Led Zeppelin - everybody loves them because everybody loves them. 3 good songs are enough to become a legend, it seems.
The Doors - if Jim Morrison had not romantically died, nobody would even remember that band. There is a great episode on the podcast "Your favourite band sucks" about The Doors, and it hits the spot perfectly.
Queen - didn't even have their own style, they just randomly played everything. Would be ok if they were good at it, but they weren't. Some songs are so bad that they justify throwing eggs. Bicycle Race is a case for Amnesty International. To make things worse, a few of their songs are excellent, so I can't even hate them completely. Damn!
The Beatles - greatest band in the world, you say? I challenge you. Go listen to Obladi Oblada, Rocky Racoon and Yellow Submarine and try to say that again. Without laughing or feeling ashamed. You wont make it, unless you are dead inside.
Tool - musically I just don't care much. That could be all, but they have the most annoying, most elitist, most crybaby fanbase on he planet.
Soundgarden - Down On the Upside and Big Dumb Sex are good songs, other than that I find them rather boring. Still better than....
The Police - they STING!! Yes, that pun was terrible, and I apologize. But it was still better than Every Breath You Take or (sorry, I try to remain calm here) E Doo Doo Doo E Da Da Da. Why is it even legal to write such songs?
Jimi Hendrix - yes he could play. Yes he did things no one did before. But that does not mean his songs were good.
Cream - Boring music and I just realized that I forgot to list Eric Clapton in my douchebag-poll. That guy is a red level asshole.
Is that a compliment or pure scorn?Reading your posts is going to make my head explode.
Yes. Billions of times. Pretty much every day. But never with The Doors, no.Have you never experienced the joy of music?![]()
I admit that this is unique. But I am glad that nobody else did that.Those three songs are all great examples of why the band was so good. They were able to be silly when they wanted to. They could write for both adults and children, often within the same song.
Haven't heard that one in decades. Just for you, I re-listen to it while typing my answer. I don't want to pop you, but.... Let's put it this way: It is not a bad song. It is pretty much New Wave, and thus a hundred times better than their reggea attempts. But a masterpiece? When I compare this track to what their contemporaries Ultravox or Can did around that time, it is really nothing that special.They also wrote “Synchronicity II” and if you tell me that song is anything other than a masterpiece I’m gonna pop.
Communication Breakdown, Kashmir, and STH, if that one wasn't so overplayed.Which 3?
Yeah, yeah, I know this had to come, and I forgive you.... Come on, even most Americans always mock rednecks. The Simpsons did it in almost every episode.Germans hating other cultures.![]()
See my answer to Diesel 11 above. Whole Lotta Love, Black Dog and Dazed and Confused are annoying as f***.He obviously means Stairway to Heaven, When the Levee Breaks and Kashmir. Or maybe Dazed and Confused, Bron-Y-Aur Stomp and Black Dog? Perhaps The Rover, Heartbreaker and Immigrant Song? Or quite possibly Out on the Tiles, Since I've Been Loving You and Rock 'n' Roll? Or, am I completely wrong and he actually meant Going to California, Ten Years Gone and Whole Lotta Love?
Yeah, definitely even more so than Led Zep.Also, "everybody loves them because everybody loves them" better describes The Beatles.
Ah sorry, I meant the album BIB.Hells Bells the song? Or you mean the album Back In Black?
I could never reduce the number to a fixed 3. I love so many bands, and I could name my top 20, but not really in a particular order, so I can't say which one are the top 3.Just curious... Can you name me your top 3 favorite bands?
Those three songs are all great examples of why the band was so good. They were able to be silly when they wanted to. They could write for both adults and children, often within the same song.
I admit that this is unique. But I am glad that nobody else did that.
Mötorhead: went through phases where I tried to convince myself they were great but in reality was just never into their sound. Lemmy was a true metal icon, though. Ace of Spades, Overkill, Orgasmatron are all decent songs.
No not scorn lol, just a comment on how much I completely disagree with your takes 60-70% of the time.Is that a compliment or pure scorn?
For me as much as I enjoy the song's music in and of itself, the big thing that makes it work is the lyrics. But then I've always been a fan of lyrics. To me the pumping music is working in tandem with the lyrics to create the energy of mounting tension within a working class father, synchronized with images of the Loch Ness Monster. That's what makes it a favorite of mine.Haven't heard that one in decades. Just for you, I re-listen to it while typing my answer. I don't want to pop you, but.... Let's put it this way: It is not a bad song. It is pretty much New Wave, and thus a hundred times better than their reggea attempts. But a masterpiece? When I compare this track to what their contemporaries Ultravox or Can did around that time, it is really nothing that special.
Damn I'm not even a big fan of "Communication Breakdown". "No Quarter" deserves some love.Communication Breakdown, Kashmir, and STH, if that one wasn't so overplayed.
Okay so this is probably down to a disconnect between the way you're looking at the band vs. the way I do. I firmly believe that post-plane crash Lynyrd Skynyrd is not Lynyrd Skynyrd. Back in the '70s they were writing really great guitar songs with interesting lyrics that balanced their southern heritage with all sorts of other influences. Hell, "Sweet Home Alabama" foregoes pure adulation and makes snide remarks about the racist governor of the time. This was a band that felt honest through their music.Yeah, yeah, I know this had to come, and I forgive you.... Come on, even most Americans always mock rednecks. The Simpsons did it in almost every episode.
