Classic cinema - thoughts and questions

I watched that clip. This may be considered sacrilege, but six minutes of dudes cutting and stacking grass is perhaps the most boring movie scene I've seen in a LOOOOONG time.
Jeez man, he gave you the context — the civilized dude was too slow to recognize the threat and too soft to protect himself.
I thought it was well done.
 
I didn't say I didn't GET it -- believe me, I GOT it. I even recognize that it was artfully done, as the scene was well framed with interesting colors. But that doesn't change the fact that it's still six minutes of guys cutting and stacking grass.
 
I think that the length of that scene had to show (and did show) that it isn't peanuts to survive such a storm.
You have to work for it. The tension I felt was: would they make it on time? And there were other feelings of admiration as well when I watched it: I admired Dersu's skills and endurance (it wasn't six minutes; he was working hard for hours!) but also his will to help the other.

Back to the length of a scene and its impact. It reminds me somewhat of the following:
In Torn Curtain (1966), there is the (perhaps best-known) scene of the fight to the death between Armstrong and Gromek, a gruesome, prolonged struggle.
In this video the scene takes place between 1:22 and 3:52 but you can also just start the vid from the beginning to have a more proper introduction.

Alfred Hitchcock said that he included the scene deliberately to show the audience how difficult it can be to kill a man, because a number of spy thrillers at the time made killing look effortless.

Alright, I understand that the above struggle can generate more excitement, but I guess (and it's just a guess) that both directors had the same purpose: Survival is not as easy as a 30 second scene you see in most films.

Important is not only the length but also how the scene is shot. I still don't get how Kurosawa did it. Was it fake wind? Then it looks damn real. Was it real wind? Then the timing (and the increase of the storm, bit by bit) was brilliant. Not to speak about the terrible conditions in which the acting and shooting must have taken place, in the middle of nowhere.
 
I watched The Battle of El Alamein an interesting story as it is follows two Italian brothers though the battle. Mostly Italian actors with varying degrees of accents. Not that greatest WWII film, but interesting that it is not primarily a German/Brit/American tale. I am not aware of many Italian made war films, I suppose this could be comparable to The Longest Day in terms of tone.
 
Perhaps someone can help me identify a film. I am pretty sure it was made in the 60s or 70s. It was set in occupied Paris and was a bit of a murder mystery.

The scene(s) I remember most are of a German officer (a general I think) going into an art museum and being engrossed by/losing his sanity while looking at a painting (Van Gough I think)
 
Interesting
Orson Welles’ long-lost 1938 film “Too Much Johnson” was recently discovered in an Italian warehouse and has now been restored, according to the George Eastman House and other preservation orgs.

The restored film will premiere October 9 at Pordenone, Italy’s silent film fest Le Giornate del Cinema Muto. U.S. premiere is set for October 16 at the George Eastman House in Rochester, N.Y.

The silent film was originally meant to be shown as part of the Welles’ stage adaptation of an 1894 William Gillette play, and the Mercury Theater planned to show the three short films as prologues to each act of the play. The three-part slapstick comedy, which starred Joseph Cotten, was originally planed to be screened with music and live sound effects, but was never finished.

The film was found in a warehouse by the staff of Pordenone arthouse Cinemazero.

Other Mercury Theater actors that appear in the film include Eustace Wyatt, Edgar Barrier, Ruth Ford, Arlene Francis, Mary Wickes, Welles and his wife Virginia Nicholson. The play opened without the film on August 16, 1938 and flopped.

The unfinished nitrate work print was given by Cinemazero to Italian film archive Cineteca del Friuli, which transferred it to George Eastman House to be preserved with a grant from the National Film Preservation Foundation.

The only known print until now was thought to have burnt in a fire at Welles’ home near Madrid in 1970.

“This is by far the most important film restoration by George Eastman House in a very long time,” said Paolo Cherchi Usai, senior curator of film, who supervised the project for George Eastman House. “Holding in one’s hands the very same print that had been personally edited by Orson Welles 75 years ago provokes an emotion that’s just impossible to describe.”

More information on the restoration process and screenings are available on the Eastman House website.http://eastmanhouse.org/collections/tmj.php
 
Perhaps someone can help me identify a film. I am pretty sure it was made in the 60s or 70s. It was set in occupied Paris and was a bit of a murder mystery.

The scene(s) I remember most are of a German officer (a general I think) going into an art museum and being engrossed by/losing his sanity while looking at a painting (Van Gough I think)
What a coincidence. I have seen that film a few months ago: The Night of the Generals (1967).
http://www.imdb.com/title/tt0062038/
 
Excellent, thanks Foro. That is the movie.

I was watching an episode of Law and Order this morning that revolved around a painting and this movie came to mind. I probably have not seen in at least 10 years. I see it is on the Netflix Instant Queue, I might watch it later today. I remember it being a good film
 
More than two decades after I've heard the song and read the book, I've finally seen the film The Loneliness of the Long Distance Runner (1962).
Quite good, with a well edited grand finale. Lots of the content (the flashbacks) had disappeared from my mind (I can't remember it from the book), so I can't compare that well. From the book I remember the running more than the main character's background. The song Jerusalem was sung prominently in the film. I can't help wondering if Bruce has seen this and that this may have attributed to his fascination for it and for William Blake. Naturally, he probably has sung the song on his school before he'd seen the film. Who knows.

Now, like bearfan, I have a question.

I remember a film (probably a film for youth, perhaps typically for boys?) in which a small sized boy had some (magical?) gift to run very fast?
I am not sue but I think he got pestered at school, but when they started running he had some special (ridiculously strong) power to run way faster than the others. It made quite an impression me when I saw it. For the rest I only think that the guy was wearing white sports clothes. I'm curious if some of you have seen something like this, and perhaps even may have the title.
 
1. What are your favorite films?
Mr Nobody (2009).

Also to be mentioned: 3:10 To Yuma (2007), Still Crazy (1998), Road To Perdition (2002), Outlander (2008), Master and Commander (2003), The 13th Warrior (1998), Oblivion (2013).
2. Do you also appreciate older films? Which ones?
The Good, the Bad and the Ugly (1966), Star Wars (1977), Blade Runner (1982).
3. Do you have favorite directors?
Jaco Van Dormael.
4. Do you have favorite actors?
Not really, I care more about specific characters but I will mention Sean Bean, Jim Caviezel, Russel Crowe, Cate Blanchett, Bill Nighy, Christoph Waltz and Alan Rickman.
5. Which genres do you prefer?
Science fiction, fantasy.
 
Actress Audrey Totter died last Thursday at age 95 (8 days before her 96th birthday).
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I know her especially from some strong film noirs such as Lady in the Lake (1947), The Set-up (1949) and Tension (1950).

And today Peter O'Toole (81) died. He acted til last year. We discussed him last August. Obituary: click
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Well, well... Joan Fontaine also died yesterday. As far as I am aware, now that both her and Audrey Totter are gone, that leaves only three actors of comparable age alive (born in WW1-era): her older sister Olivia De Havilland with whom she had a lifelong feud, Eli Wallach and Kirk Douglas.

Most of us probably know Fontaine from her Hitchcock films, Rebecca (1940), Suspicion (1941) or Jane Eyre (1943). She won an Oscar for Suspicion. As odd as it may sounds, this feat made her the only actor who won an Oscar for a main role in a Hitchcock film.
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More here:
http://variety.com/2013/film/news/j...-of-hitchcock-classics-dies-at-96-1200960743/
 
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Three excellent Hitchcock films, though I would have liked to have seen what he could have done with Rebecca had he not been instructed to stay so close to the book.
 
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