Onhell said:
Really? That is very interesting. Upon first listen I felt it was a return to roots album, it sounded (and still does) very 80's. Most of the people that I lent it too came to the same conclusion (the rest flat out didn't like it). I think that is what sneaky means by unoriginal. It took all the golden formulas from past albums and smashed them into BNW.
First I'd like to point out that I have never heard something like this before. I don't remember any reviewer, bandmember or anyone else stating something like you did. So I am interested as well!
When talking about music, I always try to respect totally opposed opinions, but it's easier for me to understand them when they are explained a bit more (if possible). Please, don't get too angry by the following (I know you sometimes hate it when someone else says something about your post), I am only doing this because I am curious...
-What's
unoriginal about
Brave New World?
-What are these
golden formulas, taken from the past?
-What
sounds 80's on
Brave New World?
Has your impression more to do with some kind of positive feeling than with analyzing music? A feeling can be fed by a broader range of things. Perhaps your friends and you
like this album very much, thus comparing it automatically with Maiden's work you
like from the 80's?
To put it in a somewhat exagerated and ridiculous manner:
*Beavis and Butthead voices on*
"Yeah the 80's. Those were the golden years, that was good stuff. BNW is good stuff too. H did good stuff in the 80's. H is back! Bruce is back! He sounded great in the 80's. They are back! Yeah, so because they are back, and because Brave New World is as good as Maiden was in the 80's, it must sound like the 80's"
*Beavis and Butthead voices off*
My own pick: Maiden never used formulas, they just did what came up. Yes, they have an own recognizable sound and style, with trademark ingredients. But in my ears BNW certainly sounds like something new, something different compared with previous albums. I hear new things (as explained: miles away from stuff on their eighties albums) on this record. Instead of being in a nostalgic mood, and leaning on classic albums, the band was simply injected by new energy.
I don't hear they repeated/recycled their earlier melodies or riffs, except the couplet riff in
Ghost of the Navigator which reminds me of the couplet riff in
Can I Play With Madness.