Lynyrd Skynyrd supported ultra-rightwing senator campaigns of Trump bootlickers. That's even worse than Freebird or Sweet Home Alabama. Don't tell me you find that cool.
Finally something we agree on, Evoken at the top of your list is based. They fucking rule.My current 20 are (in no particular order):
Evoken
I simply just don't like many of those rock alltime classics. Never cared much for it when I was a kid, and the fact that these classics are played over and over and over and over at every party and every rock radio station does not help. I don't see a reason why I should celebrate Led Zep, just because the "law of rock" dictates they are the greatest. Maybe they are, but I don't enjoy them. It is that simple.
The Greatest Zeppelin song alongside Thank you in my books.Damn I'm not even a big fan of "Communication Breakdown". "No Quarter" deserves some love.
Great recommendation. Motörhead’s discography captures me like no other bands discography has captured me. I’m pretty sure at any given time I could name every Motörhead song from every album in order. At an extreme surface level, most of their albums may seem one note, but diving deeper, Lemmy’s creativity almost knew no bounds. They obviously haven’t been around for years, no one has come close to matching their sound. I think Inepsy got the closest, but even they have their own style hidden in their “Motörhead worship”.If their sound isn't for you then it probably won't change your mind, but I'd recommend giving the Bastards album a listen, it's easily their best. Don't get me wrong, it's still very obviously Mötorhead, but it's a little less one-note than you might be expecting. Liar, Lost In The Ozone, Devils, I'm Your Man, all took me a little bit by surprise at how different for Mötorhead they are.
If their sound isn't for you then it probably won't change your mind, but I'd recommend giving the Bastards album a listen, it's easily their best. Don't get me wrong, it's still very obviously Mötorhead, but it's a little less one-note than you might be expecting. Liar, Lost In The Ozone, Devils, I'm Your Man, all took me a little bit by surprise at how different for Mötorhead they are.
what their contemporaries Ultravox or Can did around that time
Yes! Great recommendation, Brian Robertson’s (Thin Lizzy) guitar work is great and adds an almost progressive feel to the album. The guitar work is seriously a standout.Or Another Perfect Day, I think especially for Maiden fans it could be a good entry point.
My music approach is weird, so that's just normal. For example, even though I am craving for Metal, I don't like Rock music. Because if I want heavy music, I want HEAVY music. I don't see the sense in making heavy-ish music, you know what I mean...No not scorn lol, just a comment on how much I completely disagree with your takes 60-70% of the time.
Admittedly I never paid much attention to the lyrics of that song. Probably because the lyrics of their radio hits are pretty lame, so I was biased. Sting solo lyrics are not that bad, though.For me as much as I enjoy the song's music in and of itself, the big thing that makes it work is the lyrics. But then I've always been a fan of lyrics. To me the pumping music is working in tandem with the lyrics to create the energy of mounting tension within a working class father, synchronized with images of the Loch Ness Monster. That's what makes it a favorite of mine.
Ok, admittedly I never make this distinction, and maybe that's sort of unfair.I firmly believe that post-plane crash Lynyrd Skynyrd is not Lynyrd Skynyrd.
You are right, I cant hold their current political stance against their history. However, I still stromgly dislike their classic hits, especially SHA, which makes me gag. Probably my strong dislike for this song is also connected to mass sport events, where drunk lowbrows yell it all the time. Freebird is far less popular (at least here in Germany), but still a very annoying track. But I have strong dislike for southern rock in general, so in fairness I must say I don't hate Lynyrd Skynyrd more than most bands of that genre. Molly Hatchet for example are just as bad. But this thread is about classics/legends, so they are the ones to pick.Back in the '70s they were writing really great guitar songs with interesting lyrics that balanced their southern heritage with all sorts of other influences. Hell, "Sweet Home Alabama" foregoes pure adulation and makes snide remarks about the racist governor of the time.
I don't doubt their honesty. At least not back in the day.This was a band that felt honest through their music.
Yes, they are one of the greatest bands ever. Especially live. Also very nice people. My band did a european tour with them in 2013. We had a Kraftwerk -Cover in our setlist back then, and at the show in Helsinki, their keyboarder Don Zaros spontaneously joined us on stage and played the song with us because he is a huge Kraftwerk fan. My biggest regret is that there is no recording of that gig.Finally something we agree on, Evoken at the top of your list is based. They fucking rule.
They weren't the creators of anything except modern music marketing. They didn't invent rock, they didn't create beat music, they didn't create psychedelic.The beatles. I know they were the first one or the creators of something but i just cant listen to them
I don’t think many people like “Wild Honey Pie” beyond its place as an interlude track, if at all. It’s consistently considered one of the worst tracks from the whole discography.The really experimental stuff is utter shite and was not successful at all. Only die hard Beatles worshippers claim that dreadful garbage like Rocky Racoon, Wild Honey Pie, Piggies, March of the Meanies, Strawberry Fields or Blackbird is genius.