Shirley insists he's all about that 70s rock vibe, playing live, warts and all, but then immediately goes around, fixes drum takes in ProTools, puts together solos from multiple takes and has Bruce record on a MIDI keyboard when an actual fucking grand piano is readily available for recording. Steve insists he's all about that live feel, but the performances on the later Maiden records sound lifeless and limp, and the mix is far worse than it is live. They bring out each others' worst qualities, and it's a wonder Rock in Rio sounded as good as it did.