Finally to the good stuff.
Wolf - Not crazy about the intro to this song but once it gets going it's awesome. Love the pummeling rhythms Barlow's performance. The double bass during the chorus is so badass. Great way to start the album.
Damien - Awesome song. Very atmospheric and dynamic, something the band were really good at earlier in their career but kinda lost as the albums became more polished. This song also has one of the best Iced Earth choruses.
Jack - Another killer track with a catchy chorus. It's no Ripper but I like the different approach to the character.
Ghost of Freedom - I think of this as the beginning of the lame Iced Earth ballads. Something Wicked has several ballads but they all work in their own way. Ghost of Freedom just plods and kinda has a dumb lyric. It also breaks the mood and flow of the album. VOTE
Im Ho Tep - Things quickly get back on track with this tune. The main riff is a bit of a heavy metal cliche but the vocal parts are awesome. Love the way the verses build up.
Jekyll and Hyde - This song isn't bad but kinda feels like a lesser and more generic Wolf Part 2. The riffing is slightly uninspired and the fast tempo isn't as effective as on Wolf. Nice chorus though. Vote
Dragon's Child - This is like the hidden gem of the album. I always forget it's on here and nobody ever talks about it but it's actually really fantastic. Great use of the Maiden gallop and an awesome chorus. Really nice twin harmonies and bass fills too. Probably the best Metal song about the creature from the black lagoon.
Frankenstein - Like Jekyll and Hyde this song has a lot going for it but as a whole the song doesn't quite deliver. By the time Dracula comes on I've already forgotten everything about it. Vote.
Dracula - This song is so awesome. I love the atmospheric intro with the fretless bass before it explodes into one of the most intense moments in Iced Earth's entire catalog. Barlow's performance on this is incredible. One of his greatest moments in the band.
The Phantom Opera Ghost - Atmospheric, dramatic, this song has it all. I love the use of female vocals on this. She and Barlow really complement each other. The riffing in this is Stormrider-worthy. Nice use of keyboards too. It's unmistakably Iced Earth but still breaks new ground for them. The perfect way to end the album.
Transylvania - I decided to listen to this album without Transylvania in the mix (as it was released in some versions) because, like Ghost in the Freedom, I always felt it disrupted the flow. I get why they included it but it just seems unecessary and really doesn't fit in musically. I'm also not too fond of their rendition. They clearly tried as hard as they could too stay faithful to the original but it's to the point where covering it in the first place seems pointless. Why listen to this when I can listen to the original Maiden version? The production also does not flatter this song. VOTE
In some ways Horror Show is the band's Powerslave. It's bookended by four heavy hitters that are all worthy of the top ten. The downside of that is those four songs are so strong that they overshadow everything else. There are some really good tracks in there but everything in between Damien and Dracula seems like a significant step down. That being said, this is one of their most well-executed albums in terms of theme and song flow. The horror film concept is awesome and they do a great job with it. And the songs in between the big four aren't bad, but it just seems obvious that most of them didn't receive the same amount of attention and dedication. The album overall is a satisfying listen and has some of their best work. It also feels like they're starting to experiment again. Dark Saga and Something Wicked both felt a little more "safe" and definitely not as raw as Burnt Offerings and Stormrider. Horror Show gets back to that a big and also brings in some progressive elements. Again not that unlike Powerslave. It's too bad Barlow didn't stick around and that they didn't explore that further. I suppose Gettysburg is a bit of a continuation of that but it really fails to deliver IMO.
This used to be my favorite Iced Earth album (not counting Alive In Athens), but I would probably take both SWTWC and Burnt Offerings over it now. We'll see where it sits in my rankings at the end of the survivor. I will say that this and Burnt Offerings are the only Iced Earth studio albums I go back to. For everything else I usually just put on AIA. Obviously Horror Show isn't represented on AIA, but I get the feeling that even if it was (including the four best songs) I'd still go back to the studio album because it just flows so well.
This album also has the best bass playing on any Iced Earth album. I think a comment was made in this thread about the lack of bass in Iced Earth which is generally true, but this album is a huge exception. There are some awesome bass parts all over this album, especially in Damien and Dracula. There are not only moments where the bass is in the spotlight, but where it's also clearly contributing to the whole. It's too bad Steve Di Giorgio didn't do more with the band.