Bruce and Slash, but I haven't been able to find quotes from Slash saying what a great album Bruce's new album is going to be...


Well i dont expect an amazing solo from slash apart of his now classical "tiroririroiriroriro".Bruce and Slash, but I haven't been able to find quotes from Slash saying what a great album Bruce's new album is going to be...
16 or 18 songs, Bruce? Maybe Steve convinced Maiden to do one again... he will put 9 or 10 songs, not more.![]()
BRUCE DICKINSON On His Next Solo Album: 'We Did 16 Tracks In 21 Days, All 100 Percent Live'
IRON MAIDEN vocalist Bruce Dickinson has revealed that he recorded 16 songs for his new solo album over a three-week period earlier this year. Bruce's next LP, which won't arrive before 2027, will be the follow-up to "The Mandrake Project", which came out in March 2024 via BMG. Dickinson's...blabbermouth.net
Well...I'm...hmm...please define "live" Bruce. I am entirely skeptical of a completely live album (vocals and all) of new material.
I’m pretty sure BNW was individually tracked with plenty of overdubs. Hence why it sounds better than every album since.BNW (or AMOLAD) is how a ''live in the studio record” should sound
No, there's nothing that indicates that most of the recording wasn't done live and compiled, especially as they have said as much. The skeleton certainly should be live. Though, the instruments are quite clearly very isolated from eachother so it doesn't have much of the live-in-a-room sound- we don't certainly hear any room tracks either. The vocals would be done in a booth with plenty of overdubs, - we're obviously not getting one-take vocals here, and the drum sound has a rather fair share of sample reinforcement/replacement.I’m pretty sure BNW was individually tracked with plenty of overdubs. Hence why it sounds better than every album since.
I think it sounds pretty big but unnatural. Too much sample and not enough real drums in the mix. A Matter of Life and Death is the best sounding post reunion album to my ears but Brave New World is the most polished.Anybody here genuinely likes the drum sound on Brave New World? I’ve always found it a bit weak.
Well, they are samples of his kit blended with live hits, but yeah, the hits sound too big, too consistent and the drum components are too isolated with about zero bleed. I agree with you about AMOLAD, gauging from a perspective of "real sounding drums" over sample replaced (though it sounds like there are drum samples in there too).I think it sounds pretty big but unnatural. Too much sample and not enough real drums in the mix. A Matter of Life and Death is the best sounding post reunion album to my ears but Brave New World is the most polished.
I'm pretty sure Shirley's used bass drum samples at least on some tracks for all of the albums he's produced, including the live mixes. TBOS and Senjutsu might be the ones with the least obvious sample use, but Isle of Avalon for example is downright blatant in an otherwise pretty shoddy sounding mix.Well, they are samples of his kit blended with live hits, but yeah, the hits sound too big, too consistent and the drum components are too isolated with about zero bleed. I agree with you about AMOLAD, gauging from a perspective of "real sounding drums" over sample replaced (though it sounds like there are drum samples in there too).
The speed with which they blazed through recording this has me a bit worried, especially since a big criticism of TMP was that more Bruce vocal takes would've helped the final product. However, Brendan Duffey has a year to play around with it before it releases.16 or 18 songs, Bruce? Maybe Steve convinced Maiden to do one again... he will put 9 or 10 songs, not more.
Bruce's vocals will also depend on the takes, but recordings in less than a month probably didn't suggest a lot of takes. Overdubs? I kind of doubt it.
It could absolutely be that. Also, let's not forget the financial factor. Studio albums are loss leaders these days, whereas live is where the money is. The way I see it, an emphasis on producing a great sounding album has dropped throughout the reunion era. Also, Bruce's first new album in the midst of Maiden's drop in sonic studio quality, The Mandrake Project, also doesn't hold up sound-wise to his previous albums. The thought could be as simple as: get it down on tape, release it so fans know the songs, and tour it--all while cutting down on costly studio time.Could it be that this also has to do with a personality trait of Bruce’s that may have become more pronounced over time as he’s gotten older?
That he gets very enthusiastic and excited quickly, and therefore also finishes things very quickly, because everything is already the absolute best. Whereas the opposite type of person can’t stop tweaking things, even though they’re already very good.
I think they spent last year a few weeks in rhe studio too.The speed with which they blazed through recording this has me a bit worried, especially since a big criticism of TMP was that more Bruce vocal takes would've helped the final product. However, Brendan Duffey has a year to play around with it before it releases.
I agree the album will be around 10 songs, give or take. It does make me wonder what'll happen with the others. The day of the single + B-side is over, which was used to great effect with the Balls to Picasso singles where we got a mess of unused tracks. As for Maiden? I imagine if Steve wanted any of the material, he'd have Maiden re-record it the way they did with Bring Your Daughter.
My guess is we're looking at a situation like he and Roy had post-Tyranny of Souls. The pair of them had amassed a backlog of leftover material and saved it for what would become The Mandrake Project. These leftovers might end up on the next solo release.
