Judas Priest

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Well, if you do decide to dive more, their older material has some gems. In the Painkiller album, there's Between The Hammer And The Anvil, the title Track too.  Defenders Of The Faith has The Sentinel. Sad Wings Of Destiny has the classic Ripper and Victim Of Changes. And let's not forget Screaming For Vengeance!
 
I'm sure I'll enjoy all those interviews :yey:

I love "Rocka Rolla" to pieces, it means a *lot* to me ['ll have to get another copy of it, my tape's nearly ruined], "Sad Wings of Destiny" is amazing.  I have no top 5, I love all their albums for different reasons. I suggest you get all their stuff. Then you'll find what *you* like.
 
Mmm...Donuts said:
...their older material has some gems. In the Painkiller album...

Painkiller is old?

I guess I think of "old" in terms of number of albums, not years. Painkiller is the 12th of 15 studio albums, if my counting is correct. Only 3 albums released since then. To me, it's quite recent.
 
Forostar said:
It can be worse though:
I think that 99% of Halfords live album “Live Insurrection” is totally done in the studio (not only vocals – also the instruments).
The audience responses don’t fit to the music and his vocals sound too damn good compared to many bootlegs of the Resurrection tour. Also at some points 3 guitars can be analized at the same time.

Shame on me, not to have read this before! Though, I have to reply...

Let me make something very clear: Live Insurrection is not a concert. It's a combilations of live performances throughout the whole tour, and they only picked the best performances.

Though, it has to be said that it was totally altered in the studio,but I don't think they remade as much as you claim, considering they picked the best performances from the tour to be on the album.
 
I can understand that you can't believe it, because it is unbelievable. Anyway, knowing that Unleashed in the East also has vocals from the studio, I'm not surprised by Halford's live gadgets anymore.

It all sounds too much the same for different concerts. I believe that those songs are from different concerts but the audience responses totally do not fit the songs. It's a stupid, kind of computer generated mix.

Perhaps they took the drums from the live gigs and the bass guitar but the rest sounds a lot like studio work, everything has exactly the same sound and volume. It's too perfect and too consequent.

Another argument: They didn't even mention where these songs were recorded which is very unusual. They probably don't want fans to compare with bootlegs.

A great collection of songs still, but for me it will always be Studio Intersection
 
This is from the Judas Priest Info Pages:

During the recorded Tokyo shows, Rob had been suffering from partial laryngitis, therefore his vocals weren't up to the standard of their usual shows. So during the mixing session at Ringo's place, a small party of people were in attendance and at one point, Rob was seen out on the patio wearing a set of headphones and singing his vocal lines into a microphone. Word leaked out about the vocals being redone and the rumors grew to the point where it was being reported that all the instruments were redone and the audience was a canned Japanese recording dubbed in. While the rumors were unfounded, it unfortunately prompting critics to call the album 'Unleashed In The Studio' and to this day, many fans are confused about the album's integrity. A rare bootleg of the February 15 show does a lot to prove the authenticity of the performance (Rob's voice only needed minimal repairs and the audience really did have that "canned Japanese" sound) and Priest's guitarists have confirmed that the band's musical parts are legitimately 100% live:

    "We touched up some of the vocals on the album, because when Rob did the album, his voice was shot. We were honest enough to admit that, but then suddenly we heard that a lot of things were touched up. But literally, it was a few vocal bits and pieces."
- Glenn Tipton, Goldmine Magazine, June 5, 1998
    "...The live album can show people that we can do what was originally on the studio version. If you want to, you can be just as good onstage. It's important to play a song as good as you originally did. For solos, I think Unleashed In The East is a good overall picture of Judas Priest."
- K.K. Downing, Guitar Player Magazine, July 1983


Of course, anyone who has attended a live Priest show (even back in the late '70s) knows the band is perfectly able to pull it off! The truth is, the only studio work besides Rob's vocal overdubs (which he does a great job singing the same way as he did for those shows, only healthier) was the typical, common practices by record labels when putting out high-quality live albums (for example Kiss Alive! and Halford Live Insurrection) in order to attract higher sales and radio play they would not be able to achieve with raw unpolished audio, such as editing out extended solos and outros, blending the two shows together and "polishing" the mix for a more consumer-oriented sound. The song order was also mixed up from the original setlist in order to make the album flow.
 
Yax said:
Got any info on Live Insurrection?

