"Wide Shut" has some nice technical playing and middle eastern flavor. The singer's a little behind the beat much of the time, and there's something a bit weird about his voice that I'm not thrilled about, though he generally sounds pretty good otherwise. The vocal melodies are mostly solid, as are the solos, though neither is particularly inspiring. I like the proggy song structure and the forwardness of the synths. Good stuff overall. "Vermillion Moons" has consistently interesting guitar work across a range of styles, and Arch sounds better here than he did on the Fates Warning track earlier in the GMSC. (He still sounds like the bastard child of Kiske and LaBrie to me, despite predating them.) Some of the vocal melodies are quite strong, but others are a bit weaker, and there's some bad phrasing in places. The solo's pretty good. I think this song has higher highs and lower lows than its competitor, but overall they're pretty evenly matched and I could probably flip a coin between them. But sorry,
@The Dissident, I'm going to break the tie in the direction of the more unique flavor of
@Confeos's nominee, though I won't be disappointed if either track wins.
Winner: Myrath - "Wide Shut"
"Bleed" is an apropos description of the effect this song had on my eardrums. I can appreciate the technicality of the playing, but the endless non-melodic screaming is extremely grating, and the repetitive mechanical aspects of the rhythm work also take their toll over time. I've never had a migraine headache before, but it seems like this song would be a pretty accurate musical depiction of one. The soft atmospheric interlude was very welcome, and the extended melodic lead afterward was also nice, though the persistent rhythmic throbbing underneath continued to annoy. I just don't understand how someone could look forward to sitting down to listen to this. "Forward!" is from the same band that did everyone's favorite cover of "Powerslave" (
), this time taking the idea of "machine gun riffage" far too literally. The non-melodic screaming here is even more grating than Meshuggah's, though at least the rhythm work leaves a little more room to breathe. Not sure what all the high-pitched vocals in the background are about, but they don't really fit. Well, that was incredibly unpleasant, but
@Night Prowler's nominee was marginally less annoying than its competitor overall, and it was less than half as long, so the choice here is clear.
Winner: Anaal Nathrakh - "Forward!"
"Walk In The Shadows" is one of the best tracks on
Rage For Order, IMO. The vocal lines are great (except for the "live in a dream" part of the chorus), the rhythm work is mostly interesting, the solo is great, and the song structure is great. The rhythm guitars lack a little punch, and that one vocal blemish on the chorus is unfortunate, but otherwise this is a pretty great song. "The Heretic" has a great ominous intro, and I like the epic driving feel of the verse. The chorus doesn't fully pay off, as the phrasing feels a bit lazy, but it's still pretty solid. The bright U2-ish guitar interlude in the middle is unexpected and great, but the vocal bridge is raw and not the best. Half the soloing is really cool, but the other half is kind of "meh". Still a very good song overall. I wouldn't be disappointed if either of these moved on, but sorry
@Wogmidget, I think the list nominee is a bit stronger here.
Winner: Queensrÿche - "Walk In The Shadows"
"Defenders Of The Crown" has a nice epic groove. The vocal phrasing has some significant issues, and the singer isn't the strongest, though he mostly sounds pretty good. Cool harmonized solo. A pretty good track overall. "Warriors Of The World United" gets the most out of its simplistic beat. The half-sung verses kinda suck, but the chorus works well despite being cheesy as fuck. The soft interlude is also pretty good, albeit equally cheesy. I don't know, the Human Fortress song probably has more musical value, but the Manowar song is way catchier. I could go either way on this, but sorry again
@Wogmidget, I think
@Poto's nominee is more memorable, and that's enough to take this match.
Winner: Manowar - "Warriors Of The World United"
"Come To The Sabbath" has a nice opening vocal melody, though King Diamond sounds a little sadder and whinier than usual out of the gate. The guitar work is consistently interesting, but the vocal lines in the rest of the song are less memorable than the opening section, and the track as a whole feels like a bit of a patchwork. The musical interlude with the "ahhs" near the end is great, though. Lots of good ideas on display here, though there are some weaker parts too, and things don't always come together coherently. "Curse Of The Pharaohs" has cool riffs and sweet fills, but King Diamond is probably the weak link here. Some of the vocal lines are strong, but others drift off or are only half sung. In my mind I can't help but compare it to Metallica's cover in their "Mercyful Fate" medley on
Garage, Inc., which shows the potential of the song with better vocals. Still, the original version of the song has enough going for it that it's a pretty easy call for
@Diesel 11's nominee here.
Winner: Mercyful Fate - "Curse Of The Pharaohs"
"Power And The Glory" has strong guitar work across the board, but the vocal melodies aren't the best, and the vocals themselves are uneven. The instrumental parts of the bridge are great, as is the solo. The main riff seems like an obvious influence on Adrian's "2 Minutes To Midnight" riff, too. A good song overall. "Princess Of The Night" also has strong guitar work with less inspiring vocals. The verse melody is pretty good, but the chorus is kinda "meh". There's also a really awkward transition back into the chorus in the middle of the song. Pretty good solos, though. These songs are pretty comparable in quality, but I think I'm feeling the first one a little more than the second.
Winner: Saxon - "Power And The Glory"