I'm quite okay with the original version of the Testament track, but
The Coming Curse is really a beast. I'm still not exactly an IE fan in general (most of their albums so far leave me cold), but when it works, it works, this is a truly epic, aggressive, catchy song. This is a song that hints and nudges me at what other people see in that band.
Hahahaha, no.
Archers.
Rapid Fire is one of the songs on
Steel that doesn't do much for me, being of the less memorable sort; nothing
they Sammett ever did past the first two albums comes close to the power metal perfection I expect from Avantasia, but
Scarecrow is a really good song for such a downward slide and definitely gets my vote here.
The next match is really tough, I'd
almost be inclined to vote against my nominee here, but
I Am goes places and still thrills me after all these years - the multi-vocal part in the middle is impressive, considering the fact that this is their first album as a proper band (the first album was all recorded by Matt Smith alone, the second one as a trio, with Smith still supplying the bulk of the instruments), this is yet impressiver. I suppose it is kinda this underground take on Dream Theater, including the busy part in the second half, but that's a pro for me, not a con.
Like, I realise I repeat myself, but
So, like I said above, I nominated I Am because I think it's an absolutely beautiful song, in fact it's on a somewhat different level even compared to the - rather sublime -
As the World Bleeds album and their discography in general.
IF you want to sing about YHWH, "I am that I am", the
capo di tutti capi, you should bring your A-game ... and they did. Matt Smith has an admirable range and flexibility in his voice (fun fact: he also recorded the entire first album of the band by himself, though here by
As the World Bleeds they were a regular band already) and especially the the multi-part harmony section is genuinely awe-inspiring. The sound is tight, the rhythm section packs a punch, there's nice lead guitar galore, the Celtic prancing, the short Dream Theateresque wankery and although it's multi-part and shifts in tempo, it is masterfully crafted - the changes are all really fluent, the song makes sense, it's ridiculously catchy, it's just...
HAHAHAHAHAHA what the actual fuck. I admit, there's some band bias here (although we got into a somewhat nasty exchange with
Loosey because I was criticising this particular album in the album cup - and I still think the Symph X fandom does tend to overrate this one quite a bit, but I've made my peace with that) - but
Fallen is
literally my favourite shorter Symph X song - the riff, the way Allen builds up to the chorus, it's just *chef's kiss* - whereas Pierce the Veil is literally the only song on Earth that should never have existed. The fact that you wankers didn't eliminate this acoustic representation of a pedophiliac drying machine in the qualifying round is a crime against humanity. Thanks, I have a headache now.
More or less everything I said about My Immortal is still true
Man, besides the fact my wife would probably kill me on the spot if she found out I voted for My Immortal of all things, I still get PTSD from this song since the day it was everywhere and especially on every "I'm so special, running mascara with tears, crying angels" MySpace teenage girl's ringtone.
Which reminds me - have you lot read (or read
of) the infamous My Immortal
fanfic? Its bile-fascination appeal hasn't been mitigated even with the passing years, really, and
"Hi my name is Ebony Dark'ness Dementia Raven Way and I have long ebony black hair (that's how I got my name) with purple streaks and red tips that reaches my mid-back and icy blue eyes like limpid tears and a lot of people tell me I look like Amy Lee (AN: if u don't know who she is get da hell out of here!)."
That said, beyond stating the obvious and overlooking the second life of the song, it's really just a somewhat nice piano ballad that on its own would be pretty inoffensive, but has been overplayed and overused, sucking the subtle charm it once may have had right out of it. For what it's worth, I like Dream Theater's homage Answer Lies Within much more.
Also, nobody will convince me it wasn't Amy Lee in particular (and not, for example, Vanessa Carlton) who was seminal in giving us the likes of
Christina fucking
Perri, aka the eleventh curse Moses decided not to set loose upon the poor Pharaoh after all, 'cause that'd be
too cruel.
and since it is not pitted against Five Finger Fisting Sniff anymore, but fucking Tullica, I go with
'Tullica, man.