Maidenfans Best Albums of the Millennium: 2008

vote for any albums that you want to move up (read the post for details)!

  • Opeth - Watershed

    Votes: 0 0.0%
  • Judas Priest - Nostradamus

    Votes: 0 0.0%
  • Metallica - Death Magnetic

    Votes: 0 0.0%
  • Alestorm - Captain Morgan's Revenge

    Votes: 0 0.0%
  • Kings X - XV

    Votes: 0 0.0%
  • Iced Earth - The Crucible of Man

    Votes: 0 0.0%

  • Total voters
    1

Mosh

Powerslave
Staff member
THIS IS A POWER RANKING GAME. The albums are arranged in the poll from best to worst, with the top seeded album being the top ranked album. I seeded the albums based on two facts: how many lists it appeared on, and my general understanding of this board's tastes after being here for 15 years. This way we don't have to spend multiple rounds moving an album like Brave New World to the top, it's already there unless voters decide to knock it off the top spot.

Essential Questions:
How do you knock albums off the top spot? If you feel like an album is ranked too low, vote for that album. Any album that receives a significant plurality of votes (this number will be fluid and based on participation) will move up a slot. If you like the list as is, vote for the top album.

How often does this update? I will look at the numbers roughly every 24 hours and move albums accordingly. You can vote for as many albums as you want and you can vote whenever the poll resets. After a week, I will close the poll and we will move on to the next year. This will take us to mid December with the finals wrapping up right at the new year.

How were albums selected? I would say 95% of the albums that will appear in this game were sourced from Maidenfans lists. Every album that was submitted will appear in the game. For years that have a lot of duplicates (2000 being one), I filled in the list with other acclaimed albums. Many years surprisingly had close to all unique albums, with 2014, 2020, and 2023 having only one duplicate each. No year featured an entirely unique list of albums. No Maidenfans nominated albums were seeded lower than an album I pulled from an outside source.

Do I need to listen to every album here? Not necessarily, but I would highly encourage it! You have a week to vote and the voting will update every day (so you can vote every day or you can vote once a week or whatever you want). Everybody has unlimited votes. I think you will get more out of this game if you listen to the albums you're not familiar with and see if you can find any new favorites.

My favorite album isn't here! You had 7 months to send me a list!!!

I want to thank everybody who participated. I received 17 lists and 250+ albums! Most years had quite a variety of material and it made me appreciate the diversity of taste around here. I'm really excited to dig into each list I got and I am going to do my best to listen to every album. With that being said, let's get started with...

YEAR MMVIII
2008 feels like a huge year similar to what we saw in the early 00s. Personally, 2008 felt like a really big year for Metal as a mainstream force again. You had several bands on high profile tours (Maiden with Somewhere Back in Time, the Metal Masters tour that saw several old masters join forces, etc) and albums that I remember having a ton of hype around. Judas Priest's Nostradamus, Metallica's Death Magnetic, even Amon Amarth's Twilight of the Thunder God felt like albums with huge expectations and promotion. Some of these lived up to the hype, some did not. For my money, I would say that Nostradamus is the weakest album to earn a top seed. Judging by how Angel of Retribution performed in its year, I wouldn't be surprised if popular opinion agrees with me here as once again there are some pretty heavy hitters beneath it. Could this finally be Amon Amarth's year? The Art of War is another album that has the potential to do very well, and also some popular albums from lesser acclaimed bands such as Trivium and Alestorm. A widely enjoyed effort from Blaze and Gojira toward the bottom as well. We also have Iced Earth's short lived reunion with Barlow, although I'll be curious if there is any love for that album here. Opeth's entry in 2008 isn't among their best, but the forum's Opeth bias might be enough to carry it.
 
The Art of War is Sabaton’s all-killer, zero filler album and for my money, their only record that really has stood the test of time. It’s as derivative as any of their albums but the difference here is that it is absolutely delightful, and sonically imposing (power metal with a dash of dance that also sounds like the thunder of tanks on the march). I mean they even steal from Savatage and manage to make a way better song for fuck’s sake!

