It’s not my favourite album, but I always enjoy when I am in the mood for it.
Yes. Somewhere in Time, X Factor, Dance of Death, Final Frontier all outdo it in this area.Would anyone disagree with me saying this was by far their biggest experimental record?
Hard disagree. There's definitely experimental stuff on those albums, but Fear of the Dark, to me, has more songs in styles they've never touched since. X Factor would be my second pick. That said, I actually agree that those four albums are indeed the next most experimental. Songs like Chains of Misery, Fear is the Key, Weekend Warrior. Very different from earlier stuff. Wasting Love was what I'd consider their first actual power ballad. From Here to Eternity is straight-ahead 70s rock.Yes. Somewhere in Time, X Factor, Dance of Death, Final Frontier all outdo it in this area.
There is some truth to that, but I also think experimenting with instrumentation is still experimentation and deserves to be recognized for what it is. I don't really hear all that much experimentation on Fear of the Dark. They do different things on this album but a lot of it goes back to the same 70s hard rock aesthetic.I'm also a firm believer that if you strip back the guitar synths from Somewhere in Time, it'd sound a lot like Powerslave. Both albums together are probably the fastest albums they ever wrote.
I'm also a firm believer that if you strip back the guitar synths from Somewhere in Time, it'd sound a lot like Powerslave. Both albums together are probably the fastest albums they ever wrote.
Yes.Would anyone disagree with me saying this was by far their biggest experimental record?
When I think of Maiden going experimental, FoTD isn't what comes to mind. It comes off as rather safe, especially following No Prayer bombing by being, relatively speaking, a crap record. FoTD comes off as "Yeah, let's see what went wrong here, and fix it".Would anyone disagree with me saying this was by far their biggest experimental record?
Hell Yeah! Those great songs sure will fix everything:When I think of Maiden going experimental, FoTD isn't what comes to mind. It comes off as rather safe, especially following No Prayer bombing by being, relatively speaking, a crap record. FoTD comes off as "Yeah, let's see what went wrong here, and fix it".
Didn't say they knocked it out of the park, but FoTD is quite a bit better than NPFTD, which I honestly wish they hadn't released at all.Hell Yeah! Those great songs sure will fix everything:
"Fear Is the Key"
"Wasting Love"
"The Fugitive"
"Chains of Misery"
"The Apparition"
"Weekend Warrior"
Yea maybe I'm thinking "experimental" means something different than everyone else. Fair enough. It my mind, Fear of the Dark sounds markedly different from any other Maiden album. Right along with X Factor. There's just too many songs on FotD that don't sound like anything on any other album.
I do see where you're coming from, but to me it's less "experimenting" and more "throwing everything at the wall to see what sticks".
That's... experimenting.
No Prayer and Fear are very common indeed, but I think the former (minus 1 song) is ''more Maiden'' overall than the latter - which has some very atypical songs for the band. But it's true that with Fear they improved in their style of the early 90's, especially with the longer songs, or the opener, or with some vocal parts, or with some instrumental parts.When I think of Maiden going experimental, FoTD isn't what comes to mind. It comes off as rather safe, especially following No Prayer bombing by being, relatively speaking, a crap record. FoTD comes off as "Yeah, let's see what went wrong here, and fix it".
Songs like Wasting Love, Fugitive and the instrumental part of Weekend Warrior - for sure.Hell Yeah! Those great songs sure will fix everything:
"Fear Is the Key"
"Wasting Love"
"The Fugitive"
"Chains of Misery"
"The Apparition"
"Weekend Warrior"
I wouldn't call Stranger/Alexander faster songs. Killers more room to breathe? Dunno about that.The only slowish song on Somewhere in Time is Wasted Years, which is true. Otherwise they're both very fast albums. There's more light and shade, true, but I think it's marginal, compared to any other album. Even the first two albums have more room to breathe than SIT.