Only the liner notes:

All songs recorded throughout Halford's 2000 & 2001 "Resurrection" World Tour. We've included several "Bonus" tracks which were recorded either at soundcheck before an evening's performance or on a "non-show day." "LIGHT COMES OUT OF BLACK" & "LIFE IN BLACK" were slipped into the "Live" sequence with some studio magic because that's where we believed they worked best - we believe you'll agree. "THE ONE YOU LOVE TO HATE" is a combination of Rob & Bruce's soundcheck and live performances from the London (LA2) show.

We've worked hard to get a new Halford track Produced for you: "SCREAMING IN THE DARK;" along with, two re-polished and completed demos: "HEART OF A LION" [best.Priest and Priest-related. song. ever. -Perun]and "PRISONER OF YOUR EYES."

W've put in a lot of time to produce 27 tracks (28 for the Japan release) from December 1, 2000 through January 19, 2001, for we knew each of you wanted as many tracks squeezed onto a "double-live" CD release as possible. We also wanted to create an outstanding 22nd release for Rob - in this his 30th anniversary year.

Through the sequence, you may note minute variations in the band's "Live" sound and audience levels. This is a by-product of bringing you a recording produced over the course of many months; in multiple rooms and outdoor sheds - each possessing variable acoustics and temperatures which affect the color and warmth of that evening's performance.
 
ROB HALFORD: 'I Still Want To Do Some Extreme Forms Of Metal, Like Black/ Death Metal' - July 1, 2007 

Norway's Imhotep recently conducted an interview JUDAS PRIEST frontman Rob Halford. A few excerpts from the chat follow:

On when he felt it was the right time to come back to his roots:

"I think it was after we released the TWO record. We went on tour, and everything that I get involved with I give it a 1000%. You know, I stand by everything that I do, and to me it's not about commercial success or failure, it's just going through the whole process. And after I'd done the TWO release and the shows that we did in different places, I think that's when I fully understood that I just needed to get back to where I just got the most out of the music, and that's what I did after we did the final TWO shows — I just thought about what else was available. And there were other things that one could potentially get involved with. I still want to do some extreme forms of metal, like black/ death metal at some point in my career, since I'm a huge fan of that kind of music. But by then I'd already made my mind up to look for players that would help me put this 'Resurrection' release together."

On what Rob Halford would sound like singing extreme metal:

"I know that what I do as a metal singer, it's very strong for me to do this style of singing, firstly that I do with PRIEST, then what I do with HALFORD. But when think of death metal, I don't want to sing like most death metal singers. I don't know, it would be different."

On his duet with Bruce Dickinson on "Resurrection" on the track "The One You Love To Hate":

"Yeah! That was great. I was up in L.A. working with Roy Z on the 'Resurrection' album, and Bruce was in town. He stopped by the studio and we had some drinks and food together. We've known each other since MAIDEN and PRIEST began, and we're good mates. We just said, 'We've never really had the chance to do a song together!' Then Roy Z came in, and he said, 'What're you guys talking about?' We told him, and he said, 'Fuck, let's just do it, let's just put a song together!' So that's just basically how it happened — within a day we'd got 'The One You Love To Hate' written and the bulk of it came from Bruce, and then we kind of put the words and the melodies together. Then we went to the studio and made it all down. It only took about a day or two to complete. But it was a real bit of metal magic, that was! It's a really good song. I listened to it again last night for the first time in years. Really cool track!"

On the rumored project involving Bruce Dickinson, Geoff Tate, and Rob Halford:

"That never really got off the ground. That me and Bruce and Geoff from QUEENSRŸCHE were gonna put this band, this trio of singers together and go out and have one backing band, and then we would all do each other's songs, do our own songs, cover songs and just mix it all up. One of us would go out and sing a song, somebody else would come out and sing a song, and then we'd do duets or trios together, whatever. But we never left the launch pad, unfortunately, because we were all so busy and immersed in our separate worlds it just never became a reality! But I've never forgotten that and I still think that if there's an opportunity to do it. We should do it, you know, because it'll be really special and different."

On what he thought of Tim "Ripper" Owens singing with JUDAS PRIEST:

"It was a combination of two things — like, fuck I wish I was doing that. And at the second time, I felt like, all this is brilliant, another JUDAS PRIEST record with a great singer. It was just two sets of feelings for me really. I like Tim's vocals very much. I think he's a great singer! . . . We've met twice or maybe more and he was a very nice guy. I don't understand this whole thing of current and past members of a band bashing each other. I believe respect is something very important and if you have problems with someone, keep them to yourself, you know? You don't need to spread it, to go on public. I've always respected every musician, and I think we, as human beings, should try to respect each other a bit more."

