"Valley Of The Kings" is very good, verging on great. The vocal melodies are nice, Dirk is obviously having a good time after switching back to playing bass, and there are lots of nice little songwriting detours with great build-up and release. A couple of parts even have a vague disco feel to them, and even more bizarrely it seems to work. The synths aren't the best, but I've certainly heard worse. Kai's voice is a little rough in parts, and that falsetto can be a little painful; but there's so much to like about this song that it's hard to nitpick it too much. "The Cage" has some pretty aggressive synth action right out of the gate before settling into standard power metal tropes. I wasn't sure what to expect from the vocals here, but they seem reasonably competent aside from bad phrasing and a weird lilt of an accent that makes them feel a bit strange. The vocals are also phrased in a way where the singer sounds bored most of the time during the verses, like he's reading from a sheet of paper as he sings, which is certainly not unique to this band. (For the record, he sounds better than Blaze and way better than any garbage extreme vocalist, but he's nothing special.) I like the synth and guitar solos, and about half of the vocal melodies are catchy. Not bad, but sorry
@JudasMyGuide, I have to go with
@Black Bart's nominee here.
Winner: Gamma Ray - "Valley Of The Kings"
"Duality" starts off like a bad Nine Inch Nails tribute, then gets into odd-rhythm masturbation that thinks it's much more clever than it actually is. The chorus has about half a hook in it. Jesus, I'm already checking the clock at the 2 minute mark. Yeah, OK. "Before I Forget" has an almost-interesting riff before slipping into bad Nine Inch Nails tribute again, then meandering off into yet another half-hook chorus. Oh hey, look, I'm checking the clock again after 2 minutes. The bridge is less bad, but not good. Well, that was unpleasant, but still not as bad as Limp Bizkit. I dislike these songs equally, so I'll go for the one that was shorter, and therefore wasted my time slightly less.
Winner: Slipknot - "Duality"
"Love" has good energy and derivative but enjoyable harmonized guitars, but the whiny girl-punk vocals really get in the way here, and my eyes started to glaze over at the halfway mark. I liked the solos, at least. "Love Me Like A Reptile" is simplistic and repetitive, and the vocals aren't very good, but they're less annoying than their competitor's. Plus you get the same song title, but with four bonus words, which feels like a good value. Not a fan of either track, but the super-annoying vocals in the first song are enough to throw this over to
@DJ James's nominee.
Winner: Motörhead - "Love Me Like A Reptile"
I don't think I've ever heard a Sepultura song that I liked. It's all just very simplistic, unpolished garage thrash with lame vocals. An OK rhythm here, half of an interesting idea there, but mostly forgettable. I just can't take this shit seriously. "Countdown To Extinction" is an overrated song from an overrated album, but literally everything about this track is more polished, memorable, and better thought out than its competitor. (The linked video sounded worse than I remembered, so I'm guessing this was the Mustaine remix instead of the original Max Norman version.) Slam dunk for Megadeth here.
Winner: Megadeth - "Countdown To Extinction"
"Jump" is a stone cold classic summer song with a killer synth hook, great vocal melodies, a short and pointed solo, and a sparse chorus that lets the synth do the talking. Gotta love that atmospheric synth interlude, too. If you don't like this song then you're just a burned out curmudgeon with no joy left in their life. "All My Life" makes some interesting harmonic choices, but the whispery opening runs on too long and the chorus doesn't pay off as much as it should. It's not bad, and it's kind of interesting, but if we're being honest here there's just no comparison.
Winner: Van Halen - "Jump"
"Walk All Over You" has nice shifts between the peppy verse and the more laid back chorus, and there are some cool little melodic flourishes in the vocals. The rest is AC/DC being AC/DC, which is predictable, but generally good. This is one of their tracks that has always stood out a little bit from the pack for me, so I dig it. "Jailbreak" is...fine. Pretty much everything about it is unremarkable -- the riffs, the melodies, the half-singing on and off the rhythm. One thing the GMAC and GMSC have made clear to me is that I'm thoroughly underwhelmed by Thin Lizzy. So yeah, this one's an easy call too.
Winner: AC/DC - "Walk All Over You"