Blaze Bayley

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Blaze was in great spirits and you could see he was enjoying the whole thing as was the crowd.

His banter with the crowd after he said `scream for me Knebworth` when it wasn`t loud enough was fun. He went on to say that tomorrow when` my friend` asks you to scream for me Knebworth that wouldn`t do for him so let`s try that again for me. All in good spirits and taken that way and yes a much louder scream followed.
 
Blaze was in great spirits and you could see he was enjoying the whole thing as was the crowd.

His banter with the crowd after he said `scream for me Knebworth` when it wasn`t loud enough was fun. He went on to say that tomorrow when` my friend` asks you to scream for me Knebworth that wouldn`t do for him so let`s try that again for me. All in good spirits and taken that way and yes a much louder scream followed.
I miss this blaze and a strong performancen

 
Yeah, I think his best singing was in the BLAZE and the early Blaze Bayley years. While his singing is more comfortable and sustainable for him nowadays when he's dropping the key, something is lost.
Nowadays he do it for fun i think. I think its the first time.he tour SA now. But the show i went he was relaxed and having fun in a amateur way.
 
Yeah, I think his best singing was in the BLAZE and the early Blaze Bayley years. While his singing is more comfortable and sustainable for him nowadays when he's dropping the key, something is lost.
The BLAZE years were a revelation for how he could sound on a record with a top-notch producer. On TXF and VXI, he's given few favors when it comes to dressing up his performance the way Andy Sneap was able to, which gave a good-but-limited singer an aura of power. On the Maiden records--though he sounded better and more confident on VXI, his voice was left pretty bare and exposed. I was skeptical of how things would turn out when he announced his solo career, even though I loved his Maiden records. It just looked like a bad situation that couldn't turn out well. But those first three, he just sounded completely worthy of commanding a solo record, and a lot was down to the production (and vocal layering).

Nowadays he do it for fun i think.
With the financial struggles he's had over the 20+ years he's had since leaving Maiden, I imagine he still has to work unless he's been smart enough to pack some money away. That said, it's hard to imagine he was making enough post the early 2010s when he said he was broke to do that. Probably an apples and oranges comparison, but Devin Townsend said a while back he made about $60,000 a year as a solo artist after expenses. With Devin's crowds vs Blaze's crowds, I imagine Blaze is doing well enough to get by and have a little fun money.

The strange thing about how it's worked for him is that it took him until he was almost in his sixties before show attendance really turned around. Even in the BLAZE days, there were stories from others in the band that there might be 25 people there to see the show. Just listened to an interview where Blaze himself said he had 7 show up one night. Nowadays, he's regularly selling out clubs, which is great and I'm happy for him. I hope he gets an additional boost with the Eddfest visibility.

{EDITED to add a few more thoughts in first paragraph}
 
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The BLAZE years were a revelation for how he could sound on a record with a top-notch producer. On TXF and VXI, he's given few favors when it comes to dressing up his performance the way Andy Sneap was able to, which gave a good-but-limited singer an aura of power. On the Maiden records--though he sounded better and more confident on VXI, his voice was left pretty bare and exposed. I was skeptical of how things would turn out when he announced his solo career, even though I loved his Maiden records. It just looked like a bad situation that couldn't turn out well. But those first three, he just sounded completely worthy of commanding a solo record, and a lot was down to the production (and vocal layering).


With the financial struggles he's had over the 20+ years he's had since leaving Maiden, I imagine he still has to work unless he's been smart enough to pack some money away. That said, it's hard to imagine he was making enough post the early 2010s when he said he was broke to do that. Probably an apples and oranges comparison, but Devin Townsend said a while back he made about $60,000 a year as a solo artist after expenses. With Devin's crowds vs Blaze's crowds, I imagine Blaze is doing well enough to get by and have a little fun money.

The strange thing about how it's worked for him is that it took him until he was almost in his sixties before show attendance really turned around. Even in the BLAZE days, there were stories from others in the band that there might be 25 people there to see the show. Just listened to an interview where Blaze himself said he had 7 show up one night. Nowadays, he's regularly selling out clubs, which is great and I'm happy for him. I hope he gets an additional boost with the Eddfest visibility.

{EDITED to add a few more thoughts in first paragraph}
The show i saw were maybe for 200 people. But i remember one of the best bruce shows was in front of 800 people in a small club in spain in 1998. I can see why bruce returned to maiden. Blaze i dont know but he seems to enjoy his place now.
 