On the reaction from PRIEST fans to his announcement that he was gay:

"It was fantastic. Nobody really cared. I think in today's world, it's a lot easier to be accepted, although there is still a lot of bigotry and a lot of hate. You know, [directed] towards gay people, to different people of different colors, to different people of different religions; and I can't understand that there is still so much hate and resentment in the world. So when I made that statement about my homosexuality, I just think it was important as much as it was for me as a gay metal singer, but also to try and break down some more intolerance and prejudice against gay people. And of course, all my straight metalhead fans, like I said, they were just really supportive. They said, 'Rob we don't care what you are. To us you're the Metal God, you're a great metal singer, and that's all that matters' I was really happy for the reaction because it sent a strong message that the metal community is very accepting. That metalheads can come together at a concert from all different age groups, all different colours, all different religions, all different jobs, all different kinds of sexuality, and they can just come and have a great metal together! So I think I kind of exploded the myth about the metalheads not accepting like myself because that's not true. That was a great thing to do! I'm not an activist, or someone that holds the flag of the gay community, but I'm who I'm, and I think it's important to be open and to be honest, to not hide anymore, just to respect each other, really!"

Read the entire interview at Imhotep.  -->
http://www.imhotep.fi/en/index.php?opti ... 35&lang=en



+


JUDAS PRIEST Guitarist: 'I Never Thought I Was Naturally Talented; I Just Worked Hard' - July 2, 2007 

Norway's Imhotep recently conducted an interview with JUDAS PRIEST guitarist K.K. Downing. A few excerpts from the chat follow:

Imhotep: What originally made you pick up guitar instead of some other instrument?

Downing: "This is actually a very good question. It was such a long time ago. Everybody probably dreams of being famous in one way or another. I didn't, however, take guitar playing all that seriously until the great Jimi Hendrix came into the picture. Also, many other great guitarists, such as Eric Clapton and Rory Gallagher, influenced me. Music became more and more important for me, and finally I bought a guitar. I worked hard to become a good guitar player. I never thought I was naturally talented, I just worked hard. At some point during the years I became quite good — or at least I hope so — and I consider myself pretty lucky, as I've been making my living as a musician for a long time."

Imhotep: How would you say your and Glenn's [Tipton] playing styles differ from each other?

Downing: "Many people ask that, and I'm not sure I really know the answer. I can only say that it's a strange thing, but guitar playing style is a bit like fingerprint — everybody's got a bit different. I guess that also applies to me and Glenn. We are both unique guitarists, but I can't point my finger on what the difference is."

Imhotep: Is there a secret to the JUDAS PRIEST guitar sound?

Downing: "No (laughter). We are searching, and I guess Glenn would agree with me on this one, new things all the time. One thing that bothers me a bit at this point of my life is that I am not as identifiable as a player as I would like to be. If I hear, for example, Michael Schenker playing I know immediately it's Michael Schenker, I don't have to see him. He has a very recognizable sound. Eddie Van Halen is another guitarist like that. I like to try different things, different techniques as far as the playing and the sound goes. I would say that is my thing."

Imhotep: Do you collect guitars?

Downing: "I don't consider myself as a guitar collector by any means, but I do have pretty many different guitars. I don't have any kind of guitar collector disease. I give away many guitars as well — to charity, to Hard Rock Cafés, to my friends, to my guitar technicians. If I would have kept every guitar I have ever owned I would have very many guitars, though."

Imhotep: You have influenced many younger bands and musicians. How does that make you feel?

Downing: "That's fantastic, dude! What else can I say? I would have never, even in my wildest dreams, could have imagined that I'd become a guitarist of play in a band that would inspire lots of other people. Now I can die happy."

Imhotep: How does your songwriting team with Rob (Halford) and Glenn work?

Downing: "It works very well, because we have two guitarists in the team. So when Rob comes in, we already have many ideas. Musical ideas. Me and Glenn, we throw around riffs and chord progression, Rob sings something on top of it, and it all becomes a song pretty quickly."

Read the entire interview at this location.  ---->
http://www.imhotep.fi/en/index.php?opti ... 35&lang=en
 
Bernard Perusse of The Gazette recently conducted an interview with JUDAS PRIEST frontman Rob Halford. A few excerpts from the chat follow:

On coming out as a gay man in 1998:

"I kind of blew the doors off the myth that all heavy metalheads are Neanderthal and very limited in their ability to take on subject matter of any human depth. That's ridiculous: Metal fans are just as compassionate and caring and tolerant as any other form of music fans are. (The support) made me feel great. (But) I couldn't have done it while I was a drunk and a drug addict."

