"Cowboy Song" is pleasant enough, with memorable melodies and guitar bits, though I'm not really a fan of the chorus, and the song seems to drag on a bit. "Yeah Right" is punchier and punkier, though it's a bit vapid and has that weird spoken bit in the middle. Not really a fan of either track, and the Lizzy song is certainly more interesting musically, but the Girlschool song was just more viscerally enjoyable to me.
Winner: Girlschool - "Yeah Right"
"Heartbreaker" has an undeniably classic riff, and Robert Plant sounds great as usual. The initial solo is surprisingly sloppy, though, and I'm not really sold on the overall songwriting here. "Stone Cold Crazy" has great energy and some sweet riffage, and the thick delay on the solo is pretty cool. I don't love the vocal harmonies, but otherwise there isn't much fault to find with the song, which makes this choice easy.
Winner: Queen - "Stone Cold Crazy"
"Sails Of Charon" is full of cool riffs and solos and it flows really well. It briefly treads water for a bit in the middle, but otherwise it's great. "Trashed" has good energy, but the lyrics are really stupid and the solos are a bit of a mess. Another easy call here, and a reminder that I really need to check out more early Scorpions.
Winner: Scorpions - "Sails Of Charon"
"Angel Of Death" has some cool, sinister riffage and a strong pre-chorus, but the singer is uneven and the chorus is pretty terrible. It has a cool outro, though. "Sucking My Love" has consistently solid riffs with some cool harmonization, but the singing is uninspired and the song is pretty repetitive through its first third until it opens up into some much more interesting and atmospheric instrumental parts. Not big on either track, but
@____no5's nominee has more going for it overall.
Winner: Diamond Head - "Sucking My Love"
On to the Pepto Bismol match. "Death Atlas" has technically adept but aesthetically awful drumming through most of its runtime, and for the first time that I can recall, I get "treated" to a Cookie Monster and Gollum duet (two horrible tastes that taste worse together!). The synths and sporadic clean vocals are the most interesting things going on here, though there's some cool rhythm guitar slipped in occasionally between all the nonsense, and I must note the well-crafted and complex structure of the song even if I don't like most of its constituent parts. "Circle Of The Tyrants" has pep, but not much else going for it. The singer is bad, though not as bad as an extreme vocalist. The songwriting is borderline incoherent here, and I don't know WTF they were thinking with the weird pitch-dropped backing vocals that sound terrible. I'd rather not have to listen to either of these songs ever again; and while I find the Celtic Frost track to be less immediately grating on the ears, I have to acknowledge that
@Night Prowler's nominee has more craftsmanship and merit to it.
Winner: Cattle Decapitation - "Death Atlas"
"Satellite" is generally OK but mostly forgettable, and the chorus sucks. The softer break in the middle is nice, though, and the solo section has its moments. "Estranged" for me has always been the worst, most annoying single from GNR's classic era. That terrible breathy soft vocal, the song just treading water with barely one melodic hook through all of its vocal parts, Axl trying to pretend he's Elton John and utterly failing, and that boring-ass interlude through the middle. Even Slash's solos are trite, stock bullshit. Everything about this song reeks of a phone-in, and yet its competitor is so weak that I actually have to think about this one. Nothing in the GNR song is as bad as the chorus of the Def Leppard song, but if I had to suffer through one of these tracks again I guess I'd rather put up with
@Mosh's nominee. Sorry,
@srfc.
Winner: Def Leppard - "Satellite"