Also giving some love to Alestorm and Gojira, the latter specifically because Iced Earth deserves to have back-to-back lowest spot in these lists. Crucible happens to be worse than Framing Armageddon and they fucking got Barlow back just to waste him on immaterial shit that they’d already nailed in 1998. Schaffer’s worst decision. Jan. 6th is up there too but he got away with that; I will not let him get away with this. “Come What May” is the only time on that whole album that they found the magic again and you need to sit through a fUCKING HOUR OF HORSESHI
 
Nostradamus, baby. It’s got some bloat, but as a whole piece it’s a great album IMO, and there are some killer individual tracks too, like “Future Of Mankind”, “Persecution”, the title track, and more.

I also tossed a vote to Death Magnetic, since I like it more than the other remaining options.
 
The Art of War is Sabaton’s all-killer, zero filler album and for my money, their only record that really has stood the test of time. It’s as derivative as any of their albums but the difference here is that it is absolutely delightful, and sonically imposing (power metal with a dash of dance that also sounds like the thunder of tanks on the march). I mean they even steal from Savatage and manage to make a way better song for fuck’s sake!

Also giving some love to Alestorm and Gojira, the latter specifically because Iced Earth deserves to have back-to-back lowest spot in these lists. Crucible happens to be worse than Framing Armageddon and they fucking got Barlow back just to waste him on immaterial shit that they’d already nailed in 1998. Schaffer’s worst decision. Jan. 6th is up there too but he got away with that; I will not let him get away with this. “Come What May” is the only time on that whole album that they found the magic again and you need to sit through a fUCKING HOUR OF HORSESHI
I agree with all of this 100%
 
Have Nostradamus, Death Magnetic and The Man Who Would Not Die. Death Magnetic is the best of the three, but they're all decent enough. I prefer Blaze's next album Promise and Terror. Nostradamus is far from shit, but is dragged down by too many interlude style tracks
 
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Clear votes this round:

  • Nostradamus - yes, too many songs and especially interludes, but most of the material is very strong, a bit different, more creative and interesting. Some songs are some of Priest's best.
  • The Man Who Would Not Die - I wouldn't normally vote for an album in which I don't like most of the songs, but it's Blaze's most metal version and such a great surprise. Like a modern metal. I appreciate this and his next solo album, the really heavy and fast stuff. Not all of the stuff works that well, but it's balanced enough (solid-to-good, at least half of it) and the playing helps.
  • The Art Of War - the thing about Sabaton and their trademark style is that every song is catchy, so it's easy to vote for them.
  • Death Magnetic - not like some of their other albums, but I can enjoy almost every song from it. The first-to-middle songs.
 
I was listening to ''Come What May'' now and, man, what an impactful chorus, classic melodic riff, and that cool instrumental section. Bring on the ancient-sounding stuff! A gem of a song. :ok:
It’s so good. It could be a contender for a Top 10 Iced Earth song. Probably the best Barlow performance ever recorded.

And almost every other song on that album are contenders for the band’s Top 10 worst.
 
Watershed’s growly tracks are top-notch. Heir Apparent is on my Opeth Top Ten, while Lotus Eater’s bizarre disjointed weirdness makes me smile every time (that funky synth part is peak Opeth). Hessian Peel also hits me in the feels with that groovy first half and that sad riff and that hilarious surprise midway through.

Sadly, the rest of the album isn’t particularly strong. Coil is over before it ever changes (although I love the bass), Burden’s style was done far better on Damnation (and that ending, ugh), Porcelain Heart is like a G-rated Grand Conjuration (stellar quiet middle part, though), and Hex Omega is just… there.

Still, it gets a vote because it’s Opeth’s last growly fix until they redeem themselves with their most recent masterpiece (the exception is Pale Communion, which is great Nupeth).

Death Magnetic gets a lot of hate, but I think it’s mostly due to the terrible mix. This is a shame since there isn’t a weak track on the album. Thankfully I found a version from the Guitar Hero game that softens the loudness and is a far stronger experience, in a similar fashion to the fan-made version of AJFA in which bass was added.

Ditto for The Art of War, as it began a trilogy of Sabaton albums that to this day remain their peak. Heroes is great but it was the beginning of their more straightforward sound.
 
