirt would reference Phantom of the Opera considering that the Phantom of the Opera lives in the Paris Opera House.
Drawn by quest for fire! A nice art with cool Eddie references.French event T
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A surprise. For the first 4 songs? I hope he won't drop the black Strat.Cali Series Strat returned tonight for the beginning of the set.
For all songs that are usually played with black HSH big headstock Strat.A surprise. For the first 4 songs?
It's better for the song to be without the intro for an opener. They played it live in the LAD version.They use Ides of March tape and later they also use the beginning of Murders on tape. Shame.
I think it's because that's not Maiden's thing. Maybe for the final tour? Blaze could have been invited, but they didn't play a song from his era. Odd 50 years celebration, I have to say again.As well as being a celebration of 50 years, it being the London gig I thought we might've had some 'guest stars', Nicko perhaps getting a walk on. I was lucky to chat to Blaze at a gig in Southampton and he said he hasn't been included in any part of the tour which is sad- makes me think that they're doing to him what Priest have seemingly done with Ripper.... Also, a montage on the screen of former band members and 'back office' staff would've been nice
And, maybe just me, I don't like synths on songs that didn't have them on the studio albums, yes I'm referring to you 'Powerslave'! And I know they've done it before with that track and even back in '88 they had them on 'Still Life'. I'm not a fan of keyboards anyway and yes, I know what Bruce said at the NEC but I didn't take his advice and carried on listening to Maiden!
I prefer the song with a longer solo section like in 1983. To shorten a song like Angel and Gambler is understandable.Ironic that in LOTB tour with Where Eagles Dare, and probably previous tours, they reduce the pre-solo section quite a bit compared to the studio version (I'm sure of it anyway...). WED is quite a word song for Bruce and high too.. But they've reduced his breather time!
It's normal, most of the greatest hits are here. And I always thought songs like Rime and Seventh Son could/should have been part of the 1999 set, though I think the set is great as it is. Again - the omission of Evil That Men Do is a big surprise.For all of our conversations about the setlist, I just looked it up and the RFYL set is identical to the Ed Hunter Tour set but for four songs: The Clansman, Futureal, Man On The Edge and The Evil That Men Do.
Huh. I found that very interesting. Murders, The Clairvoyant, Rime and SSOASS are the replaced songs on this tour. The sequence has been reordered but besides those four songs, all the others are the same.
I don't know if its coincidence or whatever but...interesting.
These copyright strikes are getting ridiculous.I dreamed that I went to the concert yesterday.
Was kinda disappointed that I didn't remember anything from the concert.
At the very least post of the month, I'm laughing like a maniac lolThese copyright strikes are getting ridiculous.
@BludBrutha has done the analysis:
It’s not a matter of not knowing when to come in, they do it the same way every night, and did it the same way every night on the 2012-14 tour as well.I'm sorry but have you ever listened to SSOASS studio version? haha!
In all fairness it's likely the middle section has extended out a bit live purely out of them not really knowing when to come back in .. But the studio version does have 2.5 minutes roughly of it
For my own amusement I just ran the studio version and 2025 live arrangement simultaneously to see exactly where it’s longer.
It’s thirty seconds of clicky clacky bass...
As far as I am concerned, I thought there was no need to make the song longer than the studio version in 2012-2014 and my opinion has not changed.
That's the '86 version or arrangement, which is missing one of the verses after the solo section. A really strange place to shorten it since it skips over a part of the "story" of the song. I don't recall if they did anything to the solo or the pre-solo part which got shortened in '05.
Also the '93 one is so goddamned fast it's shortened quite a bit from that alone!
Its true in 99 bruce sang killers like that. Cant remember what is missingThey leave out the a verse in songs that have two verses after the solo quite a bit, they did it on Killers too.
Killers on Maiden England is my favourite one because it ends after "Oh God help me, what have I done?" which wraps up it up extremely wellIts true in 99 bruce sang killers like that. Cant remember what is missing
I think its they end as this in 99 2005 and now i need to check but i think they skip a verseKillers on Maiden England is my favourite one because it ends after "Oh God help me, what have I done?" which wraps up it up extremely well
That's the thing: Let's assume Maiden continue for a bunch of tours. What's left to do?
New albums are supported by their respective tours, that's simple enough.
But after that? Doing any particular era like the Early Days, SBIT or Maiden England will look ridiculous, especially after we've gotten a 80s + FOTD tour celebrating the 50th anniversary.
I suppose a reunion heavy tour could work (no chance on a 90s tour). Or a "lets play this classic album front to back" for something like Powerslave or SSOASS.
Any other "best-of" style will look like a weird immitation of LOTB and I just don't see that happening. It's weird, but it feels like they are kinda running out of unique themes for future tours.
Yes. They only played the original lenght on 1983 tour. Every time they played it after was a shorter version.Wasn’t the song already shortened when they played it live in 1993?
Just looked it up. The original is nearly ten minutes but some later live versions are 7:20