Surprised there hasn't been much talk on this now that it's off, I got my hands on a copy and am listening now.
I really like the liner notes from Steve, we rarely get those sorts of in depth comments from band members lately and there's some fun information if not anything we haven't heard before. I'll take it over the generic Maiden PR line that gets pasted everywhere. It's interesting to hear him give a sober take on the album, he mentions not being fond of Invaders or Gangland and talks about the album being made in a rush. He also acknowledges that there's a missing guitar solo in Gangland - is that the first time a band member has acknowledged this error?
I like the imagery on the vinyl packaging, some photos I haven't seen before and a really cool inner gatefold. The excerpts from the tour program are great, especially if (like I presume most people here) you don't have the original program. My only really gripe is I hate the flimsy triple gatefold that Maiden has been using for these releases. En Vivo is basically a large sleeve, like a mini box set, with inner sleeves for each disc inside. That to me is much more durable. These triple gatefolds feel like they're going to tear easily and it makes me not really want to touch them more than I have to. Something like what they did with En Vivo + a foldout insert would've been better IMO.
OK on to the audio. Not sure if anyone has confirmed this already, but the master appears to be the same as what they released on CD in 2015. If I had to guess, it's probably a digital source (meh). It sounds good though, way better than the 2014 issue. To my ears it is more compressed than the original vinyl, but honestly, you're likely going to pay the same for an original as this package and the differences are marginal so YMMV. This renders the 2014 issue obsolete though which is pretty much all you can ask for (the 2014 btw is going for ridiculous prices on Amazon, if you don't have any of the new reissues on vinyl and want them I would snatch them while you can as the prices have been getting inflated).
Changing the track order may be blasphemous but, again, there are so many versions of this out on vinyl that I don't mind a different sequencing. It's also definitely an improvement if I'm being honest. Not only is Total Eclipse a better song, but it's a nice contrast from Run to the Hills and better sets up Hallowed. The fact that this song was mixed separately from the rest of the album back in the day and is now also a separate master from the rest of the album is really obvious though. It sounds quite a bit different than the rest, and Bruce's vocals are really low in the mix. Man Total Eclipse is a banger though. Bring it back!!
Beast Over Hammersmith: I did a bit of an A/B comparison on this new issue and the 2002 CD. Most people aren't going to notice an auditory difference here I reckon, but I slightly prefer this new vinyl issue to the Eddie's Archive CD. Slightly less compressed and I feel like the bass is a bit more present. Has that crisp classic Maiden tone.
Finally, a general note for those who are on the fence because of the pricing. Vinyl is a ridiculous bubble right now. It's not just Maiden, everybody is overpressing stuff and gauging prices because the demand for vinyl is so high. While a lot of Maiden stuff tends to hold its value (most of the back catalog reissues for example probably won't ever come down), they are probably going to press way more of these NOTBs than there are people who want or are willing to pay full price for one. They are already slashing prices on pretty much everything Senjutsu (I am kicking myself for paying full price for the box). If you are interested but don't want to pay full price, wait it out and it'll be $35 by next year. I do think this set is worth the price of admission though, mostly for the fantastic live album.