  1. Judas Priest - Nostradamus =
  2. Sabaton - The Art of War +1
  3. Opeth - Watershed +1
  4. Metallica - Death Magnetic +1
  5. Amon Amarth - Twilight of the Thunder God -3
  6. Testament - The Formation of Damnation =
  7. Blaze Bayley - The Man Who Would Not Die +4
  8. Gojira - The Way of All Flesh +5
  9. Trivium - Shogun -2
  10. Moonspell - Night Eternal -2
  11. Alestorm - Captain Morgan's Revenge -2
  12. Kings X - XV -2
  13. Iced Earth - The Crucible of Man -1
Nostradamus holds its top spot, however a big turnout for Sabaton, Opeth, and Metallica threatens its space. Amon Amarth has very little support, which is kind of surprising to me as this is their big album. We'll see if that holds, but for my money Twilight of the Thunder God is better than three out of the four albums above it, and possibly better than the Sabaton album as well. Sabaton is not my #1 but I won't be mad if it does take over the top spot.

Other albums to watch out for include Blaze's The Man Who Would Not Die and Gojira's The Way of All Flesh, which unsurprisingly jumped out of the bottom slots but now will be facing some tough competition.
 
Voting for the same again (Sabaton, Opeth, Amon Amarth, and Testament).

Formation of Damnation is where Testament's old, middle, and newer sounds became one. It set the template going forward (every album since is also awesome).

Death Magnetic is a great collection of parts with some amazing songs, but overall it feels highly disjointed to me. Still better than their most recent stuff, but overall it just never feels like actual songs.

Virtually every album here is better than Nostradamus (including the albums I've never heard).
 
The production is what it is and DM is an album I go back and forth on but ultimately I think it’s successful. The fact that we’re 8 years in and Metallica is just now appearing in this game for the first time shows how much they needed this album. I don’t think they could coast on their 80s/90s legacy forever and this album did help with their longevity and ultimate ascent as the most important Metal band if for no other reason than to remind audiences they are in fact a metal band.
 
Watershed’s growly tracks are top-notch. Heir Apparent is on my Opeth Top Ten, while Lotus Eater’s bizarre disjointed weirdness makes me smile every time (that funky synth part is peak Opeth). Hessian Peel also hits me in the feels with that groovy first half and that sad riff and that hilarious surprise midway through.

Sadly, the rest of the album isn’t particularly strong. Coil is over before it ever changes (although I love the bass), Burden’s style was done far better on Damnation (and that ending, ugh), Porcelain Heart is like a G-rated Grand Conjuration (stellar quiet middle part, though), and Hex Omega is just… there.
I agree with this down to the letter, yet I wouldn’t be honest if I acted like there was any other album on this list that I’ve listened to more. It’s tricky, I don’t think it deserves a top three slot but it might still be my favorite.
 
Shogun is the definition of a no filler album, every song has at least (at least!) a riff or a hook or a melody that make me revisit it very often. Well, that's just how Trivium are, but Shogun is heavier, proggier, interestingier, better. There's even a cover of Iron Maiden*, so now you REALLY want to try it. 10/10 would vibe to "Throes of Perdition" again.
Not a fan of the cover, tbh.
 
While I maintain that Sabaton is the AC/DC of power metal (in that all their albums sound exactly the same, but it's a good "same"), and Amon Amarth isn't far behind in terms of excessive dependability, both band produced their quintessential work in this year.
 
  1. Sabaton - The Art of War +1
  2. Opeth - Watershed +1
  3. Judas Priest - Nostradamus -2
  4. Metallica - Death Magnetic =
  5. Amon Amarth - Twilight of the Thunder God =
  6. Testament - The Formation of Damnation =
  7. Blaze Bayley - The Man Who Would Not Die =
  8. Gojira - The Way of All Flesh =
  9. Trivium - Shogun =
  10. Moonspell - Night Eternal =
  11. Alestorm - Captain Morgan's Revenge =
  12. Kings X - XV =
  13. Iced Earth - The Crucible of Man =
Minimal movement here, but a pretty big change at the top as Art of War and Watershed both overtake Nostradamus for the top spots, leaving Noz at #3. I think Priest and Metallica are on the higher end due to their prestige as bands, but I think there are some really solid mid level albums on here. I listened to Shogun this afternoon and was pretty impressed with how many great hooks were contained on the album in addition to some really great instrumental moments. Very good stuff here and I think would still work for those who are allergic to growls. Blaze's album is not one of his most well known, but I think you could make the case that it's neck and neck with Silicon Messiah for Blaze's best solo work, huge step up for him and the change in band really helped him add in new musical dimensions.
 
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