On becoming clean and sober on January 6, 1986:

"I was snorting cocaine left, right and center. I'd get whacked out of my mind before I went on stage. During the show, I'd be knocking back vodka and tonic and doing lines behind the amps, then come off stage and have a bottle of Mot & Chandon and start on 16-ounce cans of Budweiser. It just got so bad that I'd be back home in Phoenix, just literally punching walls, trashing rooms — and just severely unhappy."

On two young PRIEST fanatics, James Vance and Ray Belknap, who attempted suicide and whose parents subsequently filed a civil suit against JUDAS PRIEST, which was dismissed:

"The American reaction was phenomenal — the support we had from the fans every day, to and from the courthouse. But it was very difficult to sit there and listen to the attorney basically saying: 'These guys over there killed these kids.' (We thought) 'What are you talking about?' It was surreal, but we knew we had to stand up for what we believed in: We had absolutely no association with their death. We kept them alive for a good period of their lives. We were a lifeline (from) the s--- life that they were living."

On heavy metal being invulnerable to trends:

"Isn't it great? It's never going to go away! It's been here through the '70s, through the '80s, got stronger in the '90s — and even more so now."

On JUDAS PRIEST's longevity:

"We can either rip your face up with 'Painkiller' or we can play this beautiful thing called 'Last Rose of Summer', from 'Sin After Sin'. And people love us for that because they don't really know what to expect. It's a very broad-based display.

"I really think that PRIEST is unique. I don't think there's any other metal act in the world — I can only say that now because I've lived it for 36 years — that can do what we've done in PRIEST."
 
Halford news:

FIGHT: 'War Of Words - The Film' Due In November - Oct. 14, 2007 

There are plenty of reasons why Rob Halford is widely referred to as The Metal God, as few others have contributed as much to the sound and imagery of what is now a very robust metal music community. After leading JUDAS PRIEST for nineteen years, Rob departed the band in 1992 but continued churning out pure metal with the release of "Light Comes Out Of Black" supported by members of PANTERA. By summer 1992 Rob Halford formed FIGHT, a powerful, dynamic group that introduced a new, cutting-edge sound for the metal genre.

"Fight War Of Words - The Film" brilliantly documents a key moment in heavy metal history weaving behind-the-scenes, hand-held and pro-shot footage of rehearsals, demo recordings , studio sessions and interviews climaxing with a full-length concert filmed at 18 venues in 15 select cities during FIGHT's first five months of the 1993/'94 "Nailed To The Road / War Of Words World Tour".

Featured audio:

FIGHT Live in Paris, France October 30, 1993:

01. Nailed To The Gun
02. Into The Pit
03. Little Crazy
04. Immortal Sin
05. War Of Words
06. Light Comes Out Of Black
07. Laid To Rest
08. For All Eternity
09. Contortion
10. Life In Black
11. Kill It
12. Vicious
13. Reality, A New Beginning

Includes bonus CD — "War Of Words" remixed/remastered:

01. Into The Pit
02. Nailed To The Gun
03. Life In Black
04. Immortal Sin
05. War Of Words
06. Laid To Rest
07. For All Eternity
08. Little Crazy
09. Contortion
10. Kill It
11. Vicious
12. Reality, A New Beginning
 
ROB HALFORD Announces FIGHT 'War Of Words - The Film' Theatrical Premieres - Oct. 30, 2007 

Compelling, stark and aggressive "War Of Words - The Film", starring Rob Halford and his first solo band FIGHT, unleashes upon legions of metal maniacs November 20 in North America, November 30 in the United Kingdom and Europe, December 3 in Australia and New Zealand and December 19 in Japan.

After nineteen years, more than a dozen global concert tours and dozens of gold and platinum awards as the defining vocalist of JUDAS PRIEST, Rob Halford departed the band in 1992 to pursue a solo career immediately releasing "Light Comes Out Of Black" supported by members of PANTERA. The track rocketed to the top of radio playlists, and later that summer Rob would assemble his own band FIGHT and place most of its new tracks from "War Of Words" in heavy-radio rotation while aggressively ushering in a new sound for the metal communities.

"Fight War Of Words - The Film" brilliantly documents a key moment in heavy metal history combining behind-the-scenes, hand-held and pro-shot footage of FIGHT's original 1992 K5 rehearsal and demonstration-recording sessions; 1993 Amsterdam recording sessions of the original "War Of Words" Epic/Sony audio release, and pre-tour interviews climaxing with a full-length 5.1 concert filmed at 22 venues in 20 select cities during FIGHT's first five months of its "1993 - 1994 Nailed To The Road / War Of Words World Tour".

