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Fear is double, Book is triple. Light and Sorrows very good on Book, but there's a whole lotta tedium going on everywhere else. Fear's lightweight but fun so gets my vote.

Piece of Mind – one hand tickles brain, the other punches face! Killers – youthful vibrancy with a little experience. Powerslave – golden logo for a reason. The Final Frontier – out of the box brilliance. Seventh Son – great songs. No Prayer – dirty, don’t care attitude. Iron Maiden – classic...

Beast to Powerslave. Had to include POM and PS, and whilst not a huge fan of neither Beast nor SIT, Beast on the Road was far superior to Somewhere on Tour. Plus 1982 going forward was very exciting whereas 1986, from a Maiden standpoint, wasn't as much.

Montsegur El Dorado These Colours Don't Run Lots of close ones in the first 4, but didn't bother checking the last 2.

Wasn't impressed on release but love it now. It's my number 5.

I thought this was non-Blaze.

Empire of the Clouds Shadows of the Valley Senjutsu Death of the Celts Wasting Love

That was fantastic. Thought Sabbath would start with Black Sabbath after the bell intro but, alas no. It's such an iconic sound that can only be replicated by these four guys. It's the only downer for me but it's a biggie.

Iron Maiden: classic Killers: power The Number Of The Beast: pop Piece Of Mind: prog Powerslave: peak Somewhere In Time: synths Seventh Son Of A Seventh Son: songs No Prayer For The Dying: masculine Fear Of The Dark: feminine The X Factor: dry Virtual XI: wet Brave New World: spring Dance Of...

I saw them from '82 to '88, so I'd pick a very early Ruskin thing and AMOLAD.

SIT. On the old board especially. I seem to remember it was mostly highly rated by Americans. I think the band's profile was raised over there around that time, with LAD about. Played BNW recently and was impressed, bar Dream of Mirrors which sounds like a Blaze era track.

AI using Nicko's old stuff :puke:

:ok:

About spontaneity; I assume they have a click running to keep in sync with the screens. Maybe just on those songs with more complex visuals. Hopefully that's all they use, but pitch correction would be tempting. :confused:

Fear and Hallowed, went for the former although it's a fun, dumb singalong and has got a nice key change/solo in the middle.

I've misgendered Sweep all my life.

Final shot reminds of Calling All Stations - Genesis.

I watched on yt and thought it was great, the screen epic for Rime and Hallowed. About time they moved on, changing things up a bit. Good timing now Nico's sadly gone.

Like Motorhead, I group their albums in sixes. Saxon - Crusader - Britain (sailing to America!) Innocence - Dogs - Usa west and then south (walking through Tokyo!) Beast - Labyrinth - Euro Arms - Damnation - World? idk I'm old so love the first 3, but their 21st century run is exceptional.

In 1984 I owned a Yamaha RD350LC. Bar the odd session, it’s the most fun I’ve ever had with my clothes on. In livery of white and red, with Rush’s Red Barchetta in my head, I screamed through the country lanes. When you opened the taps and it came on song, the front wheel lifted and it felt like...