Alright, here's some off-colour opinions
Senjutsu: NOT A SUITABLE OPENER. Has cool ideas, but has a chronic lack of energy and generally drags
Stratego: The album's best poster child, and has grown on me rather (even if a cover version I came across had better production). Worthy of the actual show-opening slot if they ever give this album a proper tour
WOTW: Most recognisable departure from the album's AMOLAD/TFF-crossover shtick, and it works. Still repeats itself to excess, but I don't mind
LIALW: Hey look, they said the name of the song as the chorus! But seriously, this sounds like a shorter out-take from AMOLAD (not that that's necessarily bad). The middle instrumental is borderline w/r/t excess repetition, but on the upside it has the ATSS/WTWWB-type riff show up, which is always appreciated. Loses marks for its 90-second outro, but is otherwise quite good
DOFP: Possibly the mid-tempo-est rocker that ever mid-tempo'd. Sounds almost like a 7-8 minute track with all the extra bits taken out, and benefits as a result. H's riffing is the backbone of this song, so it's a bit of a shame that it's smothered a bit by the production, but that combined with a good Bruce showing produces a decent track
Time Machine: I've cooled on this one since first listen (a common thread through the album's back end, unfortunately). The early verse is pretty average, but after the pace picks up at the 3:08 mark it does improve (possibly because it sounds a bit like HBTN). Solos add more here than on much of the album. Still not sure what to make of the Talisman intro/outro.
Darkest Hour: Wasn't expecting to like the ballad, but here the "atmospheric" thing actually works here. Chorus is a particular highlight, even though (as previously alluded to) it's held back by muddy production. I guess Adrian is now the band's best songwriter. (also helps that the lyrics are cracking)
DOTC: basically, play Clansman at 90% speed and you're most of the way there. Bearing in mind the vague celtsh-isms, the main body consists of the standard Harris formula: A lyric sheet the size of an essay compromising the first half, followed by an extended instrumental section of varied, decent-quality melodies repeated too many times.
Parchment: Gets out of the gate fairly forcefully, and I don't mind the vaguely TTAL-ish riff. However, this pace and tone are carried on pretty much unchanged for the first two thirds (and spends the best part of two whole minutes on guitar solos, which is a stretch even for me). Finally develops some grandeur around the 9(!) minute mark, and when things speed up another minute down the line we at last arrive at the fully formed song promised at the outset. Ironically, this reprieve is almost fleeting (compared to the rest of the song, anyway) and is the one element which could almost justify hanging around a bar longer. In conclusion, never have I heard a Maiden song in more dire need of a swift and brutal edit, so detrimental is the song's sheer length to its qualities.
HOE: ahh, the ol' C-D-E strikes again. Quiet intro leads into a strong riff-fest lightly borrowed from WTWWB, but unlike Parchment there's enough variety here to keep me engaged. Briefly turns into Sign of the Cross in the middle (which makes for a nice twist), before transitioning rather neatly back into mid-tempo riffery. Has another unbearably long outro, but is otherwise a good and varied epic. Easily the strongest of the three Harris epics