Rare audio and film footage of FIGHT's earliest concert performances in Europe, United Kingdom, USA, Mexico and Japan have been restored. Stereo and 5.1 Dolby surround mixes have been produced by Roy Z. 5.1 Dolby surround encoding and mastering for DVD and The Metal God's theatrical premiers handled by industry giant Technicolor.

"Fight War Of Words - The Film" will theatrically premier at 5.1 Dolby Surround Digital cinemas in:

New York: November 14
Hollywood: November 20
San Francisco: November 28
Detroit: November 28
London: December 18

Tickets may be purchased at www.DandEEntertainment.com on November 2.

Rob Halford will attend select premieres for a 30-minute conversation on the assembling of FIGHT and songs written for "War Of Words". Tickets are limited for this rare opportunity to experience "Fight War Of Words - The Film" in 5.1 Dolby Surround Digital cinema and participate in a rare conversation with The Metal God, Rob Halford, as he relates his experiences of his first solo band.

Movie-sized posters of "War Of Words - The Film" will be distributed to all in attendance after the performance.

Rob Halford is uniting the original members of FIGHT — Brian Tilse, Russ Parrish, Jay Jay and Scott Travis — in Hollywood, California at 5:00 PM Tuesday, November 20, 2007 for an exclusive autograph session of "new product only" at:

Best Buy
West Hollywood, CA
1015 N LA Brea Avenue
West Hollywood, CA

Visit www.RobHalford.com/Fight on November 5 for more details.

FIGHT will also be in attendance for the theatrical premier of "War Of Words - The Film" at Mann's Chinese Theater in Hollywood, CA 8:00 PM on November 20.

Other appearances:

* Rob and HALFORD guitarist Metal Mike Chlasciak will appear and sign "new product only" at FYE in Manhattan (New York City) on Thursday, November 15, 2007 at 12 PM.

* Rob and HALFORD guitarist Metal Mike Chlasciak will appear and sign "new product only" at J&R Music World in Manhattan (New York City) on Friday, November 16, 2007 5:30 PM.

* Rob and HALFORD guitarist Metal Mike Chlasciak will appear and sign "new product only" at Vintage Vinyl in New Jersey on Saturday, November 17, 2007 5:30 PM.

-----------------------
Fight, live in the MTV studio!: http://www.youtube.com/watch?v=XV71i9_AVJw

INTO TO THE PIT!!
 
I have limited knowledge of this band, all I owned before last week was Unleashed In the East, and Halford's solo albums Crucible and Resurrection. I remember seeing stuff on MTV about when Ripper Owens joined the band, and Halford announcing that he was gay.

EDIT: My hubby got me(us) their Metalogy, which is 4 cds of Priest material from 1974-2001, and the there is a special DVD of a show from Screaming For Vengeance in December 1982. Actually, the 4th cd is a live show from 1998. That has Ripper Owens as lead singer. Anyone else have this gem?

He's seen Priest about as many times as Maiden. He's seen Maiden 7 times, so I'm sure he's seen Priest about 5 or 6. That's the advantage of being 15 years older than your spouse, right?  :D I believe his fist show was in 1981 with Priest/Scorpions/Def Leppard? Forostar, check that for me. Was it those 3 powerhouses? hehe

Anyhow, I just LOVE Unleashed In the East. He says it's the best live album ever produced, period. It's up there, in my personal top 3. Rock In Rio and LAD are the others for me.

Listening to this, I was howling on how different the studio version of Tyrant was compared to the live one. The only version I know is the UITE version. They rock it WAY up from the studio!

If any of you see this, get it! It's way killer! It's a black box with the metal spikes all around it "Judas Priest Metalogy"

Excellent introduction to Priest, or to expand your knowledge, in my case  :ok:
 
I know what box you mean. It's one of the few items I have not purchased, since I think it's too expensive for someone who has all albums. Out of more than 80 songs in total, this box contains only 1(!) bonus track: "Heart Of A Lion"

But indeed a great collection, and I sure would have bought it, if it wouldn't be so expensive.
 
Check out this cool Fight video!! METALLLLL!

