In the battle of the overrated classics, we first have "War Pigs", which is OK-to-good during its instrumental sections, and the vocal melody is pretty strong, though Ozzy's performance is merely OK. The song drags on too long in general, but the final instrumental section is probably the best part of the track, so its length can be forgiven. The sped-up ending is awkward and silly-sounding, unfortunately. Still pretty good overall. Next up is "Purple Haze", which has memorable guitar work, strong vocal lines, and some nice
a capella breaks. It's not a super awesome song or anything, but it's generally good stuff. Hmm, the Hendrix track was tighter, but the Sabbath track has higher highs from a songwriting perspective. I suppose I could go either way on this, but I'll throw
@Confeos a bone.
Winner: Black Sabbath - "War Pigs"
"Symphony Of Destruction" is very dumbed down Megadeth, but it's got a good groove, a memorable chorus, and a strong solo. Pretty good, but nothing special. "Smoke And Mirrors" is pure Yngwie worship ("Vengeance", specifically) with both the leads and the rhythm playing in the intro, but it starts to forge more of its own path afterward. The vocal melodies are solid but not great, and I hate to break it to Mr. Allen, but "mirrors" has two syllables, not one. The interlude and solos are good-to-great. A very good song overall, and a very easy call for
@Mosh's nominee.
Winner: Symphony X - "Smoke And Mirrors"
"Thunder Kiss '65" fucking blows. I mean, really, this just sucks hard. It's got a tolerable groove, but everything Zombie's doing on top of it is just
awful. Beavis and Butthead were praising it
ironically, folks. Apparently no one got the joke, and now here we are. "Sweet Emotion" has a lot more going for it out of the gate, with an iconic bass line and memorable riffs. The verse vocals work well as a rhythmic element, and the chorus is simple but strong. The change-up for the extended outro is also nice. Absolutely no contest here.
Winner: Aerosmith - "Sweet Emotion"
"Crystal Mountain" has dope riffs and strong dynamics. The non-melodic vocals are bad, at times distractingly so, but they're still not in Muppet territory, thankfully. The songwriting is pleasantly complex, and there are a lot of nice melodic leads on offer. The acoustic bits toward the end are really nice and totally unexpected. Really good stuff overall. "Stranglehold" has a strong groove and memorable vocal lines with some really good bass and guitar fills. The jammy feel of its final two thirds is cool, and it's got nice dynamics. This one's close-ish, but I'll go with ConfiDDieselo 3.666's nominee in the end.
Winner: Death - "Crystal Mountain"
"Chop Suey" has a nice acoustic opening, but once it gets heavy and goes into Serj Tankian's psycho babbling it loses me. The gentle harmonized vocals are nice, and actually become quite beautiful toward the end, but that can't make up for the junk that fills over half the track. "Eyes Of The World" is strong synth-infused hard rock with great performances, and it's way more consistent than its competitor. Sorry,
@KiDDo, but this is an easy call for
@Poto's nominee.
Winner: Rainbow - "Eyes Of The World"
"Hammer Smashed Face" is certainly loud, and it has laughably deep-inside-the-stomach grunts throughout. There are moments of coherence where they ape thrash metal for a bit, but most of this is just noise. No thanks. "The Green Manalishi (With The Two Pronged Crown)" has some nice guitar bits, and some nice bass and drum moments as well, but as a song it isn't particularly special. It's...fine. Still, that's enough to trash its incredibly weak competitor here.
Winner: Judas Priest - "The Green Manalishi (With The Two Pronged Crown)"