What a great setlist. Why he wasnt allowed to play this at kenbworth in front of all maiden fans... i dont understand
Much improved over what his "headline" setlist was at Eddfest. Only an hour? C'mon, Rod.
 
The BLAZE years were a revelation for how he could sound on a record with a top-notch producer. On TXF and VXI, he's given few favors when it comes to dressing up his performance the way Andy Sneap was able to, which gave a good-but-limited singer an aura of power. On the Maiden records--though he sounded better and more confident on VXI, his voice was left pretty bare and exposed. I was skeptical of how things would turn out when he announced his solo career, even though I loved his Maiden records. It just looked like a bad situation that couldn't turn out well. But those first three, he just sounded completely worthy of commanding a solo record, and a lot was down to the production (and vocal layering).


With the financial struggles he's had over the 20+ years he's had since leaving Maiden, I imagine he still has to work unless he's been smart enough to pack some money away. That said, it's hard to imagine he was making enough post the early 2010s when he said he was broke to do that. Probably an apples and oranges comparison, but Devin Townsend said a while back he made about $60,000 a year as a solo artist after expenses. With Devin's crowds vs Blaze's crowds, I imagine Blaze is doing well enough to get by and have a little fun money.

The strange thing about how it's worked for him is that it took him until he was almost in his sixties before show attendance really turned around. Even in the BLAZE days, there were stories from others in the band that there might be 25 people there to see the show. Just listened to an interview where Blaze himself said he had 7 show up one night. Nowadays, he's regularly selling out clubs, which is great and I'm happy for him. I hope he gets an additional boost with the Eddfest visibility.

{EDITED to add a few more thoughts in first paragraph}

I think you're absolutely right on the three first albums; but having listened through his material again this summer...

Production on The Man Who Would Not Die and Promise and Terror fits the material perfectly. Blaze is screaming his vocal cords out on those performances and those are my favourite records. Not sustainable singing over time, but he sounds amazing.

I also feel the Infinite Entanglement-trilogy have tons of great writing and songs. Possibly better than the first three. Production and some crazy choices combined, it tips very close to the edge on total impression though - but it stays afloat. I like to imagine these records done with Sneap or someone equally competent. The guitars are very competently played; not sold on the drumming; but the tone and sound is both weirdly mixed and sometimes it's just a strong vocal keeping it together.
 
As for his solo career, and as someone who first saw him live in 2005 at the Big Bash (pretty good attendance, couple hundred people maybe), I'm so glad he's doing well now and it seems like his popularity is way up than it was in the 2000s, even though I think the solo material was better than. I still like his new albums though.

As for his voice, from 2000 to 2010/2011ish his voice was a revelation. I remember thinking he could sing anything with incredible power. That's the BLAZE era albums and the other two he did (Man who would not die and promise and terror).

His voice was still great on the infinite entanglement trilogy but I noticed he's not quite as powerful singing some verses as he used to be.

I saw him live in 2024, after his heart attack and thought, whilst he was still great it was the first time I felt he didn't have the raw power he used to.

That being said, going off what I've seen of live performances he's done in 2026, I think that the heart attack had temporarily robbed him of his full power (not surprisingly) but now he's recovered his voice is still brilliant.

His peak was absolutely the first decade of his solo career though. Some of my favourite metal vocals ever on all those albums and As Live as it Gets.

He did some great singing in Maiden I think but he wasn't well produced or handled by Steve really.
 
He did some great singing in Maiden I think but he wasn't well produced or handled by Steve really.

Yeah, it's pretty notable how both Paul & Bruce have praised Martin Birch's ability to guide their vocal performance and how their studio experience with Birch made them a better singer. Blaze didn't have that luxury during his Maiden tenure. And of course his position was to be a "yes Sir!" man rather than a healthy "counter force" that Bruce sometimes managed to be, so he probably didn't even think about having much of a say on how they should be produced and arrange stuff for live setting etc.
 
Yeah, it's pretty notable how both Paul & Bruce have praised Martin Birch's ability to guide their vocal performance and how their studio experience with Birch made them a better singer. Blaze didn't have that luxury during his Maiden tenure. And of course his position was to be a "yes Sir!" man rather than a healthy "counter force" that Bruce sometimes managed to be, so he probably didn't even think about having much of a say on how they should be produced and arrange stuff for live setting etc.
Blaze has admitted since that X Factor took too long to make and Virtual XI was rushed, totally the opposite problem.
 
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