-------------------------------------------

ROB HALFORD's FIGHT: 'Light Comes Out Of Black' Video Premiere - Nov. 14, 2007 

The video premiere of "Light Comes out of Black", taken from JUDAS PRIEST frontman Rob Halford's upcoming release "War Of Words - The Film", is available at this location (Quicktime required; MOV file, 39 MB).

http://www.robhalford.com//trailers/LIG ... %20640.mov

or here:

http://www.youtube.com/watch?v=DcsJ8JDMat0

Compelling, stark and aggressive "War Of Words - The Film", starring Rob Halford and his first solo band FIGHT, unleashes upon legions of metal maniacs November 20 in North America, November 30 in the United Kingdom and Europe, December 3 in Australia and New Zealand and December 19 in Japan.

After nineteen years, more than a dozen global concert tours and dozens of gold and platinum awards as the defining vocalist of JUDAS PRIEST, Rob Halford departed the band in 1992 to pursue a solo career immediately releasing "Light Comes Out Of Black" supported by members of PANTERA. The track rocketed to the top of radio playlists, and later that summer Rob would assemble his own band FIGHT and place most of its new tracks from "War Of Words" in heavy-radio rotation while aggressively ushering in a new sound for the metal communities.
 
JUDAS PRIEST Begins Mixing 'Nostradamus' - Nov. 18, 2007 

JUDAS PRIEST has begun mixing its new concept album about the legendary 16th century prophet Nostradamus, singer Rob Halford revealed during an appearance this past Friday (November 16) on Eddie Trunk's "Friday Night Rocks" radio show. In addition, JUDAS PRIEST will make an announcement in the next couple of weeks about tour dates for 2008. 
 
Forostar said:
JUDAS PRIEST Begins Mixing 'Nostradamus' - Nov. 18, 2007 

JUDAS PRIEST has begun mixing its new concept album about the legendary 16th century prophet Nostradamus, singer Rob Halford revealed during an appearance this past Friday (November 16) on Eddie Trunk's "Friday Night Rocks" radio show. In addition, JUDAS PRIEST will make an announcement in the next couple of weeks about tour dates for 2008. 

Well, at least they keep the fans informed, given that nothing was mentioned since March, and the thing was supposed to be released in August. -_-
 
That's great news, I'm hearing about this album for the first time. So that most likely means an early '08 release date I'd assume. Can't wait.
 
Yesterday I bought the latest “Aardschok” (monthly Dutch hardrock/metal magazine).
I found a nice article about, or let’s say a nice tribute to Judas Priest’s “Unleashed In The East”. What I like about it is that Rob Halford himself commented on various aspects.  :ok:

It was actually the first time that I read him saying that he really re-did all his vocals in a studio in England.

Here a translation of the most important parts of the article:
---------------------

Let's start with the cover photo of the album: Halford is standing a bit too much in front of the drumkit of Les Binks. Is someone actually sitting behind the drums?

"The seat behind the drums is indeed empty" laughs the singer. "The photo material from Japan wasn't good enough, so we made some new photos in a British club, using our friend and photographer Fin Costello. This happened halfway 1979, in an empty venue. The problem was that Les had already left the band at that moment. To camouflage this, we had to be creative."

And then the central question: What was really recorded in Japan and what was repared after that tour? Halford doesn't fool around and comes straight to the point: "When we arrived in Japan, my voice was in a very bad shape. I had an enormous jetlag, which gave me hardly any sleep for nights. Also I got a big flue. It had bad consequences for my vocals. I think that the audience hardly noticed this, bit the registration was merciless. So, I redid all my vocals again in England. I belief the only track that wasn't redone, was "Evil Fantasies", which came out as a b-side.

I am not ashamed for it. I think that an album should sound as good as possible. Also a concert registration. People listen to it for years, again and again. What's the use of releasing something which is of lesser quality because of one aspect? Besides, I think that the atmosphere of the gigs was captured in a wonderful way. And that's what it's all about with a live CD. The music is authentic. Here and there a solo might be repared but I guess these were just small details.

The biggest amount of the recordings landed unchanged on the record. Still people doubt about that....? Ah, well I find that flattering in a way. According to some, the records sounds too good. Well, that's just how well we were those days!"
 
Priest have announced another live in Norway on June 8 at Bergenshall in Bergen. The group's schedule is now shaping up as follows:

Jun. 05 - Sweden Rock - Sölvesborg, Sweden
Jun. 07 - Trondheim Rock Festival - Trondheim, Norway
Jun. 08 - Bergenshall - Bergen, Norway
Jun. 27 - Graspop Metal Meeting - Dessel, Belgium
Jun. 28 - Bang Your Head - Balingen, Germany
Jun. 29 - Gods Of Metal - Bologna, Italy
 
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