1: SEVENTH SON OF A SEVENTH SON (TIE)
2: SOMEWHERE IN TIME (TIE)
3: POWERSLAVE
Based on the survivor and general forum sentiment, this result should come as no surprise. If the award was based on how many members rank a particular album number one, Somewhere in Time would be a runaway favorite. Long the cult classic Maiden album, it seems like the only one that is largely considered their best (on the other classic albums, fan sentiment tends to be more split). Despite a tie with Somewhere in Time, Seventh Son only had two members rank it as their favorite. However it is the perennial second choice pick for most fans, which ironically makes it much more likely to win than most other albums (and in this case tied for first). As for Powerslave, it is far less polarizing than the two albums that bested it. In other words, there were quite a few single digit scores for Somewhere in Time and Seventh Son, where Powerslave only dipped into single digits for the two outlier lowest scores that were awarded. Where Seventh Son and Somewhere in Time lean pretty heavily into the prog realm, which may or may not be everybody's cup of tea, Powerslave is just Maiden at their most Maiden. If you don't like Powerslave, you don't like Maiden.
I will forever die on the hill that Somewhere in Time is easily the weakest McBrain-era album. It's not a bad album but it is so lopsided that it blows my mind people ignore its flaws. Yes the production is pristine and Adrian Smith steals the show as a songwriter and guitar player. But where are the Dickinson lyrics? Bruce also turns in easily his weakest performance on a Maiden album (yes, I am including recent albums in this). Part of the reason the album is drenched in reverb is because they needed to cover up Bruce's shortcomings, compared to Powerslave where Bruce is upfront and dry in the mix to really highlight his vocal prowess. For those who criticize modern Maiden's repetitive nature, that begins on Somewhere in Time. Steve Harris learns how to write repetitive choruses here, and even Adrian is a bit guilty of this on his songs.
So Seventh Son is a much more worthy winner to me as it takes all the great ideas on Somewhere in Time, improves them, and cuts out the flaws. Dickinson is writing again and turning in some of his best lyrical work. He also makes up for his vocal limitations with more convincing performances. Listen to the song Seventh Son of a Seventh Son compared to Alexander the Great, clearly he believes in the lyrics for one more than the other. Steve Harris' songwriting is also just better. Some repetitive tracks but lyrically and musically he sounds refreshed as well.
I can live with Powerslave at #3, it's a little high for me but I can understand it. It is the most agreeable Maiden album - I feel like I can put it on a Metal playlist at a party and most will enjoy it, where other Maiden albums might lean too much in one direction. Powerslave kinda checks all the boxes which makes it really easy to enjoy. And, of course, it has Rime.
The results are not surprising for me. SIT and SSOASS are some of Maiden's best and most special albums. And they are stronger as a whole piece than Powerslave (imo).
Powerslave is usually 1st or 2nd in such games, especially with the 4 big and eternal
classics on it - but some of the other songs are not stronger than the ''deep cuts'' material on the other two albums. Flash Of The Blade and The Duellists are essential and great Maiden from the 80's, but the instrumental(!) and Back In The Village could have been more interesting. Or replaced with something better (especially the latter). I really don't like that they both have so short solos. I like the
unique style of the album - only fast songs - but one more moody song (written by Dave and Steve) could have improved the things for sure. I agree that the album is pure Maiden.
SIT has an amazing and unique
sound and is full of great and special parts. Some of the best performances from Nicko, Adrian and Dave and Steve (writing-wise too). Bruce's performance is also very good for me, he was at his first
peak.
The only ''thing'' I don't like in the whole album is the chorus of Heaven Can Wait!
-> I don't agree that the repetition was not presented beforehand. This is probably their most 80's album. We have the great and mandatory epic (those solos and melodies), one of the band's best and fierce title songs, a hit single (Wasted Years), a live-ready song (Heaven Can Wait), more groovy song in a while (Stranger In A Strange Land), essential and very melodic Maiden rocker (Deja-Vu), a power metal song (Long Distance Runner) and an atypical heavy song with moody parts too (Sea Of Madness). A true metal classic - like the other albums.
^I sometimes wonder what songs Bruce would have written for it (not the acoustic stuff, ofc).
SSOASS is Maiden at one of their creative peaks! This is an
example of a heavy metal album with its music and themes. All of the band members performances are very interesting and great. For me, this is the best
concept album.
With 1/2 more (longer and proggy; maybe a ballad) songs it would have been even better and more special, and actually I would have loved that, but we can't say that the album has even one second of weak stuff! Another long song as the last song on the album would have been great though.
-> the album has some characteristics: it's a shorter concept album, most of the songs are not long and most of the solos are short (but they are really interesting and great). The guitars sound amazing.
The title track really shows the great use (and potential) of
keyboards in metal. The instrumental section is pure gold! Infinite Dreams is the other great proggy piece. The album has a great intro and a fast and soaring song like Moonchild is the perfect start to it. We also have three classic Maiden sounding songs - The Evil That Men Do (what a song), Clairvoyant and Only The Good Die Young (its outro should be noted).
The other two songs are not what one would have expected from the band back then - a glam metal-type of song (although good, it probably would have been more interesting as a ballad, its original version) and one unique song with its parts (especially vocals), but the mood, the
amazing melodies and the mystical style fit the album so well. The
outro is really special.
Finally I want to say - the album (even) could have been better, at such a level were Maiden in 1988!!!
Thanks for playing everybody! Just a reminder that we're going to do Bruce Dickinson next, here are the details:
https://forum.maidenfans.com/threads/bruce-dickinson-album-ranking-submit-your-lists-now.72372/
Send me your ranking via PM if you haven't already and I will probably get this one going next week. See you somewhere in 2024!
Thank you for this thread. I thought Bruce's game would start along with the new album. Either way, it would be interesting.