The comparison with
12 Angry Men came from the fact both felt to me as courtroom morality tales with very theatrical feel where compassion, humanity and decency wins over the way stuff usually gets done in the legal profession, or over a "proper" trial (let's be fair - Juror No. 8 actually breaks the law from time to time in order to get the boy from the electrical chair (by conducting his own line of investigation with the knife, for example) and not everything he does and says + him actually swaying all the jurors does not really feel like "reasonable doubt" to me - but that might be just me - whereas the Nuremberg trials were quite controversial at the time because of the "justice of the victors" principle and especially because of applying law retroactively, even in cases where the people in question actually
were following the law valid in Nazi Germany - we talked a lot about it in law school. Also let's be fair and admit some of the things the German attorney said had not only ringed true and were quite logical, but actually right from the legal point of view and yes - the basic moral sense won over the enlightened legal system, if you get what I mean).
With Schindler's List ... both are rather long, slowly building up and
very emotional "monoliths of inhumanity", giving words to the victims who otherwise can only accuse with their bodies, their suffering or, well, their mere existence (or, to put it blutly, both are "Holocaust flicks"), that are still not completely black and white (pun not intended - and yes, Widmark's character is one of the examples, as his crusade to crucify nearly all Germans is also not seen as a good thing, even though he sort of wins in the end in this case). I also agree that "subtle" is probably not the right word to use for
Nuremberg, as it gets pretty heated and again - you are right, Widmark's role is not a subtle one. I meant that more from the emotional point of view - SL is more intentionally tear jerking and sentimental (which is not wrong! In fact, I believe here it's fully justified, it simply more about me appreciating the movie that rarely leaves the courtroom and has it harder in general, IMHO, if both produce similarly strong feelings). Of course there are many courtroom dramas, war courtroom dramas and "Holocaust flicks", but my brain automatically connected these three and not others. Just as it would not connect
Apocalypse Now and
Idi i smotri, despite many possible similarities. But it's possible the connection made no sense, I was already quite tired and had just finished watching the movie, so I admit it might have been a mistake