The chorus is glorious (like the chorus of GOTN, for example) and as you said, the album is full of them. The post-chorus is indeed amazing, magnificent and perfect feature for the song. You can't go wrong with Steve's choruses. But I think only the post-chorus and the guitar following the vocals during the verses are the typical modern Maiden things in the song. Maybe Bruce's type of vocals in the verses too. For me this is the most 80's sounding song on the album along with ''Hell On Earth'' and ''Days Of Future Past''. I really love the whole song.How come they'd write such a massive chorus to this song which feels far more typical modern Maiden short rocker otherwise. Seriously. That chorus is fucking A-grade material and the most absurd thing is that it's just one of many on the album, many of them written or co-written by Steve. It's definitely a welcome change from the SONG TITLE, SONG TITLE, SONG TITLE, SONG TITLE repetition we tended to get in the reunion era albums before TBOS.
Specifically, I like the chorus but the post-chorus they only do once (!) in the first go-around is what I really love. What a good piece of music and lyrics. But it wouldn't work without the absolutely wonderful build-up in the chorus either.
I've always thought that e.g BNW would have been so much better with slightly varying chorus lines
A Brave new world
In a brave new world
We have lost our soul
In this brave new world......and so on
H has in many ways become a song-crafter par excellence. I take the minority view on this forum that Davey's leads are generally more inspiring, but nobody in the band comes close to H's ability to craft an excellent song that rewards repeat listens.
Isle of Avalon and Starblind are two my favorite Maiden reunion songs - I hope that on the next Maiden slab we get more Smith/Harris collabs.