'sign Of The Cross'
[!--QuoteBegin-Onhell+Jan 29 2004, 07:10 PM--][div class=\'quotetop\']QUOTE(Onhell @ Jan 29 2004, 07:10 PM)[/div][div class=\'quotemain\'][!--QuoteEBegin--] most rock and roll/metal songs are written in e-minor, don't see why that's special here. [/quote]
I wouldn't quite agree with that, but if you counted the four most popular keys for guitar-based music (E minor, A minor, G major and D major) then you'd cover about 75% of rock songs.
For reasons I can't understand (let alone explain) each key has always had a certain "color" in my mind, and E minor is black as midnight. I agree this key fits this song, and particularly this intro, better than any other key.
As far as 7thSon's comment that E minor is boring for guitarists: it all depends on the guitarist and the song. But I agree E minor is over-used; personally, I try to avoid writing songs in E minor nowadays unless the lyrics really call for it.
Steve Harris apparently loves E minor, though. Many of Maiden's best tunes are in this key, for example: Wrathchild, Hallowed Be Thy Name, The Trooper, and Rime Of The Ancient Mariner.
For the non-musicians: The main reason that E minor and the other keys I listed above are so popular is because they naturally fit the standard tuning of the guitar (E A D G B E) and bass (E A D G). With so many open-string (unfretted) notes that are in the scale, it becomes possible to use playing/writing techniques that are exponentially harder in some other keys. It's no coincidence that the least common keys for rock songs (D-flat, B-flat and E-flat) are also much harder to play on guitar.
And as for the lyrical side of SotC: While I've never analyzed it as deeply as some of you, my own interpretation of the song has always been similar to 7thSon's version.
[!--QuoteBegin-Onhell+Jan 29 2004, 07:10 PM--][div class=\'quotetop\']QUOTE(Onhell @ Jan 29 2004, 07:10 PM)[/div][div class=\'quotemain\'][!--QuoteEBegin--] most rock and roll/metal songs are written in e-minor, don't see why that's special here. [/quote]
I wouldn't quite agree with that, but if you counted the four most popular keys for guitar-based music (E minor, A minor, G major and D major) then you'd cover about 75% of rock songs.
For reasons I can't understand (let alone explain) each key has always had a certain "color" in my mind, and E minor is black as midnight. I agree this key fits this song, and particularly this intro, better than any other key.
As far as 7thSon's comment that E minor is boring for guitarists: it all depends on the guitarist and the song. But I agree E minor is over-used; personally, I try to avoid writing songs in E minor nowadays unless the lyrics really call for it.
Steve Harris apparently loves E minor, though. Many of Maiden's best tunes are in this key, for example: Wrathchild, Hallowed Be Thy Name, The Trooper, and Rime Of The Ancient Mariner.
For the non-musicians: The main reason that E minor and the other keys I listed above are so popular is because they naturally fit the standard tuning of the guitar (E A D G B E) and bass (E A D G). With so many open-string (unfretted) notes that are in the scale, it becomes possible to use playing/writing techniques that are exponentially harder in some other keys. It's no coincidence that the least common keys for rock songs (D-flat, B-flat and E-flat) are also much harder to play on guitar.
And as for the lyrical side of SotC: While I've never analyzed it as deeply as some of you, my own interpretation of the song has always been similar to 7thSon's version.