The first seven songs on Dystopia are all pretty solid, save for the incredibly sub-par Anguish. I forgot how good V is! Boiling Point isn’t the type of Iced Earth song that I’m usually fan of, but it’s not bad. I have to give it a vote, though, since it doesn’t carry the same weight as their more melodic tunes. Days of Rage is hilarious (and not in a good way) with the constant use of the same guitar fill that Sabaton used in like every song on Primo Victoria. End of Innocence is decent but nothing the band hasn’t done before (Symphony X’s End of Innocence is better).
I really like Soylent Green due to the concept, and I think that some of the lyrics are funny (I have a dark sense of humor). “People need to know their food!” The song is also fun and bouncy! When the verses pick up I think it’s really catchy.
Iron Will isn’t a bad tune, either. Catchy and melodic with a great solo (not really this band’s forte) and a simple but powerful main theme/riff. The closer, Tragedy and Triumph, tries to be epic but outside of the intro is largely forgettable. The verse riff reminds me of the kind of Maiden I don’t like - happy - and the rest of the song follows suit. The “time is on our side” chorus is cool, but the fade-out is lame.
The top three on this album to me are the excellent title track, the emotional Anthem, and a tie between Dark City (which I find to have some odd tonalities for Iced Earth) and V. I actually think V may be stronger. Dystopia is definitely the band’s most consistent Stu-era album as there’s really only two fillers.
Regarding Incorruptible, the three winners to me are Ghost Dance (it sounds different, which is a big step for this band), the closer Clear the Way (again, different) and the outstanding Black Flag. The last of these three is definitely in my top 10 Iced Earth songs for its bouncy Maiden-ness and entertaining lyrics!
Great Heathen Army is average paint-by-numbers Iced Earth. Raven Wing is solid and has an emotive solo/instrumental section, but it can’t stack up to the others. Seven Headed Whore may be my fourth favorite here, but it’s far from perfect. Still, I like its aggression on an album that is a bit more melodic. The Relic was already voted off, but I thought it was an interesting song. Finally, Defiance is another paint-by-numbers song for these guys, with the only strong point being the bridge.
Incorruptible has some incredible high points, but it can’t match the consistency of Dystopia. Still, it’s a big step up from the incredibly weak Babylon - the only song I like (or rather love) from that one is Cthulhu.